It's simple work. [Issue#139, p.116]

It's a shame the buggy controls make fighting through it a chore. [Issue#139, p.115]

Hasn't soured our memories of the original completely. [Issue#139, p.114]

The most assured kid-aimed title to hit the market this generation. [Issue#139, p.112]

It'll only disappoint if you're expecting something on PS3 scale. [Issue#139, p.109]

The switch to consoles has weakened the presentation of the game. [Issue#139, p.108]

Challenging and dynamic. [Issue#139, p.107]

A carefree explosion of ideas both tasteful and vulgar. [Issue#139, p.104]

Wasted potential. [Issue#139, p.98]

For a game that focuses on the presumably brisk and stressful art of armed robbery, Payday 2 involves one heck of a lot of waiting around. [Issue#139, p.96]

Here's hoping that when the Wii U picks up steam, The Wonderful 101 is still around. [Issue#139, p.94]

Most will likely find it a fairly inoffensive time-consumer. But it is a new low for the series. [Issue#139, p.90]

Volition needs to plan its next steps carefully, or run the risk of losing the fan base it has worked so hard to claw away from those that didn't quite click with GTA IV. [Issue#139, p.86]

FIFA 14 is probably the least revolutionary football game in some years – a near carbon copy of its predecessor that makes tiny adjustments in key areas, the likes of which many players might not even notice.

Sam Houser compared the making of Rockstar’s epic to the troubled production of Francis Ford Coppola’s Apocalypse Now, and in some ways the same result has been met: a product that represents the peak of the blockbuster triple-A form, that realises grand ambition without visible compromise.

A gorgeous looking game. We’ve said it before, but it’s one of the few games where the promotional imagery doesn’t do it justice.

If you can find a steady stream of people to play against, you'll discover Gun Monkeys to be tremendous, if rather basic, fun. [Issue#138, p.116]

Entertaining it most certainly is, but WayForward should really be pushing a little bit harder than this. [Issue#138, p.116]

It's just a shame the combat side of Capsized is hampered by something the developers can do little about. [Issue#138, p.115]

As a straight-up FPS, Deus Ex: The Fall is an unequivocal failure. But as a stealth think-'em-up, it's a triumph of good first-person game design on a format that is, historically speaking, stubbornly ill-suited to similar fare. [Issue#138, p.114]

Quite easily one of the best Dynasty Warriors games for a long time. [Issue#138, p.112]

There's a creeping sense that [the game] cares less about the player, and more the clinking in their coffers. [Issue#138, p.111]

Outside of a few key moments when things get changed up, gameplay is only ever average at best. [Issue#138, p.108]

An unremarkable game, but enjoyable in its own quiet way. [Issue#138, p.106]

Intoxicating stuff. [Issue#138, p.102]

The most refined take on the genre yet. [Issue#138, p.98]

Gone Home is the kind of work that will impress people who write off the medium because of the prevalence of guns in commercial titles. Its potential wider significance aside, however, the Greenbriars’ story is unforgettable.

There’s a slight monotony to the enemy design after some time, but each complaint we try to construct feels all but meaningless in the face of how pure and satisfying an experience Rogue Legacy manages to be.