Long may the Duck Detective franchise continue. If this game is anything to go by, it has a bright, compelling future ahead.

The game may not be perfect, but it is a really meaty fiesta of fighting. Tearing demons asunder will never not be cool as hell, and for that reason alone, I can easily see myself coming back to DOOM: The Dark Ages time and time again – especially after a particularly stressful week.

In the balance of these elements – the peace and novelty of investigation, and the immediate dread of enemy attacks – The Horror at Highrook is a wonderfully sharp horror game. It’s not outright scary, but its supernatural tone, and the well-crafted shifts in gameplay style make for a spooky, scary experience that keeps you locked into the action. Its simplicity, on the surface, is a smokescreen for deep mechanics that well-serve an enthralling story of dreadful consequences.

While it’s not quite perfect, this is a really stunning showing from developer Sandfall Interactive. Clair Obscur: Expedition 33 had me feeling my own mortality (as someone in their early 30s, perhaps it hit a little close to home) and man, I love when a game has the narrative gumption to do that.

In that marriage of substance, style, and strangeness, it’s a thoroughly engaging experience – one that I blasted through in just a few days, barely in control of my need to keep forging on. It’s moreish and brilliant that way, even when it’s off-puttingly bizarre. Strong stylistic choices, and a bundle of gameplay mechanics mashed together in surprising fashion make this a very strong adventure, destined to be weirdo favourite. As one of the weirdos in question, Promise Mascot Agency was absolutely for me.

South of Midnight is an incredible experience – and a rare fantasy adventure that grasps deeper themes whole-heartedly, telling a story that is cinematic, dynamic, beautiful, and heart-wrenching at every turn. What a wonderful world we live in, that games like South of Midnight exist.

That’s the beauty of Atomfall. It’s a very strong, open-ended game that prioritises a freedom of choice. No two experiences will be the same, and no two pathways will unlock the same ending options. While the game isn’t a stellar all-rounder, with combat being particularly beige, it succeeds on the strength of its aesthetics, its storytelling, and its detective work. Allow yourself the time to wander freely, and the game will generously reveal a world of rich mysteries.

At the end of the day, it’s a game about killing. But here, death and beauty are linked – and the act of killing is given a gravity that must be clearly understood. It’s not killing for the sake of killing, and while past games have tried the same tact in their depictions of death, the approach of Assassin’s Creed Shadows feels far more mature and interesting.

If you haven’t already, though, play through Overboard! first. Just trust me on this and don’t ask any questions.

As a whole, WWE 2K25 feels like a small but impactful step up from its direct predecessor, and an overall better game. So, the good streak of Visual Concepts and 2K continues.

Whether in sandbox or campaign modes, Two Point Museum lets you dream up your perfect museum, and gives you the tools to realise your creative vision. While it does occasionally force you to pump the breaks on your ambitions, with a focus on careful placement and research over easy wins, this pacing makes the entire game a more thoughtful, deep experience. Take your time, smell the roses and dinosaur bones, and Two Point Museum will open your eyes to the possibilities of your imagination.

Monster Hunter Wilds continues to push Monster Hunter into the mainstream, unapologetically presenting all the weirdness and wonder of fighting giant monsters and inviting everyone from die-hands to first-timers to jump on board.

If Yakuza/LAD is the MCU of video games, then Like a Dragon: Pirate Yakuza in Hawaii is its Thor: Ragnarok. It’s an enjoyably breezy romp that opens the property up in a fun new direction, but that still feels shackled to what came before.

Avowed is an incredibly dense game, and one that encourages you to invest in its world. You won’t need much pushing, though – its strengths sing on their own, and they’re easy to see from the jump. Those looking for the next big fantasy RPG, rich with lore and opportunities to engage, will find it here.

For now though, Civilization VII is a compellingly bold step in a new direction that’s brimming with fantastic ideas and brilliant design, but feels unfortunately narrow on subsequent runs. It’s a fertile land awaiting its empire.

It’s in these ideas that Nikoderiko: The Magical World shines brightest. While it’s clear the game would not exist without the likes of Crash Bandicoot or Donkey Kong, this is nostalgia done right. There are familiar ideas in the adventure, but each is transformed in a way that makes the journey of Niko and Luna feel so wonderfully creative, bright, and consistently brilliant along the way.

Fans of the original game will likely devour this remaster, with an appreciation for the care in its visual revamp. Those looking to play it for the first time may be surprised by its high bar of difficulty. But there is a rich (and slightly smug) satisfaction to be found in conquering its many layered worlds – whether you give in to the monkey madness, or maintain a more level head. What matters is that you press on, and greet the game’s many challenges with your ape arms swinging.

There is such a richness in these games, and I’m so glad their re-release in remastered form allowed me to finally experience them. Legacy of Kain: Soul Reaver 1&2 Remastered is a brilliant collection for those who love Soul Reaver, and the perfect introduction for new, curious players.

Under a critical light, Indiana Jones and the Great Circle shines for me. It’s clear the MachineGames team has done its due diligence in making sure that no matter how stark a light you cast upon it, the excitement and nostalgic joy you get from playing the game speaks for itself.

The very existence of Lego Horizon Adventures is strange. That’s hard to deny. But with its buoyant sense of silliness and glee, this franchise adaptation elevates itself beyond doubts. It’s a frenetic, lively little adventure, and one that indulges in being weird and wonderful.

Regardless of my particular talent, I’m having a blast with Planet Coaster 2. It’s certainly on track to eclipse its predecessor, and will no doubt build on lessons learned to become a better-rounded and more feature-rich game in future. While there will inevitably be a deluge of DLC to boost the game’s ride options and customisation, they will simply be decorations on an already-sweet cake.

The team at Leikir Studio have managed to transplant the spirit of Metal Slug into an entirely different type of game here – and it’s nothing short of miraculous. Metal Slug Tactics is a marvel of clever design, as well as an utter joy to play, and I really hope that it’s the start of a long-running sub-series for the Metal Slug franchise.

Mario & Luigi: Brothership is an absolute delight, all told. Strong themes and art direction buoy a light, well-meaning narrative that is further enhanced by dynamic combat, and a real sense of cohesion in overall game design. The Mario & Luigi franchise has a daunting legacy. Acquire has crafted a tale that more than lives up to it.

Metaphor: ReFantazio is truly unique and benefits from both a rock-solid development pedigree and a vision for original ideas. Genre connoisseurs will find more of what they love and newcomers will have a truly memorable first-time experience.

There’s secrets upon secrets in this expansion pack, and revealing them makes for a wonderfully scandalous, but entirely satisfying time. It’s appropriate that one of the new features in The Sims 4 Life and Death is rebirth, because that’s exactly what this expansion pack delivers.

Life grows ever stranger in Life is Strange: Double Exposure, but with its hook-filled narrative buoyed by excellent performances and writing – not to mention a beautiful, reflective indie soundtrack – the game unravels with style and aplomb. Max deserves the world, and in Double Exposure, it’s great to see her getting another chance to shine.

Dragon Age: The Veilguard feels like it ticks almost all my boxes. It's fun, it's grippy, it's cheeky. There are steamy moments. There are freaks. It's a game that feels like it was almost entirely made for me, and while it may not be perfect on a clinical level, it's deeply satisfying to explore.

Personally, I think this year’s mix of songs is perfect, and it makes 2025 Edition a great jumping on point for all the newbies, and for any wayward doubters. At the end of the day, you’re welcome to make fun of Just Dance if you like… but I can’t hear you. I’m too busy jamming out, and working on my fitness.