The fact that the game is so terribly easy, giving even the more gaming challenged gamer the capabilities to blast their way through the game in a mere weekend, gives the impression that Red Dead Revolver was never really meant for the hardcore types.

Humour has been shoe-horned in there, ranging from the grin inducing, all the way to the stone cold stare.

The sight jacking feature is one of the most ingenious inclusions, and something that now it’s here, I wonder just why it hasn’t cropped up in the gaming world somewhere before.

The combat system which at first feels quite intuitive, can at certain times become overly repetitive and tedious. Plus the fact that the NPC characters are just inherently boring doesn't help matters either.

Take away the license for IndyCar Series and you are left with nothing more than a below average racer.

Despite the flaws, and perhaps the slight over reliance on the "extreme physics" in order to gain a few more sales, Flatout is a quite solid, if never spectacular racing title. If you can work your way through the slow start, once the faster, more powerful cars become available to you, you'll be a very happy man (or woman).

An excellent effort on the part of Namco, and is a competent title that just could have been more.

The single player experience never ranges either way from being stunningly average, and therefore this PS2 exclusive is a major disappointment.

Unfortunately the multiplayer modes don’t offer any extra gameplay depth, only offering the usual death match and capture the flag modes, coupled with a few tacked on others for up to four people.

It’s been surpassed in both it’s genre, and it’s subject matter, so once again it seems that Tenchu will stay in the dark world of the cult classic, and have to wait for it’s next instalment to possibly burst it’s way into the minds of more gamers.

After witnessing and playing through some of the most incredibly well designed, and fantastically vast levels in Halo 2, there's nothing but disappointment to gain from Killzone.

The sheer quality, and depth put into developing the world found in Moment OF Silence, and the astonishingly high quality storyline pushing you along as quite the perfect rate is quite dazzling.

It’s hard not to feel that everybody would have been happier if Tak went straight to the TV screens.

X-File fans are going to adore this. Sadly enough, to the rest of us we’re left with an uninspiring, if mildly enjoyable, Resident Evil clone with a few moments of annoyance as we find ourselves missing other subtle references to the TV series.

The high difficulty will be a major cause of frustration to quite a high number of you out there, so those on the lookout for an easy ride may be well advised to steer well clear.

None of the major elements in the game is anything that hasn’t been seen in other stealth games. Nor are they as good. Which gives it the score of 6, but Alias fans should take that score with a pinch of salt...

It falls just short of having anything that innovative or of a grand scale enough to rise above the crowd and become one of "the few and the proud", must-have titles of our day.

Ugly, jerky, and all round poorly presented characters culminate in cut scenes that you’d wish you could just skip right on.

Despite the short length, the few hours you’ll find yourself playing the game, you will be quite enthralled.

It appears as if Team 17 are eager to kill their Worms series with new additions. Gimmicks do nothing for a game like Worms.

It is very depressing to see a game unashamedly take ideas from existing franchises. Worst still, Black Ship Games have not in anyway tried to improve on the game they so hopelessly ripped off.

Two nice game styles, both of which are nice enough to warrant addictive gameplay, yet both suffer from a very shallow nature.

A game that can only really be recommended to gamers who’ll regularly make use of the multiplayer play.

The graphics are average at best, and at worst are no better than some of the later PS1 titles with some very rudimentary texture’s. The levels themselves, right from the off seem to be needing another few months work to give them a much more paced feeling.

It's unfortunate to see that the graphics in game hasn't appeared to change too much either. Viewed from a isometric viewpoint, the game appears drab and just astonishingly unattractive.

The average aesthetics, the incredibly poor enemy AI, and poor linear level design drag down the score. The sense of actually being in a terrifying conflict however is well done here, and praise must go to the developers for creating quite an immersive experience.

If you have a creation fix which has grown and nurtured with The Sims and it’s ilk, then no doubt this is a logical next step and you’ll find there’s hours of enjoyment to be had as you get your virtual Romeo and Juliet to consummate their blossoming relationship. If however you’re the complete opposite, it’s a given that you’ll find this to be a dull and repetitive experience.

Despite the enjoyment that the moments of driving can offer, the astonishingly poor "walkabout" sections detract so much from the game, and crop up in such a number, that even those who adored the first Driver wouldn't be able to put up with it.