A lacking port across the board, and a terrible multiplayer experience for all involved. Any decent content it possesses is buried under a pile of rubbish-based visuals, poor hit detection and missing content. If you must get medieval, be patient and wait for Ubisoft's For Honor. You'll have a far better time – and get a better quality game to boot.

Wolfenstein: Cyberpilot is too light on content to make it worth the price, and what it does well is overshadowed by clunky locomotion and a lack of attention to detail in both level design and VR implementation. Ultimately, Wolfenstein: Cyberpilot feels like a tech demo more than a full length VR experience.

It’s easy to see what Camel 101 was going for as it constructed Those Who Remain’s dark and foreboding world, but while the intent was noble, the execution leaves much to be desired. The game’s low price point might appeal to someone who’s desperate for a new game to play, but any wayward souls who come across the exit for Dormont while cruising the horror game highway should just keep on driving.

Vane is a unique, almost-therapeutic experience with a magical world to explore. Unfortunately, the controls are pretty awful. If you can deal with that major issue, though, you'll find a somewhat worthwhile adventure.

Corpse of Discovery could've been a worthwhile narrative experience had it not been ruined by its massive performance issues and obnoxious platforming gameplay.

The lack of passion Dambuster Studios clearly felt when developing Homefront: The Revolution shines through in the game’s lackluster story, bland gameplay, and misused setting. Even if you enjoyed the original Homefront, you’re better off sitting this revolution out.

Blood Alloy: Reborn could have been something special, but it's a clear victim of limited funding and hurried development.

You can squeeze a few hours of fun out of Scribblenauts Showdown, but frankly this isn’t the next-generation Scribblenauts game that fans of the original were hoping for. It has fewer puzzles, worse controls and less replay value than any other Scribblenauts title.

While the idea of bringing down behemoths is always a good one, the way Spike Chunsoft executes it is very flawed, to the point that it gets old after an hour in. Even the promise of online multiplayer isn't enough to fix the big problems on display here. Watch the TV series instead.

There are few genres as universally appealing as the spy genre, and yet somehow Safe House manages to take that genre and suck virtually all the fun out of it. There are glimmers of a good game that occasionally flash by, but no matter how desperate you are for a new strategy/spy game to play, you should steer clear of Safe House unless the idea of hand cramps induced by endless mouse-clicking somehow sounds appealing to you.

Had Project Root thrown in a better checkpoint system and a far more rockin' soundtrack, it could be considered one of the better retro-inspired shooters on the market. As it stands, only a certain few will be able to appreciate it with its high difficulty settings.

Had the development team at Wales really tried to make Infinity Runner stand out with more diverse level design and better freedom of control, it could’ve really been something. Instead, it drags its feet just when the game is getting up to speed, and literally trips over itself in the hopes of achieving speedy greatness.

I’m not going to go so far as to call Generation Zero a straight cash grab, but charging $40 for a game that was clearly rushed out the door is a hard sin to ignore. I’m not entirely sure what Avalanche’s final vision for Generation Zero was, but it clearly wasn’t confident enough in that vision to give the game the proper care and resources that were required.

Rodea the Sky Soldier has to be one of the biggest letdowns of the year. It's missing quite a bit, including comprehensive gameplay, solid visuals and any sort of option to play like the original Wii version does. It's sad to say that this high-flying adventure falls flat before it stands a chance to get started.

Teenage Mutant Ninja Turtles: Mutants in Manhattan is, at the very least, a serviceable co-op brawler infused with plenty of fun nods for longtime TMNT fans. However, its high price-point, lack of couch co-op, and repetitive gameplay are hard to ignore, making it a game which is best bought at a drastically reduced price.

One of the worst games to come down the PC pike in some time, Bombshell isn't a return to form for 3D Realms, but a reminder why the publisher was in so much trouble to begin with. A great idea is wasted off of horrible game design, bad graphic errors and a worthless audio experience. Where's Duke Nukem to kick ass when you need him?

Considering the appeal of the franchise, MX vs. ATV Supercross Encore had all the potential in the world when it came to its arrival on new consoles. Unfortunately, it squanders it with a myriad of problems, including sloppy gameplay, a lacking presentation and a lack of a genuine career mode to make you feel like you're getting anywhere. As a result, the ride just isn't the same. Here's hoping that, for its next game, Rainbow Studios goes back to basics and skips this Encore route.

The visuals have their fair amount of issues, the gameplay can't quite measure up between the frustrating missions and poorly placed "slam" technique, and the online sessions need a serious overhaul. It's still playable, and might be fun for devoted fans for the series, but there's no question that a lot more polish could've gone into Tony Hawk's revival.

This is one of the few times where a re-master would have sufficed in place of a new title.

Probably one of the most disappointing games to rear its ugly head this year, Overlord: Fellowship of Evil takes everything that worked so well in previous games and smashes it into a billion pieces in favor of a Diablo-based formula that simply doesn't work. Here's hoping this villain gets back to his dastardly ways soon, instead of following a blueprint that just isn't his style.

Perhaps the most disappointing thing about The Quiet Man is that it presents a world I want to know more about. I like the idea of a deaf vigilante-esque antihero doing his best to find the good in a world of darkness and violence, even if it means having to become a force of darkness and violence himself. However, in the case of The Quiet Man, that strong premise is squandered by lazy development decisions and incredibly odd artistic choices.

It may not be the most visually appealing shooter on the market but Zombies, Monsters, Robots makes up for its lack of graphical fidelity with solid gameplay, a robust community, and enough content to make even the most hardcore of shooter fans happy. Even better, since it’s an online game, Zombies, Monsters, Robots is constantly evolving which can mean only good things for the game’s future.

In its current launch state, Catlateral Damage doesn’t offer enough content to remain compelling over the long term. However, its unique premise combined with its abundant amount of potential could eventually give it the staying power it deserves.

Not only does Sparkle Unleashed reek of being a mobile game, but a mostly unoriginal one at that.

Super Chibi Knight is a fun, bite-sized adventure that has a little bit of challenge but always remains welcoming enough that anyone can enjoy it.

With only one episode left Tales From The Borderlands has proved itself a worthwhile experience. If you haven’t picked this up yet, do it now.

It may not be the most eye-catching or accessible digital CCG, but players looking for a fun F2P twist on an old classic need look no further than Final Fantasy Portal’s version of Triple Triad.

Super Time Force Ultra mixes shmup action and rewind mechanics to create a bold, action-packed experience that's also heavy on fun, referential, and witty writing.