Tomodachi Life: Living the Dream's gameplay isn't meaty enough, and it's disappointing that there are some features missing that were present in the 3DS version, like the Concert Hall. But the game is undeniably bursting with charm and is a decent distraction for a little while. Playing it in short bursts is the ideal experience, and while I don't feel the same kind of pull to never stop playing like I do with more well-rounded cozy games, I still plan on checking in on my Miis from time to time. $60 is too steep of an asking price for what's on offer, though.

Pokemon Champions is easier to tolerate because its monetization model doesn't seem to be predatory or egregious, like what we see with many other free-to-play games. It delivers fun Pokemon battles that look great, but the game's biggest issue is the lack of content. Anyone that needs a little more than endless Pokemon battles isn't going to get a lot out of Pokemon Champions, but at least those that do decide to play it regularly won't have to break the bank to enjoy it.

Pragmata certainly starts strong, but it doesn't have quite enough to stay completely engaging all the way to the end credits. It's a highly-polished sci-fi game with fun combat and exploration, but its lackluster story and characters keep it from reaching its full potential. Still, it's exciting to have a completely original IP from Capcom, and while Pragmata doesn't live up to the high bar set by some of the studio's other efforts, it's a mostly worthwhile adventure.

The shortcomings of Raccoin are, ultimately, far from game-breaking, and I still find it fun, charming, and mechanically unique: it can net you a few dozen hours of solid gameplay, easily. However, we are living through an unprecedented era of deep and vast roguelikes, many of which offer hundreds of hours of constantly evolving gameplay. Against just a handful of these more avant-garde and ambitious titles, Raccoin, despite being well-made and enjoyable, feels unessential. It may only be marginally less compelling than something like Slay the Spire 2 or Balatro, but in this time-consuming genre space, that makes a massive difference.

If you played MLB The Show 25, you can probably skip MLB The Show 26, but if you are someone that didn't check out last year's version, the new game will likely provide more value. MLB The Show 26 is iterative, not essential, and while it delivers fantastic core gameplay and enough content to keep hardcore baseball fans busy for hours on end, the franchise could definitely benefit from a more significant and daring upgrade soon.

WWE 2K26 lives in the long shadow cast by the improvements seen in WWE 2K22 throughout WWE 2K25. It even makes its own improvements to the tried-and-true formula, but it ends up disappointing far more than its predecessors. The in-ring action still hits hard, and most modes deliver the experience fans have come to expect, offering just enough variety to keep the hours ticking by. There’s fun here, but it's undermined by a lack of creative ambition. Creativity within its offerings is what elevates a good wrestling game into a memorable one, but WWE 2K26 often feels trapped in a creative plateau.

God of War Sons of Sparta is an okay prequel—the problem is that it feels like it was released before the original 2005 game, not just taking place before it. Its safe approach feels like a game made generations ago, not one released in 2026, and makes it a chapter in Kratos' life that is forgettable.

Crisol isn't a perfect survival-horror game, but that's not to say that it's not a solid time overall. I really enjoyed Crisol's combat and though the levels are a little bloated, the game still delivers a fairly solid rendition of the classic survival-horror gameplay loop. Genre fans should definitely make sure to give it a look.

Despite the fumble here, I think that an open world Metroid Prime game can work, but it can't be a half-measure like Beyond is. Beyond could have been a revolutionary step forward like Breath of the Wild was for Zelda, but instead it's a weird in-between that is only fun when it is recycling its old ideas and everything new it tries falls flat on its face. Metroid Prime 4: Beyond has an identity crisis and the result is a baffling open world surrounded by solid dungeons that still fall short of what came before.

Octopath Traveler 0 is a game I'm glad I spent time with, even if it made me sigh as often as it made me lean forward. It delivers some of the series' most memorable moments, both in how it tells its story and in how it lets you build a small corner of its world through Wishvale. At the same time, its constant cutscenes, uneven rewards, and reliance on the illusion of choice keep it from reaching the heights it seems so close to touching. For every moment I was absorbed by its atmosphere or impressed by its combat, there was another where I felt the game tug me back into a pace that wasn't my own. Even so, there is a sincerity to this entry that stuck with me. It might not be the total reinvention some fans hoped for, but it still carries the heart of the series, and that was enough to make the journey worthwhile.

There's nothing wrong with Routine from a technical standpoint, and its story, visuals, and audio are all top-tier. The problem is that the gameplay is such a slog that it makes it hard to appreciate what it does so well. It can be flat-out boring a lot of the time, and the scares simply aren't there to make up for its lack of engaging gameplay.

It's not surprising that Where Winds Meet drew millions of players after its initial release in China. Almost anyone can find something they enjoy in it, and there's enough there to sink hours into. But as a jack of all trades and master of none, it won't likely be many people's favorite.

Dragon Quest 1 and 2 HD-2D Remake is a respectful return to two foundational RPGs that still have value today, even if they don't age so gracefully in every area. The visual overhaul is excellent, the story additions work far better than expected, and the world feels more alive than it ever has. However, the shallow, slow, and repetitive combat, frequent encounters, and grind-heavy pacing hold it back from being as inviting as it could be for new players. Longtime fans will appreciate how faithfully these classics have been recreated, but anyone looking for a modernized experience may find that Dragon Quest 2 carries most of the weight while Dragon Quest 1 struggles to justify itself beyond nostalgia.

While Keeper's last 45 minutes finally offered the energy and creativity you expect from a modern Double Fine project, the 3 hours preceding it are sorely lacking those distinctive, integral elements. Keeper is a truly beautiful game where almost any and every frame can be a painting, but it's one that's best enjoyed when the controller is in someone else's hands.

Vampire: The Masquerade - Bloodlines 2 won't be a game for everyone. If you're looking for the depth and variety of content offered by other leading AAA RPGs, The Chinese Room's relatively modest take on Seattle-at-night might leave you feeling a little underwhelmed. But if you want a story that you can sink your teeth into and gameplay that, while not always given the proper room to breathe, often gets the job done, then you'll likely settle into this relaxed-fit action-adventure quite nicely. In a way, Bloodlines 2 is a fitting continuation of its predecessor's legacy: it's deeply flawed, but masterfully written.

Players who get enjoyment from titles like Minecraft or even Super Mario Maker will find that King of Meat's suite of creation tools gives them plenty of options and is fairly easy to use. But much like the core gameplay loop, this creative mode lacks the depth and complexity of any of the aforementioned games to be something that could keep creative-minded players engaged for more than a handful of sessions. King of Meat is not an objectively flawed experience, but in a year when gamers are practically drowning in one incredible game after another, a title can't really afford to be this forgettable.

Digimon Story: Time Stranger does some things right, but its repetitive quests and dungeons drag the experience down significantly, to the point where it becomes almost a chore to play at times. Still, hardcore Digimon fans may be able to overlook even its most glaring flaws, as the game was clearly built with love for the franchise.

Behind the janky combat in Hotel Barcelona, the lackluster stage design, and the annoying difficulty, there's actually an interesting story and narrative that had me wanting more. I was expecting to get a lot more lore bits each time I came back to the Hotel after dying, but that just didn't really happen. There aren't many cutscenes in Hotel Barcelona either, and it's a shame since the few that are there are quite fun to watch, like the intro.

Just like the Arsenals the game revolves around, Daemon x Machina: Titanic Scion has a very strong core, but one that frequently comes under attack. The central loop of finding new gear and experimenting with new builds and playstyles remains satisfying long after the credits roll, and there's a plethora of engaging side content for players who want the most bang for their buck. However, Titanic Scion's performance on the Nintendo Switch 2 and some clunky narrative choices often hold it back from reaching its full potential.

Cronos: The New Dawn does some great things, but going into it expecting the same level of polish and quality as the Silent Hill 2 remake is a mistake. Despite a rather unique story concept and a few clever ideas, Cronos: The New Dawn is a fairly run-of-the-mill survival-horror game with a few key flaws that hold it back from being as good as its inspirations or Bloober Team's own Silent Hill 2 remake.

Even with its blemishes and missteps,The Knightling is not bad, or even totally mediocre. Its combat is weak, its story underwhelming at best, and its open-world design is nothing to write home about, but traversal and atmosphere save the day. Indeed,The Knightling is worth recommending on the grounds of its movement abilities and soundtrack alone - it's just the rest of the package that isn't up to snuff.

Gears of War: Reloaded is a remaster of a 2006 game so players going into the game with that in mind will likely be happy with what's on offer. But those expecting a truly modernized version of this flagship Xbox game might be disappointed, especially if they're PlayStation newcomers who have been told for two decades that they're missing out on one of gaming's best experiences.

The story and haunting world of Hell is Us overshadow most shortcomings, and Rogue Factor’s message is a powerful one. The team’s refusal to hold the player’s hand may frustrate, but it also creates a unique sense of immersion and discovery. Hell is Us is meant to unsettle and provoke thought, not just entertain, and where it stumbles in one area, it succeeds in another. For players willing to overlook missing variety and conveniences, and who value atmosphere over a perfect presentation, Hell is Us offers a journey well worth taking.

Metal Eden is worth recommending to those who love challenging, fast-paced, sci-fi action similar to games like Doom — that is, if the price tag matches its length. Otherwise, this might be one of those "wait-for-sale" games, but it's nonetheless one that is worth a play once it becomes worth the money.

If Shinobi: Art of Vengeance was more challenging and had more depth to it, it would potentially be the best game in the franchise to date. As it stands, Shinobi: Art of Vengeance is still a mostly triumphant return that will keep genre fans thoroughly entertained while it lasts, and it would be great to see a follow-up that builds on its foundation to create something even bigger and better.

Midnight Murder Club is the kind of game that is dependent entirely on who you play with for it to be fun. The core concept is great and lends itself well to funny moments with friends, but the matchmaking experience is dreadful, the PvE mode is a waste of time, and the bot restrictions are head-scratching. If you can scrounge up five friends to play with, Midnight Murder Club is good for some laughs, but everyone else will be better off playing a different multiplayer game.

The complete lack of charm and content in Drag x Drive makes the game difficult to recommend, even at its budget price of $20. It's the best showcase yet of what can be accomplished with Switch 2 mouse controls, but offers little else. There is some fun to be had with Drag x Drive and perhaps future updates will make it a better game, but there isn't enough at launch to keep Switch 2 owners busy for any serious amount of time.

Mafia: The Old Country isn't a bad game, just a tepid one. Its gameplay is flaccid and restrictive, its narrative is dull and predictable, and its world has no more charm or presence than an Unreal Engine tech demo. It nails the bare minimum, but a game like this, from a franchise as beloved as Mafia, should have gone beyond that.