I wanted to like OCTOPinbs. The mix of social deduction and action gameplay is novel and could work. Sadly, the social deduction isn’t fully utilized, and while the gameplay can be fun, it quickly gets old due to the lack of content and maps. Still, I can’t say I didn’t have some fun. I was never bored, and a lot of my issues can be fixed with updates. In its current state, OCTOPinbs is hard to recommend unless you can get a few friends to buy it too at the $9.99 MSRP. There’s potential, but it’s untapped for now.

Magical Princess' story and characters may not be particularly memorable, but the surprising amount of depth makes the game a shockingly great time. Featuring tons of replayability and a reasonable price tag, Magical Princess an easy recommendation for fans of life simulation titles.

I can’t recommend Warframe enough to gamers who need a third-person shooter to play and grind for awesome loot. It’s a must-play game for gamers who gravitate toward looter shooters especially, but Nintendo fans who enjoy Splatoon can certainly have a great time too. As a plus, Warframe also supports gyro aiming, so if you’d enjoy that feature, it’s here and works really well, too.

World Heroes Perfect was an absolute blast to play, with its fast-paced action and beautiful art style. I had so much fun learning the ins and outs of the game in its training mode, and I also felt really challenged in the arcade mode. While I wasn’t able to try out the online, including rollback code is a nice touch and is going to make fights smooth, which I will be excited to try out. However, the game also slightly staggered in its presentation, with the menu feeling slightly sluggish to control and having a style that contrasts hard against the incredible hand-drawn work from the original title, and the lack of customization with the frames. While not perfect, this was a fun time and has me interested in checking out more SNK games so I can make new memories to go alongside the ones I still hold onto from long ago.

The Cosmic Abyss suffers from an overly long and exhausting plot, a forgettable and frankly unnecessary villain, a stamina system that felt tacked on more than anything else, and an empty, boring world. I wanted to like this game, but the negatives heavily outweigh the good. It’s a shame, because this is a game that does have potential, but it’s never able to realize it at all. In the end, Cthulhu: The Cosmic Abyss is a mystery best left unsolved.

I couldn’t root for any of the characters, and I was bored for most of my time with it. This game is twice as long as its predecessor but has half the narrative depth. It may look and sound great, but that can only take you so far when the story does nothing for you. Still, I can’t say the experience was bad, just a letdown. I can only recommend The Weeping Swan to those who want an epilogue to The Hungry Lamb. Just know you’ll have to finish this disappointing story to get it.

Invincible VS is a fantastic experience, regardless of whether you're a fan of the fighting game genre and the original series. While the limited roster and bare bones story mode are disappointing, the satisfying gameplay, rich mechanical systems, numerous single-player and multiplayer options, and brilliant netcode will hook you right from the start. I can't wait to see what this game's future brings.

Tomodachi Life: Living the Dream is one of the funniest games Nintendo has shipped in years, and the most expressive Mii sandbox Nintendo has ever produced. I had so much fun and struggled so much to put the game down whenever I had free time. At the same time, it’s also a sequel that often feels held back by its own publisher, considering the 3DS-era cuts, the locked-down sharing model, and systems that don’t quite honor what they ask of you. Living the Dream could have been even better, and it’s a bit frustrating to think about where Nintendo could have elevated this game further. Still, none of those flaws changes what this is. Even with everything Nintendo holds back from it, this is the most fun I’ve had with a Switch first-party game in a long time, and there’s nothing else on the system that scratches quite the same itch.

Shinonome Abyss: The Maiden Exorcist is a diamond in the rough. It's full of clever ideas and dripping with plenty of spooky atmosphere, but it's hard to say that it ever truly achieves excellence. Despite that, players who like mystery dungeon RPGs will likely have fun here.

While Tides of Tomorrow hits a few rough patches with its stiff controls and some questionable music selection and voice work, the weight of its decisions left a lasting impact on me long after the credits rolled. Its Story-Link system turns the narrative into a fascinating social experiment, forcing you to confront the legacy you leave for other players.

Ys Memoire: Revelations in Celceta is a great entry point into the Ys series as it explores a lot of lore of Adol’s childhood and reinforces his inalienable drive as an adventurer. For Ys fans who somehow haven’t played Celceta yet, I certainly recommend Ys Memoire: Revelations in Celceta since it’s such an important game full of world-building and character development for Adol.

This is all to say that Yunyun Syndrome!? Rhythm Psychosis is a great rhythm game that I keep coming back to, and its story is really interesting due to its two main characters and how the internet-centric aesthetic brings everything together. The psychological elements make the denpa subgenre more understandable to players who might not be too familiar with it, as I’ve discovered while playing through the game. If you’ve played rhythm games before and need something new to play, it’s hard to go wrong with Yunyun Syndrome!? Rhythm Psychosis. The game respects your time too, so there’s also that for those not wanting a massive time sink in their backlogs.

The story can be predictable, but the emotions aren’t hollow. It’s a sincere exploration of memories and the turbulent feelings associated with them. Playing Opus: Prism Peak reminded me of what makes photography so important.

While I initially found the story rich and compelling, I felt like it ended right as things were starting to get interesting. Further, the choice to emphasize an amorphous “dark presence” rather than two equally compelling villains was deeply disappointing. Overall, Regions of Ruin: Runegate is a lackluster experience to such an extent that, when the credits rolled, I felt more confused than anything else.

While it is a shame that Bellabel Park walls off some of its features in multiplayer, Nintendo did not skimp on making it accessible, and the added quality-of-life features and additions are great. Both first-time buyers and returning players will have a great time with what’s here.

At the end of the day, despite my issues with REPLACED, I can confidently say that the five-year wait was worth it. If you’re a fan of cyberpunk games or 2.5D action platformers, then you absolutely need to play REPLACED. Even though I’m in no rush to replay the game, I can’t wait to give it another shot after a few post-launch adjustments. While this may not be a masterpiece, Sad Cat Studios has managed to make a seminal title in the genre that is hopefully remembered for a long, long time.

With a simple yet effective progression system, a power fantasy combat loop, and passionate attention to detail, Mouse P.I. For Hire is easily one of the best titles of 2026. It reminds me of just how much joy a single-player first-person shooter can bring when it fires on all cylinders.

The SEGA Villains Stage DLC is a fun time, but it’s hard to recommend unless you’re already a big fan of the game and the IPs that are represented here. I loved all the boss fights, but the overall level design and length do hinder it. It also doesn’t help that the rewards for each level aren’t worth it, making the levels feel like a step down from the base game. While I still enjoyed it overall, I can’t blame anyone for waiting for a sale. The SEGA Villains Stage DLC has some great boss fights, and that’s the key takeaway from this experience. Now, if you excuse me, I want to go fight Majima again.

Pragmata dreams big with inventive hacking-shooting gameplay, and Capcom has hit a home run. Hugh and Diana's journey across the moon is one to remember, with an excellent gameplay system that never fails to be exciting. While I wish Pragmata spent more time developing its central relationship, that shortcoming never comes close to dulling what is otherwise one of Capcom’s most inventive and exciting new releases in years.

TAMASHIKA isn't an experience for everyone. The visuals are often too abrasive, and the lack of any story or unlockables means that you're paying for a game without any progression to speak of. However, the gameplay is so delightfully fun, the little hints of secrets are intriguing, and the soundtrack helped me reach the flow state that it expected of me. Overall, this may not be an experience you are drawn to, but if you're a fan of movement shooters, then TAMASHIKA may click with you more than you think.

Tales of Berseria Remastered is a really solid action RPG at the end of the day. The core game is still there to enjoy, even if I still question what qualifies it as a remaster. While it took me a while to get into the story, once it got me, it wouldn’t let go. I genuinely loved all the characters and was satisfied with how their personal arcs played out. The combat was daunting at first, but it’s pretty fun, even if later boss fights are a chore. While the release confuses me, Tales of Berseria Remastered is still a solid way to play this game, especially on Xbox and Switch. Just know you can stick with the original if you have access to it.

If you have a Switch 2 and have been looking for a great-looking action-adventure game to keep you occupied until the next mainline Legend of Zelda game, then Kena: Bridge of Spirits is a must-buy. After playing it for myself, I’m now even more excited for the upcoming sequel, Kena: Scars of Kosmora.

The game delivers what dedicated otome fans want: beautiful character art, a quality voice cast, a moody historical setting, and branching routes steeped in Japanese legend. It doesn’t reinvent the genre or push any boundaries, nor does it try to captivate non-otome fans. The Switch port is functional but unambitious, and on Switch 2, the Vita DNA is plainly visible in the UI.

People of Note is a delightful experience from beginning to end. The story captures the vibe of 2000s Disney Channel musicals alongside some charming characters and nods to pop culture. Further, the gameplay combines the rhythm and RPG genres excellently, and throws in some extra strategy for you to master while you're having fun exploring. While there are some glitches and issues with the musical sequences, these aren't enough to completely detract from just how great this game is.

KuloNiku: Bowl Up! is a charming cooking game blending anime-inspired 2D art with 3D visuals, offering fun gameplay and memorable characters. Its one real weakness is difficulty, as cooking challenges are forgiving to a fault, but this is nowhere near enough to dull what's otherwise a genuinely enjoyable experience.

Legacy of Kain: Ascendance unfortunately falls flat in continuing such a cult classic franchise. While some of the writing and visuals still match the quality of its predecessors, the narrative feels forced and the gameplay is often deeply frustrating and rife with issues. Overall, if this is indicative of the direction that the Legacy of Kain series could go in, then perhaps the series is better off being forgotten.

Last Man Sitting has the bones of a fantastic action roguelike, which cannot be understated. I lost track of time during my playthrough plenty of times, but unfortunately, boss encounters, weapon design, and certain mechanics fall short. I had a great time with many parts of Last Man Sitting, but when the clock struck zero and the final stage ended, I was left wanting much more.

Regardless, Rushing Beat X makes up for some of its issues with old-school charm and technical gameplay. Those who are willing to look past the jank may find something to enjoy here. It’s just too bad it couldn’t have been better.