Brad Bischoff’s subdued drama Grasshoppers leaves a lasting impression, certain images glowing like embers somewhere in the depths of the viewer’s mind long after the credits roll.

Alchemy of the Spirit is beautifully presented even though it appears as if there’s little happening. The color, light, and lack of detail are multiple layers of thought-provoking cinema. It is an authentic experience where the art of film and visual storytelling are present and effective. To add, Berkeley’s acting is without flaw providing another layer to unpack.

Davis’ delusions of grandeur are definitely not bulletproof like some of his vests, but that doesn’t necessarily make this an essential watch.

Fascinating as it is to see the sheer drive and determination of a man who builds his persona with unwavering dedication, Loudmouth can appear somewhat hagiographical in its approach. Sharpton is too fearless for such a style and has never shied away from confronting those who are angered by his words, for, as Dr. King once said, “In order to love your enemies, you must begin by analyzing self.”

It’s the rare work that confronts the uncomfortable truths of the world – namely that life is far from fair, and no individual can achieve success without the support of others who may not be dealt a great hand in life.

Spoilers prevent me from saying anything about it, but the finale is a satisfying good vs. evil ending while reinforcing the true nature and values that Blanc holds as an investigator. Even then, when it’s all said and done, this is a light comedy. The story, mystery, and conclusion are fun, but it’s not Agatha Christie, nor should it be.

Loosely based on Linklater’s experiences growing up in the 1960s, Apollo 10 ½: A Space Age Childhood is not so much a space adventure as a pleasant reminder of the essence of youth and the comfort of memory.

The brilliance of Holy Spider is how it takes all the gripping, lurid suspense of the serial killer thriller, turns it on its head, and takes it to the next level as symbolic of a corrupted, misogynistic society.

By reducing the impact of addiction to wearing sunglasses indoors and singing badly for Scandinavians, all cautionary benefits of Houston’s tragedy are lost in the stage lights.

For the UFO believers, Ariel Phenomenon is precisely the film you’re looking for as proof of alien existence. But for the unbeliever, Nickerson’s film is a mandatory watch to either chip away at your beliefs or make them stronger.

Joseph Sackett’s feature film, Homebody, finds a charming and fresh take on the body swap formula.

The shame-filled vagabond and lonely nature of flesh-eating portrayed in Bones and All is a thinly veiled allegory for addiction. Lee and Maren are the new Sid and Nancy, with another complicated love story for the ages.

The Fabelmans will take your expectations of the Spielberg brand and tie them to a rocket. It is engaging and compelling. I am still pondering it days later. If you love movies, you owe it to yourself to catch this on that same big screen that Sammy loves so much.

Guzzoni, at times, drowns the film in its messaging by not mixing it up, but we’re never bored. We can thank López’ performance for that and our creeping sense of alarm at the abuses that the less fortunate are forced to suffer through.

The Banshees of Inisherin is a magnificent film telling a great, compelling story.

Though it may not be as iconic as the 1940s version, Guillermo del Toro’s Pinocchio is still astounding. Every character is fleshed out and filled with eccentricities lacking in prior versions. Themes of empathy, fascism, dealing with death, and learning to live again run deep within this masterpiece. And for all the complexities, the film is just plain enjoyable.

With Adult Swim Yule Log, Kelly delivers a new dimension in seasonal insanity, and won’t the kids just love it? Just slide your arm into the crazy stocking until you hear a click.

I definitely enjoyed Avatar: The Way of Water much more than the first. Its message of family and the portrayal of a strong father and mother protecting their children is refreshing.

The filmmaker educates and entertains with a profoundly human story about the life of a young woman. Viewers will become invested in what happens to Di and learn about the Hmong tradition along the way.

With Babylon, Chazelle laments and condemns; he documents and romanticizes. There’s truth beneath the embellishments. The filmmaker gives this project his all. Luckily, it all works. Bravo.

The Old Town Girls is about the consequences of decisions.

Spaz does not break any ground in terms of style and technique. However, the main subject is fascinating all on his own, and his story is equally as compelling. The good, the bad, and the ugly are presented here for everyone to consider and draw their own conclusions about Spaz’s work and temperament.

Mendes finishes things on a graceful, open-ended note. He adeptly handles unabashed romanticism and raw grief, optimism and hopelessness, significantly aided by Atticus Ross and Trent Reznor’s soft piano score. The music peaks during the film’s most fervent moments, both violent (a protest during the climax) and tender (our heroes climaxing in each other’s embrace).

The writer and the director rub our faces in muck until all we see is darkness, providing the faintest ray of light at the end. You will be infuriated – not so much at the witnessed injustices as at the filmmaking team for subjecting you to over two hours of grief and misery.

The archival footage, reenactment, well-executed cinematography, and stunning wardrobe and makeup allow Framing Agnes to linger in your thoughts much past its ending. Joynt created an exquisite beauty that banishes the notions that trans is wrong or dirty and highlights how it is wildly misunderstood.

The drama is a mostly compelling watch, but we’re left wanting more from a film with such an impressive assemblage of individual pieces.

The Friendship Game is deplorable from beginning to end. Fans of Peyton List may get a small amount of enjoyment, as the actor is good. Unfortunately, she’s the only worthwhile part of the film, as the direction, editing, and cinematography are woefully incompetent.

Blood Relatives is a blast from start to finish. Noah Segan orchestrates a strong sense of atmosphere while still focusing on well-developed characters. His screenplay is whipsmart, while he demonstrates an excellent command of tone.