Celebrated actor Lin Chung, whose voice seems to articulate something within himself.

Occasionally funny, sometimes inspiring, often boring, the magic is minimal in The Mystic Masseur.

Serves as more proof, as if any were needed, that Allen desperately needs to devote more time to polishing his scripts, and less to heedlessly banging out one film a year, year in and year out.

Just about the truest and most satisfying screen adaptation most anyone could have ever hoped for.

Warm Water Under a Red Bridge is a warm, uplifting romance. It plays out the way most Spencer Tracy and Katherine Hepburn romances do. Seek this out if you enjoy a good, kinky, and romantic film. It simply has to be experienced.

One of the most towering and extraordinary films to grace the screen.

Unfortunately, this horror gem won't even receive the same fate as a crappy "Children of the Corn" sequel, that of ending up on the back shelf of the local Blockbuster. This all but guarantees, that some kid won't accidentally come upon it and scare the crap out of himself. And that's just sad.

I love sex with strangers! Yeah, the film is cool too. But damn, do I love sex with strangers!

Director Stephen Herek certainly doesn't come up with anything, and he fails to make the swings between silliness and schmaltz smoothly.

It's a harsh lesson, but this movie is more than able to grab and hold your attention for it. I just wouldn't bring a date.

The kind of a moron movie, which is built to be watched by people who haven’t even seen the other nine.

Regardless of the poison of choice, I'm always a little miffed when an actor onscreen is supposedly on a specific drug but too lazy to learn what the actual side-effects are.

What could have been the most boring, unwatchable crawl-up-your-own-asshole picture instead becomes a gripping, searing portrait of a lost soul trying to find her way through life. Stephanie Bennett is amazing.

It's brainy and brilliant, but despite amorous overtones and a few good action set pieces, it just doesn't generate the thrills or romance that would have made it a true classic.

May not exactly be an innovative film, but it most certainly is a lovable one.

The film is dumb, formulaic, the other actors are scarcely worth mentioning, and the plot is merely an excuse to set up the action scenes. But it didn’t bore me; The Rock is ceaselessly entertaining.

Doesn't necessarily make Murder by Numbers an awful film; it's certainly watchable, but it never escapes its paint-by-numbers design.

World Traveler did seem completely aimless for the first third. However, once I comprehended where Freundlich was going with this, I began to really enjoy where the film was taking me.

Though this rude and crude film does deliver a few gut-busting laughs, its digs at modern society are all things we've seen before.

Indeed, a triumph of love: love of performance, love of joy, and, above all else, love of love itself.

What was needed was either a Stanley Kubrick, or, well, the Farrelly Brothers. Instead we get warmed over Spike Jonze. Still, a little watered down Spike Jonze has to be entertaining some of the time, so this isn't a total loss.

That’s it! I’ve had it! I’m packin’ up my shit and I’m movin’ to a trailer park down in…down south…somewhere. Apparently, there’s a lot more interesting people in these places than one could ever imagine meeting in their Starbucks bruised metropolitan areas or crosswalk guarded suburbs.

As it stands Changing Lanes already exceeds expectations, provoking serious thought while skillfully telling a compelling, character-driven story.

So immodestly unripe; yet so horrendously tempting you’ll find it hard to resist.

While certainly an entertaining and intriguing film, one simply can't get past the notion that we're watching semi-famous actors pretending to be their more famous characters.

A sour attempt at making a Farrelly Brothers-style, down-and-dirty laugher for the female set.

No, this isn’t going to be for everyone, and if you didn’t like the original show, you’ll probably hate this too. For everyone else, this is the one comedy in ’02 you can’t miss.

While the screen didn't really need another Carmen, it certainly needs a knockout femme fatale like Diop Gai. Hopefully, Carmen can get a much-needed rest and audiences can get much more of this stunning African icon-in-waiting.