Film Threat's Scores

  • Movies
For 5,427 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
5427 movie reviews
    • 78 Metascore
    • 80 Critic Score
    It works because of Anderson's ability to challenge viewer expectations. Instead of making his principal actors change, he manipulates the story and dialogue to match their characters. His exquisite art-house camera shots and sense of pacing set Sandler up to do his usual thing in an almost poetic manner.
  1. The result is a mature, graceful and extraordinary accomplishment.
  2. Maybe How to Draw a Bunny itself is really Ray Johnson's final testament, created with a mischievous wink from beyond the grave. After watching this extraordinary documentary, one has no doubt that such an act is well within Johnson's creative powers.
  3. A gripping experience, and often downright sickening.
  4. The only downside to this delectable third course? The regrettable likelihood that Lecter fans will have to make do without dessert.
  5. An extraordinary achievement on all possible levels.
    • 57 Metascore
    • 30 Critic Score
    The supporting characters suffer from excruciating one dimensionality since none of them really have anything to do but look forlorn and opine about days past.
  6. Smart and full of sharply drawn characters and wonderfully snappy dialogue.
    • 63 Metascore
    • 70 Critic Score
    Perhaps that's what makes thus such a compelling documentary; it will grip even viewers who aren't interested in rap, as it cuts to the heart of American society in an unnerving way.
  7. Goes south early and its director never comes close to turning things around.
  8. An emotionally honest film, but it would have been far more affecting if it felt more true to life.
  9. Eisenstadt does an excellent job bringing the story of an ambitious young woman setting out to fulfill a dream full circle.
  10. The resulting concoction is a cinematic elixir that disappoints, no matter how much hypnosis one is under.
  11. The first half of Luis (Angel Eyes) Mandoki's new thriller is as whiteknuckle, nerve-wracking as they come. The second is such a mishmash of overblown action and gaping plotholes, it's hard to believe it's the work of the same director.
  12. There's a fine line between inspiration and manipulation, and from its first frame, Joshua crosses it and never looks back.
    • 63 Metascore
    • 50 Critic Score
    A bizarre flick. It moves a little apprehensively between comedy, drama and then, erotic romance, with the central players' excellent performances (especially newcomer Gyllenhaal) suffering because of the film’s indecisions.
    • 55 Metascore
    • 60 Critic Score
    There are some realistic, scary themes at work here that make it worth a look.
  13. It's funny, sassy and enjoyable, even though the screenplay is rather weak.
    • 37 Metascore
    • 80 Critic Score
    One of those films that makes you walk out muttering dark things about the future of the human race.
  14. The art direction and costumes are gorgeous and finely detailed, and Kurys' direction is clever and insightful. Even so, it feels very, very long.
  15. Much like how its employees and patrons don't want to see the barbershop close, once one has become acquainted with these people and this place, one may not want Barbershop to end.
  16. Particularly wrenching in its depiction of the father-son relationship.
  17. After watching this movie, you get the feeling that there’s a lot of people at Harvard who’ve done worse things than rob a bank to get in.
  18. A pleasant enough little film. Jerry isn’t what one would call a sympathetic figure, but you find yourself cheering for him anyway.
  19. The saccharine conclusion would be problematic in any film, but given how much talent is involved, it's especially disappointing here.
  20. Doesn't even reach the campy, trashy highs (or should I say "lows"?) of "The Crush."
    • 58 Metascore
    • 60 Critic Score
    It would be nearly impossible to make a totally bad documentary about the festival, but I have yet to see the perfect documentary depiction of Burning Man.
  21. Believe it or not, most of the empathy here is with Wand Jean's legal team. Yes, the lawyers.
  22. So ham-handed and relentlessly overbaked that it is easy to see why audiences initially stayed away from it. Just when and how did anyone come to see this as a classic?
  23. I feel guilty and somehow unclean. And all I did was watch it.

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