This is a stunning examination of issues of doubt and control, as well as a cracking good little thriller.

A visual triumph, and also a work of surprising warmth. No small accomplishment for a bunch of cadavers.

You must see Operation Finale solely for this interaction between Malkin and Eichmann (Isaac and Kingsley).

Dack’s work as a director is on the screen, in the characters, and widely successful with how the actors convey her vision. Her writing and directing of Palm Trees and Power Lines will make a difference because it’s organic, original, and essential.

Ultimately, this drama is an essential piece of cinematic contemplation on the value of war.

Disclosure: Trans Lives on Screen not only leaves us with the hope that things will improve, but it also shows us how much better the industry is when everyone is included, represented, and respected. Here’s to a brighter, more diverse future for all trans actors.

Zombie Strain is the THC-heavy zombie jamboree your lungs have been waiting for.

Five Nights At Freddy’s has flaws, but it is an excellent adaption. It feels like the game while still being accessible to any newcomers by crafting an original story.

The film is never less than gripping, and past a certain point, you have no idea where this movie is going. With neither the budget nor the technology for flashy effects, the filmmakers had to fall back on quality acting, writing, directing, and editing. They succeeded.

Respectable in both intentions and execution, this is the kind of film that sneaks up on you and leaves a lasting impression. Like our man himself, it shouldn’t be overlooked.

Does the world need another Holocaust film? When the director is Roman Polanski, the answer is an unequivocal “yes."

Movies about writers are almost always romanticized affairs but Starting Out in the Evening is the rare exception. It is at once an elegy for the vanishing generation of Bellow, Cheever, Mailer and Updike and a dead on indictment of our culture’s current state.

The Quake hits a handful of the cliches one expects from a disaster film, as well as having one character’s death not mean as much as it should. However, thanks to strong characterizations and good acting the plot is still engaging. However, the reason to watch the film is the excellent cinematography and awe-inspiring effects.

Stir all of those ingredients together, and you have a production fuelled by countless hours of maneuvering a gamepad and the real-life trials and tribulations of those on the human side of the video screen.

With Settlers, Rockefeller and his crew have created a striking little treatise on our misguided ambitions.

The Assistant, without a doubt, leaves a lasting impression for any woman who has experienced an oppressive work environment without recourse. I don’t think there’s a woman alive who can’t relate to The Assistant’s main character Jane played by Julia Garner.

Before approaching the end of the film the seduction of the doctor is not that important because by that time the audience has already fallen under the spell.

Joseph Sackett’s feature film, Homebody, finds a charming and fresh take on the body swap formula.

Any film that can make you cringe at it's honesty, laugh at it's insanity and yet follow along hook line and sinker is something special.

The director creates a very candid and understandable story, offering an in-depth experience of the evolution of the artists with a great deal of artwork and amusing anecdotes. This goes well with archival materials and flurry of imagery, as well as the fun reenactments.

This one takes you on a fulfilling and haunting ride that will last long after in your nightmares.

Olympic Dreams offers a little love in a fantastic location.

This is a feel-good movie that tackles a bunch of tough topics, from politics, race, family traditions, social frustrations, and romance. It never feels preachy or overly cheesy.

In the vast wasteland of romantic comedies, this lovely film defies the tired genre.

When I Consume You is stunning to look at and beautifully acted. Even though not everything makes sense, Ewing and Dumouchel ensure that every emotional beat feels honest and the entire film breezes by, as it is startlingly original and unique. It is not perfect but it is ambitious and touching, and that is enough.

The excellent sound effects and editing build up the suspense. The well-placed visual cues — I especially enjoyed seeing a public phone — and cinematography add to the tense atmosphere. Yet, Cannon has more important themes at work.

All is True does justice to the Bard, and devout fans of Shakespeare are sure to find a place for it, if not on the shelf alongside his classics, but in a small place in their hearts.