Younger children getting in on the ground floor of fantasy will enjoy the film.

The story and music shine. Maybe it is not an instant classic like The Little Mermaid and Beauty and the Beast, but it definitely will enrapture a new generation of Disney fans.

Though Farewell Amor is not a “dance movie", it’s primarily about that moment when we dance - when everything else falls away, Amor takes over, and we bid our troubles farewell.

Although not a great film by any stretch, it is a fascinating slice of a fractious period in American history.

So now that I’ve seen one of “the master’s” films, I still can’t tell you what the appeal is. Pistol Opera is unique for sure, it just never made me want to follow it down its strange path.

Cinema Sabaya is a beautiful model of peaceful coexistence. This is a heartwarming film that should be watched by everyone.

OBEX is an earnest, strange, and delightful adventure.

Once Upon A Time In Uganda is a triumph on all levels. It is filmed with style, follows immensely likable people, and has an infectious, exuberant spirit that is impossible to resist.

The finale of Emily the Criminal does not match the pulse-pounding scenes of her earlier assignments. However, it still manages to work toward a satisfying, logical conclusion while offering a solid critique of the gig economy many Americans face in which fortune is merely a credit card swipe away.

The only reason to watch The Kindergarten Teacher is Ms. Gyllenhaal’s performance, whose quality makes us resist until it’s possible.

The story takes some kooky turns and, at times, delves into the supernatural.

Ultimately, The Naked Gun reboot delivers enough laughs to make it worth the ride, even if it never quite escapes the shadow of its predecessors.

Dense in content but also delivered at an intense pace – much like the raps themselves – the script by Kahn and Alex Larsen (a prominent Toronto rapper under the moniker of Kid Twist) balances the harsh directness of rap lyricism with academic analysis, without alienating fans of either realm.

For those who find that most “life-affirming’ films leave them nauseous and sometimes angry, Man on the Train is a miracle of genuine uplift working with two characters probably fated to die.

North Circular is a strikingly perceptive film.

As far as romantic laments of starving artists go, Blaze is one of the better ones.

As with the Jarmusch’s best work, it is kept simple and taken very slowly and is just sort of allowed to happen. The magic lies in the lulls.

One of the most gripping, thought provoking dramas ever to ponder crime and punishment.

To be able to understand these universal experiences on a deeper level because of this film is a true gift. Even if you don’t have a Zoe, just know that you’re never truly alone.

Wolf’s directorial command when selecting material to showcase and contextualize the anecdotes spun throughout the film further affirms his mission to paint the most compendious picture possible, and he succeeds quite admirably.

In this era of fluffy, big-budget Hollywood "chick flicks", it's pretty refreshing to find a film that genuinely deals with women, family, self-image and survival.

Despite its few flaws, Joy Ride does take viewers on one hell of a ride. It's one of those rare films that manages to take an overused plot and breathe some sort of creativity into it.

Enough about the CGI tweaking, is this film really Lucas's unloved masterpiece? The film that got lost in the shadow of "American Graffitti" and "Star Wars" while, actually, being a better film?

The mundane is only as mundane as you make it, and the supernatural can be painfully mundane.

The two actors are bound to be showered with awards, as is the production design, the polished script, etc. But there’s no intrigue, no real substance beneath all the gloss.

The camera lingers on the characters' minimal, but expressive actions, allowing the viewer to soak in their emotions rather than having them related to us through dialogue. In doing so, In Between Days is more of an experience than your average movie.

When I Consume You is stunning to look at and beautifully acted. Even though not everything makes sense, Ewing and Dumouchel ensure that every emotional beat feels honest and the entire film breezes by, as it is startlingly original and unique. It is not perfect but it is ambitious and touching, and that is enough.

Pay Or Die acts as a call to action driven by human stories.