In the end, Full Grown Men tells an amusing tale, and the cameo scenes from Alan Cumming and Amy Sedaris are not to be missed.

It’s easy to disappear into the setting of The Sunlit Night but if only the narrative were as involving.

All in all, I would say that R#J, as a new version of Romeo and Juliet, will have some appeal to its supposed Gen-Z audience, although I’m not sure they will understand it unless they read the play first. But isn’t that always the case that the book is better than the movie? If anything, do watch this film to the absolute very end.

It’s a smart comedy that points out the flaws of all aspects of the United State’s political landscape. It discusses how bad the division is in our country and how the media and politicians are complicit in this division. It’s a problem for both sides of the aisle that needs to be addressed before any real change can be made.

There are glimpses of the wit McKenna displayed in “Prada,” but these brief gasps of life are quickly suffocated by the inevitable schmaltz.

Boy Kills World is a two-hour roller coaster. You’ll leave exhausted and beaten, and yet feeling like maybe you too can defeat the fascist dictators in your life.

Predator is a classic action/sci-fi film, albeit a dated action/sci-fi film.

This is a low-key, indie take on a well-worn genre; one that frequently resorts to scatological humor and easy targets, making for an odd mix of the sophisticated and crass.

Blade is just good, plain action movie fun. It runs like a smooth roller-coaster and has excellent replay value.

Its dismal grey/brown color palette doesn’t help the film’s sluggish pacing, making The Operative one of the most head-scratching, aggravating experiences of the year so far.

Seriously, someone needs to stage an intervention, sit Scott down, and tell him that repeated jump cuts, slow-motion shots, and fiddling around with the exposure don’t enhance the viewing experience.

Slow paced, but interesting.

The film is depressingly wholesome. In that respect, it accomplishes what it sets out to do, which is to distract the children of America from the horror of their eventual futures for a couple more hours.

The Seeding doesn’t rely on jump scares to frighten its viewers because the plot and characters are devilishly creepy on their own.

It’s a photo-realistic computer-animated movie. The animation of Kong, Godzilla, and the other Kongs is mediocre at best. The backgrounds should look photo-realistic, but they don’t. I’d rather watch dudes in suits duke it out over a cardboard city than watch this cartoon mess again.

In order to spare you the trauma of this cinematrocity, I'll go ahead and tell you how the film turns out. Who killed the General's Daughter? The filmmakers did.

Joshua and Rebecca Tickell’s documentary, Common Ground, is that rare documentary that actually proposes solutions…practical solutions. I fear that the solutions will disappear into the void if we don’t say anything.

The astonishingly gonzoid fight scenes from Ong Bak 2 might be the best ever filmed.

The Alto Knights is an impressive film, taking inherently interesting material and doing very well not to foul it up. Sure, it’s something we’ve seen de Niro do before, but it leaves you wanting more of it, as he fits this mold perfectly.

Isn’t exactly dull, but it isn’t scary either.

Please Chris Carter, bring us X-Files fans back to where we belong. If there is to be another movie, and there damn well better be, return us to our beloved mythology.

There's no excuse to come within a hundred feet of a screen playing this monstrosity of a movie.

Light-hearted and enjoyable film that will have you exiting the theater with a smile.

Yup, Hollywood Homicide”rips off practically every cop movie out there. My god in heaven, did anyone making this film have an original thought in their lives?

Is there really a deep hidden meaning (DHM) to redeem this hopelessly dry and nebulous film? No, at least nothing that hasn't been done better before.

While the massacre is a wall-shaking and effective bit of high decibel drama, some of the movie's best moments come during the Texans' long brave wait for almost certain death.

The movie doesn't stink. The performances are good, potentially great, especially Vince Vaughn as Norman Bates.

As Ferrell’s films go, Semi-Pro is, honestly, pretty damn boring.