The revelation of the film's mystery just barely makes sense. Yet, we dismiss it as an extended MacGuffin, and thus can delight in the film's devious turns.

A film that normally someone like Adam Sandler would star in, but for some reason Matthew McConaughey decided to star and show that he's still not funny.

Despite the bits that work brilliantly, the movie as a whole really only works as an experimental curiosity.

It's got everything the genre calls for – boppy music, cute boys, cute girls, lots of sexual lingo, and most importantly, laughs.

The leads are all likable, albeit two-dimensional, and the rompish surreal texture of the film, makes it stylishly hip and humorous, almost like an episode of "The Monkees."

The story of lust, love and betrayal intriguingly bemoans racism and prejudice of bygone times while peppering the “history” with more modern references.

Angel of Mine is a good movie for fans of the dysfunctional family melodrama. Primarily from the performances from its leads and a strong story that holds together to the end. The thrills are thrilling but sadly never gets to Fatal Attraction level outcomes.

The "star-studded" cast seems to have been cast according to their Premiere power ranking and/or desperation for exposure.

Everything about the sequel feels bloated.

Isn't a bad film per se--it’s just an empty film.

The difference between “Juno” and Jennifer’s Body, I realized, was that Diablo Cody's disgustingly smug dialogue -- supposedly so winning when spoken by Juno -- is much easier to swallow when it comes from characters who actually are disgustingly smug -- like Jennifer.

Fortunately for Redford, Lions for Lambs is a less ham-handed effort than Sayles’ “Silver City,” but it’s a near thing.

A commendable subject matter does not a good movie make. Tape is inherently misguided, a queasily voyeuristic project, rendered nearly-unwatchable by its pseudo-artistic tendencies and patronizing tone.

The kind of film that requires a lot of work and patience on behalf of the viewer, not to mention a willingness to set aside prejudices and the fear inherent when we meet people different from us. As such, while you may not necessarily like By Hook or By Crook, you won't forget it, either.

Has an underlying charm that drags its audience, kicking and screaming to have a good time.

The men in this movie are little more than beer ad cliches going through Ford tough motions as though trapped in a bad country music video. There's not a realistic moment or character or performance in the picture.

The whole film appears over-blown and pumped up on marketing steroids.

Monster Hunter is red meat to any cynical moviegoer of the modern age looking for exhibit A. It’s been commodified and globalized to the point of nonidentity.

Uneven, unfocused and boring. It is listed as a "black comedy" and while there are humorous moments you will not be laughing much.

The film feels flat. I don't know how to express my criticism much more than to say that things unfold before you, but you never really engage in the world beyond just watching it.

The opening sequence is an amazing horror scene and sets a tone that the rest of the movie doesn’t even try to follow until the climactic finale.

This sounds an awful lot like "Memento." But unlike that movie, the French-Swiss-Spanish-Italian co-production Novo opts for a Eurotrash sex comedy approach instead.

For a film meant to be a milestone for 100 years of the Walt Disney Company, Wish is a monumental failure.

Eddie Murphy does everything in this movie successfully. Coming To America remains his most personal work and a great argument that a movie can be decent and wholesome despite having enough profanity to make Bill Cosby lose sleep. A perfect argument for Eddie Murphy as decent guy even without the fame and fortune. Not that he's planning on giving it back though.

A passive film, playing it quiet and safe, hoping that the viewer will extend some good will towards it.

As it stands, he made a noble attempt, and it could've been a Hell of a lot worse, but it's not as great a film as its potential hints at.

Whatever the final analysis, Reno 911!: Miami is a welcome breath of fresh air in a year that's already forced audiences to endure the likes of "Norbit."

This cast keeps the story grounded as each man is tested throughout the film.