The animation in Pocahontas is a testament to the constantly evolving skills of the various animators involved, drawing characters that manage to make an impact, even if only a small one.

With this film, I believe that the strange and wonderful legend of Daniel Johnston will only continue to grow.

It comes as no surprise that Rasmussen worked on productions like Lars von Trier’s Melancholia, a clear visual and stylistic inspiration for Ghabe. Coupled with Ehsan Kalantarpour and Ida Sundqvist’s otherworldly score, Castro and his team intermittently achieve a transcendent effect.

Let's not kid ourselves: There's something about Javi.

Oddly engaging and has me wishing I could spend a week observing Jeannie, Lauren, and Merrill...you know, without a camera as a mediator.

An original and highly memorable comedy, and mention should be made of Ebiri’s work beyond filmmaking: he is also a film critic for New York Magazine, thus giving proof that those who review films for a living can also turn around and make a damn fine movie.

Even with its over-the-top performances, Gaudi Afternoon is an emotionally and intellectually subtle work.

The ride has plenty of ups and downs, but it’s definitely one worth sticking around for.

The movie suffers greatly from very uneven pacing, a bloated run time, and an underwhelming villain.

Full of enough legitimate red meat to incense salivating Democrats who can't wait to tear into a pound of Bush's flesh in November. Yet, this film should truly frighten partisans on both sides of the aisle.

Seek out Last Words if you have an interest in the fall and decline of humankind. It is one of the more stark and striking versions of the end of the species these eyes have born witness to.

Even though the story covers familiar ground, it provides enough tension and humor in the presentation to make it worth watching

Fans of Roth will gobble, gobble this up.

Fascinating and beautiful film.

The Road to Patagonia is a beautiful travelogue. If you enjoy nature documentaries or even surfing documentaries, this one is for you. Check it out. It’s radically glorious.

Onlookers is a novel exercise in audio and visual presentation. Natural light, loads of wild sound, and the environment of Laos are presented plainly with zero artifices or embellishments. If you’re looking for a new kind of travel film, this is for you.

Sure it’s brainless fun, but Formula 51 is a trip well worth taking.

If you're a fan of the early Ritchie comedy-crime thrillers, then this is not only right up your alley, it's a long lost relative returning home.

In addition to the socio-economic impact, Good Hair also explores how hair care affects the African-American community in confidence (both personal and race-related), romantic relationships and every day life.

Keeping Company is a delirious carnival ride at the intersection between rapacious greed and murderous insanity, and definitely worth your uncomfortable laughter.

It is a sprawling, ambitious and very long look at so many things, it's almost a miracle he was able to wrap it up in just two hours. And yet, for a film that is principally about death, the conclusion is surprisingly life-affirming, especially coming from Kaufman.

A heartwarming and entertaining romantic comedy, Fly Me to the Moon brings a fresh twist to the moon landing era. Strong performances from Scarlett Johansson and Channing Tatum offer an enjoyable viewing experience.

Generally, this film is lively and entertaining. The dialogue among the four principals trips along at a brisk pace, never becoming overly dense or plodding.

Under the veneer of a blood-curdling horror venture with heightened narrative beats, Disappear Completely is a thrilling film about unchecked ambition.

Dean’s style of method acting and sheer charisma jumps off the screen (along with artful cinematography).

When a movie does so much right – it’s unique and visually arresting and, at times, legitimately moving and surprisingly scary – it’s hard not to wish for something more complete, something that fully and entirely connects.

Then Came You has a little of every romantic film that you’ve seen in the past two decades, and even though it’s not quite original, it still is a good film that will give you a lump in your throat. The talent in front and behind the camera are reasons alone to give this film a watch.

More "Heat" than "Eraserhead". It's all good. Just don't be disappointed if it's not what you were expecting. Try to enjoy this for what it is.