Fact Magazine (UK)'s Scores

  • Music
For 448 reviews, this publication has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 The Seer
Lowest review score: 10 >Album Title Goes Here<
Score distribution:
  1. Negative: 9 out of 448
448 music reviews
    • 76 Metascore
    • 80 Critic Score
    Unselfconscious and joyfully untrammelled, most importantly Never is charmingly weird--that quality so coveted by indie chancers everywhere.
    • 76 Metascore
    • 40 Critic Score
    At.Long.Last.A$AP is an unfocused, overlong slog of an album.
    • 76 Metascore
    • 50 Critic Score
    Lucifer is a very pleasant listen, but then so are The Wailers, without Bob.
    • 76 Metascore
    • 90 Critic Score
    Whether or not stadium pop is to everyone’s taste, this is it in its smartest and most human form.
    • 76 Metascore
    • 80 Critic Score
    Gorgeous, beguiling, strange and way way out there, records like this restore a sense of mystery and wonder to the world.
    • 76 Metascore
    • 70 Critic Score
    On 1989, she makes mountains out of molehills, but this approach feels one part the ironic distance of the digital generation, one part sincere embracing of the impact of life’s speedbumps. Nothing could be more 2014.
    • 76 Metascore
    • 40 Critic Score
    Produced by arena rock specialists Flood and Alan Moulder, Holy Fire sounds pop sound insofar as it’s smoothed off, big and accessible.
    • 76 Metascore
    • 70 Critic Score
    A Collection... isn't Maus' best record--played back to back with We Must Become The Pitiless Censors Of Ourselves, it blanches in comparison--but it's a fine insight into the mind of an inspired Lord Of Misrule.
    • 76 Metascore
    • 70 Critic Score
    The meandering, incidental quality of their music works alternately in their favor and against them.
    • 76 Metascore
    • 70 Critic Score
    AMOK isn’t quite dazzling, but it’s a clear improvement on its predecessor, and more than enough to win over old fans--and perhaps a few new ones, too.
    • 76 Metascore
    • 70 Critic Score
    Love, lust and longing are chronicled and dissected in True Romance through online relationships being gradually given tangible, tactile form, setting Charli up as a young pop star to be reckoned with.
    • 76 Metascore
    • 70 Critic Score
    By and large, this is a downbeat record, one suggesting maybe Albarn recently had a listen to ‘Mr Robinson’s Quango’ and decided never to do ‘whimsical’ again. Still, there’s a couple of more upbeat numbers that work in neat counterpoint.
    • 76 Metascore
    • 60 Critic Score
    Kwes is a resourceful, competent producer and songwriter who’s not short on ideas; if anything, he’s overwhelmed by his own creativity.
    • 75 Metascore
    • 90 Critic Score
    Berberian Sound Studios is a wonderful, intense and darkly beautiful legacy to Keenan's unique character, and testament to the band's continuing ability as their world changes.
    • 75 Metascore
    • 70 Critic Score
    All things considered, this is a handsome, stately album.
    • 75 Metascore
    • 80 Critic Score
    Minor issues like that [decision to release Stranger Than Fiction as a hybrid album/mixtape led to some questionable choices] make Stranger Than Fiction very good rather than great, but Gates hasn’t sacrificed any of the characteristics that garnered all this recent attention.
    • 75 Metascore
    • 60 Critic Score
    Hive Mind doesn't quite possess the same strength as what has preceded it.
    • 75 Metascore
    • 50 Critic Score
    It's as if by having every tool and style of every era and nation available to them at the press of a button has stripped AC's world of its mystery; as if there's nothing more to discover.
    • 75 Metascore
    • 70 Critic Score
    Cupid Deluxe starts strongly with ‘Chamakay’, ‘You’re Not Good Enough’, and ‘Uncle ACE’, but sadly loses focus.
    • 75 Metascore
    • 80 Critic Score
    Here’s an hour or so of music that’s cold as the cosmos and as unsentimental as physics, but something you can nonetheless gaze upon in awe.
    • 75 Metascore
    • 60 Critic Score
    By and large, Overjoyed works when it rocks--the snarling chugga-chugga of “Do It Nation”, the nursery-rhyme feedback shredding of “Overjoyed And Thankful”--and falls a little flat when it doesn’t.
    • 75 Metascore
    • 60 Critic Score
    A delicate thing, and for all its studied complexity sometimes comes off a touch insubstantial.
    • 75 Metascore
    • 80 Critic Score
    For music that is over 15 years old, Back on Time sounds as fresh as a sitar-wielding half-stepping daisy.
    • 75 Metascore
    • 70 Critic Score
    Whilst The North Borders is hardly a stylistic leap of faith into the unknown there’s definitely a more confident and varied use of textures and instrumentation than on Black Sands, and it marks a new, very much worthwhile chapter in Bonobo’s continuing story.
    • 75 Metascore
    • 70 Critic Score
    The percussion is low in the mix and the bass way up, giving the songs a molten, fluid quality. The parts themselves, however, are guided by an erratic intelligence.
    • 75 Metascore
    • 70 Critic Score
    Government Plates is sometimes just incoherent.... But in the end these are minor quibbles.
    • 75 Metascore
    • 70 Critic Score
    On Mess, surface is meaning, with the album’s vacuous hedonism merely another expression of the theme of spiritual oblivion that Liars have explored ever since their debut.
    • 75 Metascore
    • 80 Critic Score
    At its core, Long.Live.A$AP succeeds because it lets Rocky be Rocky: a rapper with a unique voice and an ear for captivating beats whose lyrical shortcomings can be glossed over with healthy servings of charisma and panache.
    • 75 Metascore
    • 60 Critic Score
    Overall this is a fine, and occasionally transcendent, stepping up of Fiona's game.