Fact Magazine (UK)'s Scores
- Music
For 448 reviews, this publication has graded:
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45% higher than the average critic
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4% same as the average critic
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51% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
| Highest review score: | The Seer | |
|---|---|---|
| Lowest review score: | >Album Title Goes Here< |
Score distribution:
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Positive: 330 out of 448
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Mixed: 109 out of 448
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Negative: 9 out of 448
448
music
reviews
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- Critic Score
Unselfconscious and joyfully untrammelled, most importantly Never is charmingly weird--that quality so coveted by indie chancers everywhere.- Fact Magazine (UK)
- Posted Jul 26, 2012
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- Fact Magazine (UK)
- Posted May 29, 2015
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- Fact Magazine (UK)
- Posted Jun 25, 2012
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- Critic Score
Whether or not stadium pop is to everyone’s taste, this is it in its smartest and most human form.- Fact Magazine (UK)
- Posted Jul 16, 2014
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- Critic Score
Gorgeous, beguiling, strange and way way out there, records like this restore a sense of mystery and wonder to the world.- Fact Magazine (UK)
- Posted Feb 10, 2012
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- Critic Score
On 1989, she makes mountains out of molehills, but this approach feels one part the ironic distance of the digital generation, one part sincere embracing of the impact of life’s speedbumps. Nothing could be more 2014.- Fact Magazine (UK)
- Posted Oct 30, 2014
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- Critic Score
Produced by arena rock specialists Flood and Alan Moulder, Holy Fire sounds pop sound insofar as it’s smoothed off, big and accessible.- Fact Magazine (UK)
- Posted Feb 8, 2013
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- Critic Score
A Collection... isn't Maus' best record--played back to back with We Must Become The Pitiless Censors Of Ourselves, it blanches in comparison--but it's a fine insight into the mind of an inspired Lord Of Misrule.- Fact Magazine (UK)
- Posted Jul 16, 2012
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- Critic Score
The meandering, incidental quality of their music works alternately in their favor and against them.- Fact Magazine (UK)
- Posted Feb 23, 2012
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- Critic Score
AMOK isn’t quite dazzling, but it’s a clear improvement on its predecessor, and more than enough to win over old fans--and perhaps a few new ones, too.- Fact Magazine (UK)
- Posted Feb 25, 2013
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Love, lust and longing are chronicled and dissected in True Romance through online relationships being gradually given tangible, tactile form, setting Charli up as a young pop star to be reckoned with.- Fact Magazine (UK)
- Posted Apr 16, 2013
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- Critic Score
By and large, this is a downbeat record, one suggesting maybe Albarn recently had a listen to ‘Mr Robinson’s Quango’ and decided never to do ‘whimsical’ again. Still, there’s a couple of more upbeat numbers that work in neat counterpoint.- Fact Magazine (UK)
- Posted Apr 24, 2014
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Kwes is a resourceful, competent producer and songwriter who’s not short on ideas; if anything, he’s overwhelmed by his own creativity.- Fact Magazine (UK)
- Posted Oct 17, 2013
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Berberian Sound Studios is a wonderful, intense and darkly beautiful legacy to Keenan's unique character, and testament to the band's continuing ability as their world changes.- Fact Magazine (UK)
- Posted Jan 14, 2013
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- Fact Magazine (UK)
- Posted Sep 24, 2012
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- Critic Score
Minor issues like that [decision to release Stranger Than Fiction as a hybrid album/mixtape led to some questionable choices] make Stranger Than Fiction very good rather than great, but Gates hasn’t sacrificed any of the characteristics that garnered all this recent attention.- Fact Magazine (UK)
- Posted Aug 16, 2013
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- Fact Magazine (UK)
- Posted Feb 15, 2012
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- Critic Score
It's as if by having every tool and style of every era and nation available to them at the press of a button has stripped AC's world of its mystery; as if there's nothing more to discover.- Fact Magazine (UK)
- Posted Aug 30, 2012
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- Critic Score
Cupid Deluxe starts strongly with ‘Chamakay’, ‘You’re Not Good Enough’, and ‘Uncle ACE’, but sadly loses focus.- Fact Magazine (UK)
- Posted Nov 19, 2013
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Here’s an hour or so of music that’s cold as the cosmos and as unsentimental as physics, but something you can nonetheless gaze upon in awe.- Fact Magazine (UK)
- Posted Jan 14, 2014
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- Critic Score
By and large, Overjoyed works when it rocks--the snarling chugga-chugga of “Do It Nation”, the nursery-rhyme feedback shredding of “Overjoyed And Thankful”--and falls a little flat when it doesn’t.- Fact Magazine (UK)
- Posted Sep 3, 2014
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A delicate thing, and for all its studied complexity sometimes comes off a touch insubstantial.- Fact Magazine (UK)
- Posted Mar 4, 2014
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For music that is over 15 years old, Back on Time sounds as fresh as a sitar-wielding half-stepping daisy.- Fact Magazine (UK)
- Posted Feb 15, 2012
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Whilst The North Borders is hardly a stylistic leap of faith into the unknown there’s definitely a more confident and varied use of textures and instrumentation than on Black Sands, and it marks a new, very much worthwhile chapter in Bonobo’s continuing story.- Fact Magazine (UK)
- Posted Apr 5, 2013
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- Critic Score
The percussion is low in the mix and the bass way up, giving the songs a molten, fluid quality. The parts themselves, however, are guided by an erratic intelligence.- Fact Magazine (UK)
- Posted Jan 23, 2014
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Government Plates is sometimes just incoherent.... But in the end these are minor quibbles.- Fact Magazine (UK)
- Posted May 29, 2014
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On Mess, surface is meaning, with the album’s vacuous hedonism merely another expression of the theme of spiritual oblivion that Liars have explored ever since their debut.- Fact Magazine (UK)
- Posted Mar 26, 2014
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- Critic Score
At its core, Long.Live.A$AP succeeds because it lets Rocky be Rocky: a rapper with a unique voice and an ear for captivating beats whose lyrical shortcomings can be glossed over with healthy servings of charisma and panache.- Fact Magazine (UK)
- Posted Jan 10, 2013
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- Critic Score
Overall this is a fine, and occasionally transcendent, stepping up of Fiona's game.- Fact Magazine (UK)
- Posted Apr 23, 2012
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