Exclaim's Scores

  • Music
For 5,096 reviews, this publication has graded:
  • 57% higher than the average critic
  • 5% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Vol.II
Lowest review score: 10 California Son
Score distribution:
5096 music reviews
    • 78 Metascore
    • 80 Critic Score
    With its rich sonic landscape and Georgas' confident lyrics, For Evelyn is a great record, but perhaps more importantly, it also shows that Georgas is getting better and better with each release.
    • 69 Metascore
    • 80 Critic Score
    Donna is eclectic, moving, emotive and true to Cassy's roots. Her vocals, which dominate the album, recall the same soulful edge of singer-songwriter Sade. The real triumph here, though, is the sense of creative freedom that pervades the album.
    • 81 Metascore
    • 80 Critic Score
    The overall vibe of the collection is likely to put a smile on your face (hell, even Townes sounds a mite less melancholy, thanks to the spirited accompaniment), making it a perfect fit for your next beer 'n bourbon patio party.
    • 77 Metascore
    • 80 Critic Score
    With On Dark Silent Off, Radian have created a piece of art that's stubbornly beautiful.
    • 79 Metascore
    • 80 Critic Score
    The more transparent mix dovetails nicely with the album's themes.
    • 69 Metascore
    • 80 Critic Score
    Maine's ability to draw out peculiar emotions and thoughtfully pairing them with euphoric sounds in a deliberate way makes The House a natural and more than satisfying sequel to Pool.
    • 71 Metascore
    • 80 Critic Score
    Rogers rises to the occasion, making herself and her mixture of emotions the anchor of songs whose music moves at an unending pace.
    • 83 Metascore
    • 80 Critic Score
    Progressing across a grid, Olson's explorative approach to loop-based production of music reveals an intuitive and refreshing approach to deriving emotive depth from a machine.
    • 67 Metascore
    • 80 Critic Score
    Everybody's Coming Down feels both focused and purposeful, something not all albums can lay claim to after a band's nearly decade-long absence.
    • 82 Metascore
    • 80 Critic Score
    Radical Romantics is as joyfully alive with sound as anything that Dreijer has created in their three decades of music making.
    • 69 Metascore
    • 80 Critic Score
    Everything about the album is deliberately simple, but with some inspired production choices added to the mix.
    • 74 Metascore
    • 80 Critic Score
    The arrival of Little Heater, only Irwin's second solo album, is therefore a notable event, and nothing about it disappoints.
    • 84 Metascore
    • 80 Critic Score
    Freedom's Goblin cuts open Segall's brain and lets it all ooze out. Serve yourself up a spoonful of all that melodic goo, and enjoy.
    • 68 Metascore
    • 80 Critic Score
    Earrings Off! is an album that demands multiple listens and gets better with each one.
    • 71 Metascore
    • 80 Critic Score
    From start to finish, Nobody Lives Here Anymore is a seamless expression of nostalgia, love and hope for brighter days to come.
    • 91 Metascore
    • 80 Critic Score
    What it is, frankly speaking, is one of the brightest R&B-flavoured projects to touch the mainstream in a long time.
    • 78 Metascore
    • 80 Critic Score
    With (watch my moves), Kurt Vile possibly creates indie rock's first ambient masterwork, a piece of art that is surprisingly and lovingly languid, even for the king of slack.
    • 91 Metascore
    • 80 Critic Score
    Carnage covers broader range than most of the Bad Seeds' recent records, cramming plenty of Cave's various stylings into a neat, eight-song package. For all of Cave's hunger and glee to return to the foreboding sounds of his past, it's when he opts for pure catharsis and bliss that he album achieves its full power.
    • 76 Metascore
    • 80 Critic Score
    No. 4 proves beyond measure that Christina Vantzou has as much talent and vision as most any of them. Hollywood, this is your wakeup call. Listen to her.
    • 71 Metascore
    • 80 Critic Score
    If The OF Tape Vol. 2 proves one thing it's that Odd Future aren't just a product of the Internet hype machine.
    • 73 Metascore
    • 80 Critic Score
    While listening to Phèdre, one can do nothing but feel helpless in the face of nearly perfect pop experimentalism.
    • 71 Metascore
    • 80 Critic Score
    While the French artist has introduced a new persona and perspective on Redcar les adorables étoiles (prologue), his ability to produce truly unique moments of pop power remains.
    • 81 Metascore
    • 80 Critic Score
    Why Make Sense? is a consistently engaging album by a band that has successfully reinvigorated their sound.
    • 78 Metascore
    • 80 Critic Score
    Rich and vibrant musically while raw and emotive lyrically, Ultraviolet is Kylesa's highest achievement to date.
    • 78 Metascore
    • 80 Critic Score
    While it may be early to qualify his style or sound as timeless, it's managed to stand the test for the past 10 years and he's done nothing but hone his skills.
    • 84 Metascore
    • 80 Critic Score
    On instrumentals, Lenker settles down from songs' busier thoughts, indulging in the stoicism within to achieve moments of serenity, if only briefly. Deep breaths, everyone.
    • 81 Metascore
    • 80 Critic Score
    Engravings sees the artist employing fractured choral voices, militant drums, swirling guitars and the occasional harpsichord (notably on album standout "The Weight of Gold") to create a tapestry of sounds both experimental and organic.
    • 83 Metascore
    • 80 Critic Score
    His is an askew version of experimental electronic music that is as engaging a vision as it is singular.
    • 84 Metascore
    • 80 Critic Score
    Despite the often abrasive experimental flourishes, the album retains a joyous sense of melody and pulse that makes it undeniably fun at its core.
    • 87 Metascore
    • 80 Critic Score
    By the end of Nothing's About to Happen to Me, it feels as though Mitski has reclaimed both her home and her mythos. No longer lingering on the edges of the album, she steps into her art as presently as she can, trusting that it will continue to speak for her long after she's gone.