Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Yes, Locke is a bit of a storytelling stunt: For the entirety of the movie, Ivan is the only character on screen. But even with nothing to cut away to and no flashbacks to offer context, the film manages to stay as tight as a vise.
  2. You don't walk into a movie like A Haunted House 2 expecting anything remotely scary or serious, but you don't expect to walk out feeling a terrible sense of dread, either.
  3. Heaven is for Real has lots of sweet, Rockwellian imagery of small-town life and family high jinks. What it doesn't have is dramatic tension.
  4. Watching it all unfold and slowly go off the rails, you can't help but wonder what Pfister's mentor, Nolan, might have done with the same material. My guess is he would have sent the script back for a Page One rewrite for starters.
  5. There's an elemental appeal to watching these animals hunt and play in the Alaskan wildnerness, and the Disneynature team has mastered the art of capturing it.
  6. Draft Day is "Moneyball" Lite. And if that sounds like a slight, it's not intended as one.
  7. There are fun moments, especially with Kristin Chenoweth’s vampy poison dart frog. But with more evolved films like "The LEGO Movie" and "Frozen" in the animated ecosphere, overstuffed and gag-reliant time-passers like the Rio movies feel like a dying breed.
  8. Unless you’re Billy Bob Thornton, old furniture just isn’t all that scary.
  9. The supporting cast includes Nick Nolte, Christine Lahti, Jennifer Jason Leigh, and Hailee Steinfeld, making the movie’s greatest accomplishment the fact that it was able to squander so many interesting actors.
    • 58 Metascore
    • 83 Critic Score
    He (Turturro) lands a three-way with two eager ladies (Sharon Stone and Sofia Vergara), but it’s his platonic meet-up with a lonely Hasidic widow (Vanessa Paradis) that establishes the deepest bond.
  10. Frost is a likable bloke with a deft physical grace to match his rat-a-tat one-liners. But all the sequins and silk shirts in the world can’t disguise the film’s too-familiar formula.
  11. Colin Firth smolders as the PTSD-riddled veteran (played in flashbacks by War Horse‘s Jeremy Irvine), and Nicole Kidman cries dutifully as his wife — but they’re both derailed by the movie’s tidy emotional resolutions.
  12. It's always a thrill to see what an artist as singular as Jarmusch will do next. I just wish that his foray into the world of the undead had a little more to sink its beautiful fangs into.
  13. Joe
    Both Cage and Sheridan (who shined opposite Matthew McConaughey in Mud) give true and at times tender performances. It's a shame the film lacks the same subtlety and force.
  14. A notch more watchable than Volume I, if only because Joe, the self-destructive heroine, is now played front and center by the magnetically dyspeptic Charlotte Gainsbourg instead of the vacuous model Stacy Martin.
  15. A stranger-than-fiction gem.
  16. The film itself feels a bit padded and clunky.
  17. Like so many reunions, this one starts off all smiles and quickly grows tiresome.
  18. The creators of Captain America: The Winter ­Soldier have brought off something fresh and bold.
  19. As a film, Under the Skin is hauntingly freaky and ultimately frustrating. But as a movie star's gamble to be seen as more than just a moneymaking member of the Marvel universe, it's a home run.
  20. To take the playfully convoluted, semi-nonsensical aggression of Rumsfeld's language and make it the whole point of a movie is to fall into the trap of mistaking the spin for the story.
  21. If ever there were an actor ripe to ''McConaughnesize'' his career, it's Jude Law — and guess what, he has done it, spectacularly, in Dom Hemingway.
  22. You won't respect yourself in the morning, but you might have some dumb, lizard-brain fun.
  23. Noah is a movie about big ideas (environmentalism, heavenly obedience versus earthly love) and even bigger directorial ambitions (how to tell a personal story on the grandest of grand scales). But, in the end, it's also a disappointment. Maybe not one of Biblical proportions, but a disappointment nonetheless.
  24. More connect-the-dots detective thriller than traditional doc, John Maloof and Charlie Siskel’s revelatory riddle of a film unmasks a brilliant photographer who hid in plain sight for decades working as an eccentric French nanny.
  25. A spooky, heartbreaking documentary.
  26. Rachel Boynton’s gripping doc shows you what happens when the greed of oil companies meets the chaos of postcolonial Africa.
  27. Buoyed by some nicely nuanced performances (especially by Pearce and Amy Ryan as his dream-dashing wife), Breathe In never quite rises above its predictable potboiler premise.
  28. In the title role, Michael Peña has a no-nonsense fire: He captures how Chavez borrowed from Martin Luther King Jr. but also fueled the struggle with his own improvisatory brilliance.
  29. The finest rock doc since "Anvil: The Story of Anvil." Matt Berninger, lead singer of the National, is a 40ish indie-rock star who carries himself like a hip lawyer.

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