Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The Killer Inside Me may be the darkest film noir ever made.
  2. Fluffy isn't awful, just disappointingly lightweight.
  3. The Rob Reiner of the past might have tackled a challenging topic, even in a romantic comedy. But that director, who hasn't made a good movie since the mid-1990s, is gone. So it goes.
    • 47 Metascore
    • 42 Critic Score
    When Johnson is wearing the head of the slayed Nemean lion in battle, walloping enemies with his tree-trunk sized club, and heaving charging horses to the ground with remarkable ease, he's in his Rock comfort zone. But as a tortured hero hampered by self-doubt, Johnson labors.
    • 62 Metascore
    • 75 Critic Score
    By the time the film exhausts itself—in a brisk 89 minutes — it feels like there's literally nowhere that Lucy and Besson can't go, no boundaries, no laws, no logic. Just go with it.
  4. When the situation is played totally straight, as it is for eighty percent of the running time, the message is boring: We'd all commit murder, theft and anarchy if only we could. With a narrative as depressively simplistic as that, we do find ourselves identifying with the characters in the movie—counting the minutes until the Purge is over.
  5. While it's breezy and funny and perfectly pleasant, you probably won't remember this particular gift by the time the next birthday rolls around.
  6. It's clumsy and wacky and intermittently amusing, and Rob Lowe looks like he's having a great time playing Real-Life Ned Flanders With a Deeply Weird Side once again.
  7. Braff, who co-wrote the film with his own brother, is clearly attached to the semiautobiographical material here and still has a knack for sweet two-person scenes.
  8. Despite somewhat of a direct-to-DVD plot, the perilous and elaborate rescue scenes are certainly big-screen-worthy. Canny references to '70s television and some genuinely funny moments will give grown-ups enough fuel to cross the finish line.
  9. It works its own sort of magic. After all, who doesn't want to believe that the soul does have a window, and that if it closes we might open it again?
  10. A movie so stuffed with eccentricity, it rips at least a couple of seams.
    • 73 Metascore
    • 75 Critic Score
    Crackles with a jigsaw-puzzle intelligence and features a superbly subtle lead performance from the late Philip Seymour Hoffman, who single-handedly gooses the post-9/11 procedural through some of its slower patches.
  11. Eric Rohmer’s sun-kissed love quadrangle remains as fresh and romantically profound as it was 18 years ago.
  12. That doesn’t stop the movie as a whole from feeling a little slight, though, like a Christmas tree that isn’t entirely filled out.
  13. The generational conflict — overly ambitious parents and their disaffected millennial children — plays so on-the-nose it almost seems like satire, but it’s really just bad writing.
  14. With an ace troupe like that, there are affecting moments, to be sure. But the movie criminally wastes Sam Neill and Rosamund Pike in barely there supporting roles, and the picture has exactly two tones: grim and gooey. They do not coexist harmoniously.
  15. Like Michael Apted in his "Seven Up!" documentary series, Linklater makes you feel as if you're watching a photograph as it develops in the darkroom.
  16. A sequel that easily tops its 2011 predecessor.
  17. In the end, cancer may have cruelly taken Roger Ebert's voice, but it couldn't silence his greatest gift: his ability to speak to his audience directly, honestly, and with empathy. Thumbs up.
  18. This rote exorcism-is-real claptrap.
  19. It's a broad, helter-skelter farce whose best bits hinge almost entirely on the considerable charms of its star.
  20. Dinesh D'Souza's documentary is no mere screed: 2016: Obama's America is a nonsensically unsubstantiated act of character assassination.
  21. Ultimately, Age of Extinction is an endless barrage of nonsense and noise.
  22. Scenes between YSL and rock-steady lover Pierre Bergé (Guillaume Gallienne) spark, but the film stays too reverent to truly turn heads.
  23. With minimal conspiratorial bluster, Berlinger unmasks the compliant faces of evil.
  24. Swartz’s ex-girlfriend adds heart when she tearfully recalls first seeing the ”end date” on his Wikipedia page.
  25. Like the guys who gyrate on La Bare’s stage every night, the movie is luggish, good-hearted, and a little bit sad.
  26. Most of the jokes land bluntly – ”This is a cliché!” – but tight pacing and a killer cast, which also includes Ed Helms and Christopher Meloni, make up for the inconsistent gags.
  27. Snowpiercer sucks you into its strange, brave new world so completely, it leaves you with the all-too-rare sensation that you've just witnessed something you've never seen before...and need to see again.

Top Trailers