Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. It's a painstakingly correct update of what is, let's face it, one of the least culturally correct love stories ever to be mythologized by Hollywood.
  2. Anderson's big, showy flower of a movie unfurls brilliantly, each plot petal a thing of exquisite design. Then it ripens. Then it disintegrates, leaving a mess of color and a faint whiff of rot.
  3. Lasse Hallström calms Irving's typically busy 1985 best-seller with a balm of the Swedish director's typically soothing lyricism.
  4. Robbins the agitprop celebrity may be blowin' in the wind, but Robbins, the son of a folksinger, knows how to get audiences clapping along.
  5. Figgis never frees the play enough from the stage to fill the screen.
  6. Roth, there's no denying, creates considerable suspense out of our desire to confront the forbidden.
  7. This condescending story wastes him (Douglas).
  8. Offers tricky fragmentation without mystery or mood; it's a mosaic of fear that grows less and less unsettling as it comes together.
  9. Excessive, but I, like Mr. Jingles, can't resist the Christmas-season cheese.
  10. Just when you're sure that Deuce Bigalow: Male Gigolo can't get any less funny, the movie douses the trailer's best gag, as that prosthetic leg turns out to be attached to Deuce's true love.
  11. Modest and prosaic, with an unfortunate fairy-tale ending (yes, it features Tom Jones).
  12. Too tightly made not to keep you watching, Holy Smoke is also too hokey and didactic to take seriously.
  13. The affair itself, in its genteel way, does catch fire, but it's the end of the affair that needs to move us to rapture, and the movie, instead, just drifts away.
  14. Allen draws a snappy, loose-limbed performance from Penn.
  15. Director Scott Elliott, in his feature-film debut, is especially perceptive about what goes on at the edges during deepening family crises, literally at the borders of the screen.
  16. It says a lot for Joel Schumacher's Flawless that you can see the picture's high-concept heart a mile away and still be won over by it.
  17. Rarely have two actresses been so effortless in their intimacy.
  18. Frequently silly, yet eminently more watchable than such leaden Schwarzenegger efforts as ''Eraser.''
  19. Ang Lee's bloody but dramatically anemic depiction of the American Civil War as fought by boys without uniforms.
  20. It's a great, IQ-flattering entertainment both wonderful and wise.
  21. The hero himself has been denatured for a young, late 1990s audience with little appreciation for real suavity or sex play.
  22. Almodóvar's masterwork, is a spectacular synthesis of everything that has always interested him -- proud women, lovely boys, beautiful drag queens, grand movie stars, gorgeous frocks, wild wallpaper .
  23. Little more than a lavish, art-directed slasher movie.
  24. It would be tempting to describe the Up movies as a miracle in the history of nonfiction filmmaking, if they didn't also represent one of the cinema's most singularly squandered opportunities.
  25. The Australian actress Frances O'Connor is a true find. She's as beautiful as the young Barbara Hershey, with a stare that's pensive yet playful, and she puts us in touch with the quiet battle of emotions in Fanny.
  26. But Levinson's passion to explain how he got from there to ''Sphere'' gives Liberty Heights its own farkatke Hollywood integrity.
  27. What's missing from this by-the-numbers drama is a sense of abandon.
  28. Like a dowser who can divine hidden sources of water, Atom Egoyan has a talent for locating the dream-state perversity that runs just under the surface of everyday life;
  29. There's precious little in Luc Besson's solemnly inflated, battle-weary historical epic.
  30. It's not every day you get to see a movie that begins in satire and ends in reverence, but then, for Kevin Smith, they may ultimately be the same thing.

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