Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. All I Wanna Do
    A knock-kneed but likable just-for-girls drama set in 1963 that promotes single-sex institutions as the best breeding ground for future female senators and filmmakers.
  2. Waking the Dead
    Enough to anesthetize the living.
  3. Winter Sleepers
    It's slow and pretentious, full of craggy Bavarian snowscapes and dour "mystical" portents that seem to circle back to nothing but themselves.
  4. Romeo Must Die
    Doesn't take advantage of its own possibilities, either as a hard-boiled gangland battle or as a soft-boiled, interracial Shakespearean love story.
  5. Erin Brockovich
    Roberts, in her most forceful dramatic performance, allows us to take in every moment through fresh, impassioned eyes.
  6. Final Destination
    An unexpectedly alert teen-scream disaster chiller.
  7. Beyond the Mat
    Often has the rambling feeling of a home movie Blaustein made for his buddies.
    • 50 Metascore
    • 25 Critic Score
    Deterrence
    The plot twists fall about as weightily as the fake snow.
  9. Mission to Mars
    In the presence of profound questions, the filmmaker goes profoundly shallow.
  10. The Ninth Gate
    A film not even a star as foxed and foxy as Johnny Depp himself could save.
    • 48 Metascore
    • 75 Reviewed by
      Ty Burr
    Condo Painting
    This vision of creativity as blind, instinctive ''process'' is exhilarating.
    • 25 Metascore
    • 42 Critic Score
    The Next Best Thing
    (Madonna is) clearly full of good intentions; too bad she's lacking discernible emotions.
    • 68 Metascore
    • 83 Reviewed by
      Ty Burr
    Ghost Dog: The Way of the Samurai
    The result has the dingy grace of pigeons flying across an urban wasteland.
  14. Drowning Mona
    The actors more eager to goof around in schlumpfy costumes on a low-budget lark than to play their trashy characters with the seriousness such farce requires.
  15. What Planet Are You From?
    Nothing more than a sort of dumb, sort of clever fish out of water comedy.
  16. 3 Strikes
    Empty jokes hang heavy.
  17. Judy Berlin
    Haunting and hopeful.
  18. Mifune's Last Song
    As loose and restful as pajamas.
  19. Reindeer Games
    Displays no ambition to be anything more than a synthetic sense-jolt conveyor of the week.
    • 44 Metascore
    • 75 Critic Score
    The Closer You Get
    Featherweight tale of Guinness-guzzling bachelors.
  21. Wonder Boys
    Sweet, flaky, and more than a little aimless.
  22. The Life and Times of Hank Greenberg
    A sprightly, lovingly researched, rather misty-eyed sports documentary that's steeped in ethnic pride.
  23. Beautiful People
    There's a bravura recklessness to Beautiful People that perfectly fits its subject.
  24. Boiler Room
    Younger, in his debut feature, is as canny as he is derivative.
  25. Hanging Up
    There is not one honest moment, not ONE, in Hanging Up.
  26. The Whole Nine Yards
    A convoluted ''dweeb meets the Mob'' farce in which everyone is trying to kill everyone else, but it's the movie that's the real corpse -- albeit a busy, twitching one.
  27. Pitch Black
    So jaunty, so limber, and so visually self-assured that art peeks through where crap has traditionally made its home.
  28. Sex: The Annabel Chong Story
    Does all it can not to dehumanize Chong.
  29. Snow Day
    Even Snow Day's winter wonderland looks fake.
  30. The Tigger Movie
    A conflicted entertainment, compromised by trying too hard to impress the restless, self-referential adults in the audience.
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