For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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- By Critic Score
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Reviewed by
Lisa Schwarzbaum
Brisk and sweet, even if the script veers toward fussy and lame.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's less a tale of religious rebirth than a faith-based Hallmark card.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
It's raunchy, outspoken -- and also a smart and agile dissection of art, fame, and the chutzpah of big-budget productions.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
There's a poetic irony to the idea that it took a female filmmaker to finally do justice to Philip Roth on screen.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
It ends up subverting its own subversion, arriving at a place that can only be called conventional.- Entertainment Weekly
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- Critic Score
Even cynics might concede that, again, four capable actresses have pulled off a relatively rare thing: They've convinced us they're an honest-to-God movie sisterhood.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A tale of ordinary Americans scraping bottom, yet there's a redemption in that. The film asks: If you were this desperate, wouldn't you do the same?- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
After an hour of inert exposition, a race through Shanghai gooses the movie alive. Then it plunges back into torpor.- Entertainment Weekly
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
Costner (who's also a producer) plays to his middle-aged strengths in a role that exaggerates male weaknesses.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The gorgeous music includes Ralph Vaughan Williams' wafting tone poem ''The Lark Ascending'' -- apt in describing an artist who might well be part bird.- Entertainment Weekly
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
Older and sadder, Mulder and Scully are no longer sure they've got the energy to even ask if the truth is still out there. And it feels as if Carter is skeptical, too.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
Step Brothers is a Judd Apatow production and it's the closest that the Apatow factory has come to spitting out a dumb-and-dumber high-concept comedy.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The one performer who seems at home with the gravity of it all is Emma Thompson.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The players are timelessly familiar in American Teen, too. But filmmaker Nanette Burstein tells their stories with a distinctly 21st-century pop and audacity.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
At two hours and 32 minutes, this is almost too much movie, but it has a malicious, careening zest all its own. It's a ride for the gut AND the brain.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's tempting to say that Mamma Mia! has the worst choreography of any big-screen musical in history, though that would imply that what happens in the film IS choreography.- Entertainment Weekly
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Reviewed by
Adam Markovitz
While candy-colored graphics should dazzle kids, Space Chimps has little draw for audiences spoiled by the Pixar-given knowledge that CGI can entertain -- and not just stupefy -- moviegoers of any age.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
Val Kilmer, as a polite horn-rimmed sociopath with a heart of gold, keeps showing up to drop Nietzschean pensées.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The Golden Army dazzles like something out of "Jason and the Argonauts." To make a comic-book fantasy this derivative yet this dazzling requires more than technique. It takes a director in touch with his inner hellboy.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Journey is just the new version of a 1950s comin'-at-ya roller coaster, with a tape measure, trilobite antennae, and giant snapping piranha thrust at the audience.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
this unfairly maligned sci-fi comedy testifies that Eddie Murphy still has the gift of surprise.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Anyone who thinks that Josh Hartnett isn't a true movie star should see his riveting, high-wire performance in August.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie also captures Thompson's tragedy: the haze of drugs and bad writing that consumed him for no less than his last 30 years.- Entertainment Weekly
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Reviewed by
Leah Greenblatt
The result is fairly silly slapstick, but Alda, hair disheveled and brow knit with stubborn intent, is both fierce and quietly heartbreaking.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The best thing about it is Peck, who shows you the sweet, virginal kid hiding inside the outlaw poseur.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Tell No One's plot thickens in about five ways at once, but they're all connected. The issue of how is a riddle that does more than tease --gives you an itch you won't want to stop scratching.- Entertainment Weekly
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