Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. As the reigning inhabitant, Redgrave adopts the swanning gestures of Maggie Smith in this mild adaptation of a Maeve Binchy story.
  2. Slumdog Millionaire is nothing if not an enjoyably far-fetched piece of rags-to-riches wish fulfillment.
  3. The fun of Role Models is that it's a high-concept movie executed with speed and finesse and the kind of brusquely tossed-off obscene banter that can get you laughing before you know what hit you.
  4. A reality-twisting cousin to "Being John Malkovich" -- showcases a Van Damme who's sly like a fox about his own image.
  5. An appalling, jaw-dropping movie that will cause serious nightmares.
  6. Escape 2 Africa is pretty tame, but it knows how to keep its own turf tidy.
  7. Gini Reticker's simply made, affecting documentary Pray the Devil Back to Hell reveals how these heroic ordinary women prodded the factions to peace and literally brought down Taylor, a leader of sociopathic cruelty.
    • 32 Metascore
    • 33 Critic Score
    If steampunk bloodbaths aren't for you, it's a long wait for the fat lady to sing.
  8. Soul Men could have done with less amped-up abrasiveness and more soft-shoe charm.
  9. The backstories keep piling up, with nods to "The Shining," "The Ring," and a dozen other gothic supernatural chillers, yet the result doesn't remotely scare you.
  10. The facts are so awful that Dear Zacharycan be forgiven much of its antsiness--as a memorial, as a condolence to Bagby’s parents (who became activists for judicial reform in their late son's honor), and as a howl of grief.
  11. The story's a snooze, so the filmmakers punch it up with smash cuts and thunderclaps that turn the most laughably banal items -- birds, mail, an alarm clock -- into cheap jack-in-the-box shocks.
  12. A nifty horror movie that doesn't claim to be anything other than a zippy exercise in creature-feature entertainment.
  13. A Smith production is always noisy, shambling, and liberally smutty on the outside while conservatively gooey on the inside.
  14. If random arty blood thrills are your cup of fear, perhaps you'll enjoy Let the Right One In, a Swedish head-scratcher that has a few creepy images but very little holding them together.
  15. I gave up making heads or tails of Synecdoche, New York, but I did get one message: The compulsion to stand outside of one's life and observe it to THIS degree isn't the mechanism of art -- it's the structure of psychosis.
  16. The trouble with Changeling is that it plays less like reality than like a bare-bones, moralistic rehash of other, better movies, such as "L.A. Confidential" or "Frances."
  17. This is a movie about actors acting; who cares why Juliette was in the pen?
  18. Turns out to be just another dud in the genre of revisionist mysteries that have been messing with our heads since Haley Joel Osment saw dead people. Only this time, the big reveal doesn't so much twist the plot as snap its neck.
    • 20 Metascore
    • 42 Critic Score
    The production values have become so horror-movie shoddy that Saw V has more in common with kitsch like "Friday the 13th Part V" than the original "Saw."
    • 45 Metascore
    • 83 Critic Score
    Edward Norton is in top form as Ray, a burned-out detective whose investigation into the deaths of four cops leads him to suspect his brother-in-law, Officer Jimmy Egan (Colin Farrell, also terrific).
  19. These are standard youth-movie dilemmas, but they're brought to life by the high-energy cast and the musical numbers, which Ortega shoots with electrifying pizzazz.
    • 69 Metascore
    • 50 Critic Score
    Feels like a nonstarter.
  20. At once scary and stirring.
  21. W.
    The intrepid one is the outstanding Josh Brolin, who does such a phenomenal job in the title role that he carries every scene he's in to a place of subtlety and integrity far beyond what Stone needs to make his attention-grabbing noise.
  22. The movie is short on wisdom, but it might have gotten by if it had had better filth.
  23. It's just a grindingly inert death-wish thriller.
  24. The Secret Life of Bees is a lesson -- or, rather, a whole series of them -- we no longer need to learn. Of course, it's also a divine-sisterhood-defeats-all chick flick, and on that score there's no denying that its clichés are rousingly up to date.
  25. Seth Green is uproarious as an Amish farmer who speaks in sentences so passive-aggressive, they're like tiny slaps.
  26. This is no real-life comedy à la "Election" -- more like a valuable, teen-scaled version of the presidential election that currently obsesses us.

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