Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 1.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. It’s the kind of pure, straight-no-chaser pop fun that not only keeps taking your breath away over and over again, it restores your occasionally shaky faith in summer blockbusters.
  2. A mesmerizing work of disturbing power and unease.
  3. If Davis hadn't already taken home Oscar gold so recently, she'd almost certainly claim another prize here for the raw transformative verve of her performance; it's more than possible she still might. It's Boseman, though, in his final appearance on screen, who makes both the bitter and the sweet of the story sing: a pointed arrow of hurt and hope and untapped fury, heartbreakingly alive in every scene.
  4. Part of what makes One False Move so engrossing is the way the characters keep revealing new, darker sides. The movie is about hidden American links — between city and country, cop and criminal, and the black and white subcultures of the rural South.
    • 87 Metascore
    • 100 Reviewed by
      Ty Burr
    Steven Spielberg overcame the lumpy plotting of Peter Benchley's novel to create an efficient, graceful fright machine in Jaws.
  5. As a coming-of-age story, the film is a bit uneventful. But the girls’ rebellious, fist-in-the-air spirit and the warmth of their friendship are undeniable.
  6. The one scene with a hint of the eccentrically detached brilliance that would come to define ”Stanley Kubrick Movies” is the climactic battle, in which marching blocks of Roman soldiers are mowed down by fire: It’s war as the greatest halftime show ever choregraphed. Until then, Spartacus envelops you in the sort of bedazzled hero worship Hollywood never quite managed to bring off this rousingly again.
  7. The Rolling Thunder Revue was Dylan’s personal magical mystery tour — and in Scorsese’s hands, there’s no shortage of magic or mystery.
  8. It's hard, too, to picture any actress other than McDormand (who also has a producer credit) in the part. She doesn't just become Fern, she creates her: melding Zhao's screenplay to her own fierce character in a way that feels almost uncannily real. Together, they've managed to make that rare thing: a film that feels both necessary and sublime.
  9. Bestows generous blessings on all that's good in Englishness, in moviedom, and, of course, in cheese.
  10. As unsettling as Marielle Heller’s feature-film debut can be — there are moments you’ll ache for Minnie and other ones where you’ll want to lock her away — it rings much truer than most coming-of-age stories.
  11. The movie is grand and immersive. It plugs us into the final months of Lincoln's presidency with a purity that makes us feel transported as though by time machine.
  12. This is Robert Redford doing what too many stars should do and don't: taking a chance. And reinventing his art. It's an extraordinary thing to see.
  13. To be corny, which the film is decidedly not, it's about life: the brevity of it, the risks we do or don't take, who in the end we choose to share it with. And for all the pettiness, absurdity, and outright threats of violence, it's pretty feckin' wonderful.
    • 87 Metascore
    • 83 Critic Score
    Stillman gives the romantic roundelay a deliciously modern feminist twist that ends up being a bit too slight and patly resolved, but over all too soon.
  14. Hereditary doesn’t reinvent horror cinema so much as polish the cobwebs off of its classics, strip them for parts, and refashion them into something that feels terrifyingly fresh and new.
  15. A wondrously sly, moving, odd portrait—perfectly befitting its subject.
  16. The Fugitive is hardly Hitchcock — it never taps our emotions in a way that threatens to transcend the action — but it’s a mainstream thriller made with conviction, intelligence, and heat. In Hollywood, that used to be called professionalism. These days, it’s rare enough to look like artistry.
  17. Assuming you love animals — hell, even if you don’t — this is one of the best buddy movies ever made.
  18. Mr. Lazarescu is that rich and riveting a film of universal small human moments and big-system failure.
    • 87 Metascore
    • 100 Critic Score
    Mason gives a grand performance, his voice racked with desperation and pain yet sonorous.
  19. Unfolds with a simplicity that's as breathtaking as its inevitability is harrowing.
  20. The richest and most satisfying romantic movie of the year. It's really about two great loves at once -- the love of life and of art -- and the way that Shakespeare, like no writer before him, transformed the one into the other.
  21. In the juxtaposition of cataclysmic matter-of-fact misery and cinematic poetry, the filmmaker finds a calmly stunning way to convey the experience of living with death as something intimate, and, unnervingly, almost natural.
  22. Errol Morris may have been put on earth to make The Fog of War, a stunning portrait of Robert S. McNamara that closes a year of outstanding nonfiction movies on a high note.
  23. Spirit, animal, and human worlds coexist in dreamy harmony in this remarkable drama.
  24. Brokeback Mountain is that rare thing, a big Hollywood weeper with a beautiful ache at its center. It's a modern-age Western that turns into a quietly revolutionary love story.
  25. No one charts the wilds of childhood more precisely than the Dardennes.

Top Trailers