For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
The editing in Battlefield America is super-speedy: Each shot lasts about three seconds, and then it's off.- Entertainment Weekly
- Posted May 23, 2012
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Reviewed by
Lisa Schwarzbaum
Trier's compassion for what it takes to survive, mixed with the love he bestows on Oslo, is rewardingly profound.- Entertainment Weekly
- Posted May 23, 2012
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Reviewed by
Lisa Schwarzbaum
For some viewers, Moonrise Kingdom may be movie heaven, another bric-a-brac-jammed bauble to place alongside "The Life Aquatic With Steve Zissou" and "The Darjeeling Limited." Personally, though, I wish that Anderson would come out from under the glass, or at least change what he's doing under there.- Entertainment Weekly
- Posted May 23, 2012
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Reviewed by
Lisa Schwarzbaum
MIB3 is one giant leap for mankind because Josh Brolin shows up to play the younger Agent K. And he just nails the feat, triumphantly creating a riff on/homage to the Tommy Lee Jones-ness of K that goes much deeper (and funnier) than a simple imitation of drawl and speech patterns.- Entertainment Weekly
- Posted May 23, 2012
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Owen Gleiberman
The film can be rambling and glib, yet it's no mere crime drama. It captures a middle-class French society that looks more humane than ours, but is just as messed up.- Entertainment Weekly
- Posted May 16, 2012
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Reviewed by
Owen Gleiberman
The best thing about the movie is that it keeps drawing conclusions in opposite directions.- Entertainment Weekly
- Posted May 16, 2012
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Reviewed by
Lisa Schwarzbaum
Whenever Rupert Everett appears as a rich fellow who distinctly does not fancy ladies, it's a hysterical history lesson of the hilarious variety.- Entertainment Weekly
- Posted May 16, 2012
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Owen Gleiberman
As sociology, it's skin-deep, but if you're a parent or preparing to be one, you might see yourself in a few of these folks and have a good time doing so.- Entertainment Weekly
- Posted May 16, 2012
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Reviewed by
Lisa Schwarzbaum
Battleship is a sound vessel floating in Hollywood's oil-slick sea of "Transformers" sequels and vampire riffs.- Entertainment Weekly
- Posted May 16, 2012
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Lisa Schwarzbaum
What's shocking this time is how tame Sacha Baron Cohen's newest wild man is, for all the kerfuffle the comedian can stir up on the promotional trail.- Entertainment Weekly
- Posted May 15, 2012
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Reviewed by
Lisa Schwarzbaum
This inauthentic teen tale, with its cosmetically softened edges, serves neither the young people nor the Mendes fans for whom it might be intended.- Entertainment Weekly
- Posted May 9, 2012
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Owen Gleiberman
The movie gets mired in these deceptive mechanics. It shows no curiosity about the hatred, so the characters seem less than whole.- Entertainment Weekly
- Posted May 9, 2012
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Owen Gleiberman
Bobcat Goldthwait's new movie is a burlesque that turns into a harangue that turns into a rampage.- Entertainment Weekly
- Posted May 9, 2012
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Reviewed by
Lisa Schwarzbaum
As with his previous film "Fireflies in the Garden," writer-director Dennis Lee scratches the skin of family bonds until it bleeds. This time, he uses whimsy as a salve.- Entertainment Weekly
- Posted May 9, 2012
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Reviewed by
Lisa Schwarzbaum
Writer-director Gérald Hustache-Mathieu sustains a fresh voice influenced by the Coen brothers and the infernal snow of "Fargo."- Entertainment Weekly
- Posted May 9, 2012
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Reviewed by
Owen Gleiberman
Depp's performance is more than just funny - it's ghoulishly endearing.- Entertainment Weekly
- Posted May 9, 2012
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Reviewed by
Owen Gleiberman
The film, devising events that led up to his mysterious death in 1849, is also the most gruesomely literal-minded of period detective stories.- Entertainment Weekly
- Posted May 2, 2012
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Lisa Schwarzbaum
Terminal colon cancer has never looked more fetching than in the critically ill romantic-disease comedy A Little Bit of Heaven.- Entertainment Weekly
- Posted May 2, 2012
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Reviewed by
Lisa Schwarzbaum
Marigold Hotel achieves what it sets out to do: Sell something safe and sweet, in a vivid foreign setting, to an underserved share of the moviegoing market.- Entertainment Weekly
- Posted May 2, 2012
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Owen Gleiberman
In terms of storytelling, The Avengers is for the most part a highly functional, banged-together vehicle that runs on synthetic franchise fuel. Yet the grand finale of CGI action, set in the streets of New York, is - in every sense - smashing.- Entertainment Weekly
- Posted Apr 28, 2012
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Owen Gleiberman
Safe has more action than intrigue (or logic), and it's boilerplate vicious. It may satisfy Statham's fans, but they - like he - would do well to enlarge their expectations.- Entertainment Weekly
- Posted Apr 25, 2012
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Owen Gleiberman
Sound of My Voice doesn't follow through on everything it sets up, yet it has a hushed and revealing psycho-intensity. It also has an oh-wow Twilight Zone ending that truly made me go, ''Oh, wow.''- Entertainment Weekly
- Posted Apr 25, 2012
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Adam Markovitz
All those twangy, homespun observations interrupt and annotate the narrative until Black and MacLaine's scenes start to feel as trivial as reenactments on a true-crime TV show.- Entertainment Weekly
- Posted Apr 25, 2012
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Adam Markovitz
You can almost smell the brine in the boat helmed by Pirate Captain (Hugh Grant) on his quest to win Pirate of the Year.- Entertainment Weekly
- Posted Apr 25, 2012
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Owen Gleiberman
A lively, original, and scattershot-hilarious ramble of a Judd Apatow production.- Entertainment Weekly
- Posted Apr 25, 2012
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Lisa Schwarzbaum
Filmmaker Greg MacGillivray, a specialist in gigantic-screen nature movies including "The Living Sea," is up to date in his use of 70mm IMAX film, but he's stuck in the past about how to tell a story.- Entertainment Weekly
- Posted Apr 18, 2012
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Owen Gleiberman
The Lucky One doesn't have the schlock rapture of "The Notebook" (the one Sparks adaptation that has really worked). The trouble with the movie isn't that it's too girly-swoony; it's that it tries to achieve emotion through glowy sunsets and a paint-by-numbers script.- Entertainment Weekly
- Posted Apr 18, 2012
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Reviewed by
Lisa Schwarzbaum
Her (Harron) torpid adaptation of Rachel Klein's novel about female sexual desire, jealousy, death wishes, and vampires at a girls' boarding school defeats Harron's talent for exploring darkness on the edge of kinkiness.- Entertainment Weekly
- Posted Apr 14, 2012
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Owen Gleiberman
Lawrence Kasdan's comedy strikes a note of rib-nudging blah coyness that feels very 1987.- Entertainment Weekly
- Posted Apr 14, 2012
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Owen Gleiberman
Marley was directed by the gifted Kevin Macdonald (The Last King of Scotland), who shows off his chops not by doing anything dazzling - the film is documentary prose, not poetry - but by treating Marley as a man of depth and nuance, of inner light and shadow.- Entertainment Weekly
- Posted Apr 14, 2012
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