Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Savages is Oliver Stone doing what he should have done a long time ago: making a tricky, amoral, down-and-dirty crime thriller that's blessedly free of any social, topical, or political relevance.
  2. What's most amazing in The Amazing Spider-Man turns out to be not the shared sensations of blockbuster wow! the picture elicits, but rather the shared satisfactions of intimate awww.
  3. In his elliptical and somewhat loopy drama about the slipperiness of love at any age, French filmmaker André Téchiné uses the sight of scudding motorboats on the waterways around workaday Venice as a visual reinforcement of time as a river.
  4. The movie is small, local, and idiosyncratic. Then again, it's also a thing of beauty and originality - and for that, sustained huzzahs are in order.
    • 68 Metascore
    • 67 Critic Score
    By never standing back from Margot, the movie courts vagueness as well.
  5. People Like Us demonstrates how a drama can be heartfelt and bogus at the same time.
  6. Ted
    And yet. And yet, Gawd help me, the always surprising Mark Wahlberg throws himself into his thespian adventure with such radiant wacko energy, so full of Boston beans, that Ted is also kind of, well, impressively nuts.
  7. The movie is Mike's story, and Channing Tatum proves himself a true movie star. His Mike glides through the world with the ease of a god, and on stage he's electrifying.
  8. With so much flesh crunching and bloodletting, it could have been scary as all Walking Dead get-out. Instead, the movie plays safe by cutting every theme down the middle - a swing that's effective when splitting wood or vampire skulls, but dull when applied to filmmaking.
  9. The movie is fascinating, though it smacks its own lips a bit too much at the tackiness of freak '70s stardom.
  10. Fourteen years after "Happiness," why is director Todd Solondz still mucking around with the sort of idiot neurotic dweeb who makes George Costanza look like George Clooney?
  11. Gandhi tries to dodge criticism of his mocking scam by rationalizing that even a phony wise man can offer real solace.
  12. The intense interviews and damning statistics (20 percent of all female personnel have experienced sexual assault) do the work of whipping up outrage.
  13. Woody Allen has become such a beguiling travel agent that he rolls through these stories with a relaxed effervescence that is rather infectious.
  14. In our summertime-movie world of aliens and superheroes who look all too familiar, Dodge and Penny look all the rarer in their precious humanity.
  15. Merida may be a headstrong heroine, a feisty animated hybrid who calls to mind Katniss Everdeen, Bella Swan, and the neo-fairy-tale protagonist who faces off against her evil stepmother in "Snow White and the Huntsman." But she is also, for safety's sake, a nice girl in a pretty green dress who loves her family and believes in dynasty.
  16. Never underestimate the importance of guy-on-guy sentimentality in the Adam Sandler universe. It's his way of making his fans feel as if he's high-fiving them, or maybe giving them a group hug. But Sandler, bottom line, is too good at playing louts like Donny to spend this much energy getting us to like them.
  17. Heavy on mood and murk.
  18. We're given an intimate seat to this wildly democratic - and creepily messianic - spectacle.
  19. Each an actor of distinctive delicacy, Duplass, DeWitt, and Blunt do some of their subtlest, most sweetly calibrated work ever, playing off one another with the kind of ease and trust that is, in itself, a demonstration of love.
  20. Most of the numbers in Rock of Ages are flatly shot and choreographed, and they look as if they'd been edited together with a meat cleaver. With rare exceptions, they don't channel the excitement of the music - they stultify it.
  21. Gerwig is adorable, but that's both good and bad, as the movie can't stop cuing us to see that Lola's winsomeness will rescue her.
  22. So let's hear it for the giant wig of Pre-Raphaelite gray corkscrews planted on the noggin of Jane Fonda as a glamorous hippie grandma. The hairdo meets its match in the dull Ann Taylor togs encasing Catherine Keener: That's how you know Granny's daughter is an uptight lawyer.
  23. Safety Not Guaranteed is a fable of ''redemption,'' and it's too tidy by half, but it is also very sweetly told.
  24. The story in Madagascar 3 is functional, but the antically civilized spirit is infectious.
  25. This is jumbo-size science fiction, with a handsome, impermeable titanium gleam - and a thick coating of creationism lite.
  26. The best part of Piranha 3DD, the pointless sequel to the utterly unnecessary 2010 remake of Piranha, is the credits. Not only do they signify that the film is finally, mercifully over, but they also allow for David Hasselhoff to sing the theme song to a new fake TV series called The Fish Hunter, a clever meta-gag that nods both to Baywatch and the Hoff's international recording success.
  27. A tastefully overbearing franchise fairy tale with a handful of ravishing touches.
  28. If nowhere near as scary as the original Paranormal, the result is superior to many of the low-budget terror flicks that have arrived since (yes, The Devil Inside, we're talking about you) and benefits hugely from Dimitri Diatchenko's performance as moviedom's Worst. Tour. Guide. Ever.
  29. The power dynamic may charm the French, but it's likely to push the cringe buttons of local moviegoers in Obama's post-"The Green Mile America." Apart from the wince-inducing moments, The Intouchables is often a pleasant buddy picture.

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