Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Tiny Furniture is proof, against steep odds, that there are no small stories, only small storytellers.
    • 72 Metascore
    • 67 Reviewed by
      Ty Burr
    Works more in your head than on the screen.
  2. When C-Diddy (a.k.a. David Jung), in his samurai superman suit, does his note-perfect, lip-twisting, belly-jiggling manic mime of Extreme's ''Play With Me,'' it's hard not to grin and admit that, yes, this is almost an art form.
  3. Cagey, high gloss comedy.
  4. Nettelbeck has a particularly lovely sense of behind-the-scenes restaurant choreography. And her warm, patient understanding of little girls' psyches guides young Maxime Foerste, as the turbulent niece, to a terrific performance.
  5. A big, juicy, enjoyable wide-canvas biography with a handful of indelible moments.
  6. By the end, most moviegoers are liable to see it as much ado about nothing.
  7. The animation is dazzling.
  8. Antal has assembled what may be the single most colorless group of mangy lowlifes I have ever seen.
  9. To call Match Point Woody Allen's comeback would be an understatement - it's the most vital return to form for any director since Robert Altman made "The Player."
  10. Going on 20 years now, Moore is someone who's been so reliably good for so long that we've probably taken her for granted. But her subtle, heartbreaking decline as Alice—from her initial diagnosis to her daily struggle to hold on to her identity and dignity to her eventual disappearance in plain sight—is among her most devastating performances.
  11. A film of uncommon originality.
  12. The goal of any manifesto is making its aims as clear as possible. But it’s never clear what this Manifesto is aiming for besides a cheeky roll call of intellectual camps. Ph.D.s in art theory will chuckle knowingly as everyone else eyes the exit.
  13. The dance-film equivalent of a female impersonator: The movie is absurd and sincere at the same time-it offers an insolent facsimile of grand passion.
  14. Doug Pray's cool documentary about 85-year-old Dr. Dorian Paskowitz, his wife, and their eight sons and one daughter is about surfing insofar as surfing is the family's shared passion.
  15. A love poem to the New York City of the '50s and '60s, when Smith, the visionary of camp (Andy Warhol stole from him), more or less invented performance art.
  16. Even from the safety of a movie seat, you can just about feel the stinging hardness of the surf. Blue crush? This is more like white smash.
  17. It took long enough, but Disney has finally come up with an animated heroine who's a good role model and a funky, arresting personality at the same time.
  18. For 20 years, Megumi's family doesn't know where she is; when they find out, the frustrations and uncertainties only mount. But as thickets of history and culture are (too) neatly avoided, the viewer is also left in the dark.
  19. Another 3-D animated kid movie demonstrates that cartoon storytelling pitched to young people is the last, best refuge of sprightly filmmaking this hard, hot summer.
    • 72 Metascore
    • 83 Critic Score
    The movie’s streetwise screenwriter, Richard Price, knows characters like this do exist — but only an actor like Cage can bring them off.
  20. A terrific, small, funny, sad movie.
  21. Nothing in this enjoyably twisty, cool/ hot, genre-grafting Italian psychological thriller by Giuseppe Capotondi is what it seems. And the more you try to solve the narrative puzzle, the more you may want to watch it again - or at least argue about what's real.
  22. Any random episode of Law & Order would be more sophisticated than this heavy-handed, moralistic Southern-lawyer corn pone, directed by Francis Ford Coppola.
  23. 12
    Has none of the crisp passion or suspense of the 1957 Sidney Lumet version; it's bloated, heavy-handed, and lugubrious.
  24. If the buildup and catharsis of its final minutes are more than a little silly, and marred by Whannell’s urge to put too neat bow on it all, the movie still has its satisfying jolts — including possibly one of the single most shocking screen deaths so far this year.
  25. It falls on Pattinson's leather-cased Batman to be the hero we need, or deserve. With his doleful kohl-smudged eyes and trapezoidal jawline, he's more like a tragic prince from Shakespeare; a lost soul bent like a bat out of hell on saving everyone but himself.
  26. Kevin Kline is sweetly befuddled as a good man caught between worlds, and Sigourney Weaver, as a hard, sexy adulteress, makes her wit sting.
  27. Penna’s concept is hardly new, but his execution is sharp, clean, and smartly paced; a harrowing postcard from the void.
  28. For a documentary that's almost engineered to lift your heart, Undefeated is very well done.

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