Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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    • 53 Metascore
    • 16 Critic Score
    The Wiz
    Whatever fun this funked-up Wizard of Oz had on Broadway is erased by miscasting and a hideous design (Oz as a New York slum).
  2. Quigley Down Under
    Vapid, cutesy, knockabout Western.
  3. Men at Work
    Bottom-of-the-garbage-barrel comedy.
  4. Graffiti Bridge
    Graffiti Bridge is a sad fiasco — and except for Shake! the music (at least to my ears) is Prince at his most joyless, a collection of glorified rhythm tracks. For the first time, the revolutionary funkster seems to be preaching to a world that has left him behind.
  5. Crazy People
    The movie wants you to giggle and say, ”Yup, we sure are saps, aren’t we?”
  6. A Kiss Before Dying
    With its waxy color scheme and nonexistent pace, the movie is like an homage to Hitchcock’s worst period.
    • 39 Metascore
    • 16 Reviewed by
      Ty Burr
    Dr. Giggles
    At this late date, the rules of the adolescent slice-‘n’-dice genre have codified into ritual (teens + sex = death), suggesting that those who rent this may have bigger problems than just bad taste.
    • 26 Metascore
    • 16 Critic Score
    Look Who's Talking Now
    Lie down with dogs like Look Who’s Talking Now! and you’ll end up with fleas.
  9. Metro
    In Metro, he’s been replaced by a slick, businesslike machine of an actor, playing an uninspired variation on the Axel Foley character he’s done for over a decade now, since starring in 1984’s Beverly Hills Cop. Only this time he’s not even funny.
    • 43 Metascore
    • 16 Critic Score
    Ticks
    Icky doesn’t begin to describe it.
  11. Dirty Work
    Norm Macdonald proves himself to be the new Chevy Chase by following up his ”Weekend Update” stint with Dirty Work, a smug, unfunny feature flop.
  12. 2 Days in the Valley
    Writer-director John Herzfeld blends violence and top-heavy absurdism, creating a self-conscious muddle of indie-style hackery. Strip away the goofball nihilism, though, and what’s left is as formulaic as any straight-to-tape opus with a title like "Dangerous Instinct."
  13. Two If by Sea
    If you had never encountered Bullock’s patented brand of appealingly unglamorous, warm-eyed gal before this dispiriting production, you might think the star of Speed and The Net was nothing more than a Marisa Tomei knockoff.
    • 18 Metascore
    • 16 Critic Score
    It's Pat: The Movie
    It's Pat is not only one of the most ill-conceived premises to get the big-screen treatment, it's also genuinely unpleasant to watch.
  15. Hurry Up Tomorrow
    Bad movies come and go, but Hurry Up Tomorrow presents the Weeknd as so needy and so irritating that it may have lasting effects. The next time one of his songs comes up on a playlist, I may hit fast-forward. I've spent enough time with this guy.
  16. Valentine's Day
    How you feel about Valentine's Day may depend on how you feel when someone really, really cute -- and someone you're really, really fond of -- gives you a nasty box of cheap chocolate on Valentine's Day, picked up at the corner Rite Aid and delivered with the price tag still attached.
  17. Old Dogs
    Exhausted as the premise already is -- hapless boomer learns that real manhood is a function of committed fatherhood -- Old Dogs nevertheless finds ways to make the lesson even less tolerable.
  18. The Men Who Stare at Goats
    A magical-realist sitcom war farce that ends up being about nothing but its own slovenly smugness.
  19. Transylmania
    It's tempting to say ''avoid at all costs,'' but truthfully, everyone should see something this bad at least once, if only to help us better appreciate the comparatively brainy merits of works like "Eurotrip," "Freddy Got Fingered," and the modern-day plague of movies with titles ending in "Movie."
  20. Alone in the Dark
    Far be it from me to dismiss a man's effort (Uwe Boll) in a sentence, but the film on your teeth after a three-day drunk possesses more cinematic value.
  21. Assisted Living
    Parts of the film play like the world's slowest and most insensitive reality show (Who Wants to Be an Octogenarian?).
  22. Bigger Than the Sky
    A huge pile of horsefeathers is being peddled as fairy dust in Bigger Than the Sky.
  23. D.E.B.S.
    The movie has no wit, no charm, no cleverness, no traction. Simply put, it is no fun.
  24. The Perfect Man
    What sin did Heather Locklear commit to deserve her role in The Perfect Man?
  25. Undead
    On the level of a no-budget student film in which the shots barely match up into sequences. It's about as much fun as watching blood dry.
  26. My Date with Drew
    Stupefyingly tedious and annoying.
  27. A Sound of Thunder
    So perfect in its awfulness, it makes one seriously consider a theory of unintelligent design.
  28. The Libertine
    The Libertine is such a torturous mess that it winds up doing something I hadn't thought possible: It renders Johnny Depp charmless.
    • 18 Metascore
    • 0 Critic Score
    BloodRayne
    Ghastly-bad.
  30. Manderlay
    Manderlay is turgid and hollow.
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