Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. This is the rare movie that gets you to fall in love with characters you don't even like.
  2. Maddin chops it up into a feature-length antique-bloodsucker video, and the result takes hold neither as dance nor as silent horror dream.
  3. A riveting and unexpectedly inspiring essay on the peace that comes from shared physical and mental concentration.
  4. Damien Chazelle's extraordinary black-and-white retro dream of a feature debut.
  5. Bridges' guileless performance makes this piquant little indie tale of country music, redemption, and the love of a pretty younger woman such a sad-song charmer.
  6. As De Palma shows us, whether he’s got two more films left in him or two dozen — Holy Mackerel — what a career!
  7. Here, in paranoid, bad acid trip form, is the real birth of girl power. [2000 re-release]
  8. There are moments in A Little Princess--particularly Cuaron's Indian play-within-the-play, which is nearly avant-garde in its conception--when you may just want to clap from pleasure. My advice to you is: Go ahead, you're a grown-up. [26 May 26 1995]
    • Entertainment Weekly
  9. Under the Shadow is a skilled, chilling feature debut that might follow you around a while after seeing it.
  10. The notion of meta has never been diddled more mega than in this giddy Möbius strip of a movie, a contrivance so whizzy and clever that even when it tangles at the end, murked like swampy southwestern Florida itself, the stumble has quotation marks around it.
  11. Timeless and essential.
  12. The title embraces the richness of Kechiche's beautiful film, which captures the rhythms of displacement and hardship, the bond of family meals, and even the daily routines of the magnificent women who are part of Slimane's life.
  13. It would be hard to imagine a movie about drugs, depravity, and all-around bad behavior more electrifying than Trainspotting.
  14. But Solondz also creates keen portraits of the participating characters in Dawn's daily drama. (The only downside: The drama veers unsteadily toward outlandishness.)
  15. As gorgeously animated as any of his previous movies, Wind has Miyazaki trading in his more fantastical impulses for contemplative, old-fashioned drama and period detail.
  16. With its virtuoso tomfoolery, Fantastic Mr. Fox is like a homegrown Wallace and Gromit caper. To Wes Anderson: More, please!
  17. The chattering smarty-pants who ran the U.S. government on "The West Wing" are slow talkers compared with the motormouthed and hilariously imperfect power elite in the brainy British comedy In the Loop.
  18. Although it shares a bitter interest in slum desperation with last year's Brazilian-underbelly docudrama ''City of God,'' Bus 174 pulls ahead, I think, by not confusing cinematic pizzazz with the content of misery.
  19. Like the best moments in Up or Wall-E or Inside Out, the alchemy of Soul's final scenes find Pixar at its most stirring and enduring, a marshmallow puff of surreal whimsy that somehow lightly touches the profound.
  20. Fierce, loving, and electric, this movie's got bite as well as bark.
  21. The movie is a rare uncensored postcard from a ruined place, a document at once depressing and hideously beautiful that sketches the real hardships of trampled people -- specifically women -- with authority and compelling simplicity.
  22. With this heartbreaking yet hopeful new documentary about his life’s work, Salgado shares the stories behind these split-second black-and-white moments, giving them even more dimension.
  23. In the tricky world of tween-dom, it captures something sweetly universal: Growing up is messy, no matter how you bear it.
  24. As he did in his striking 2005 first feature film, "Man Push Cart," about a Pakistani street vendor in New York, perceptive indie filmmaker Ramin Bahrani looks at what others overlook and finds drama in everyday details.
  25. The writer-director, Peter Sollett, cast the film with kids from his own neighborhood, who give themselves over to the camera with a spirit of improvised play that morphs into vivid, layered acting.
  26. '71
    It’s only March, but this could be 2015’s most invigorating directorial debut.
  27. It delivers something more and better, too: a moving, beautifully humanistic story whose inevitable hardships are laced with real hope and levity.
  28. The Guilty is an absolute workout that pulls the rug out from under you just when you think you have it figured out. The last ten minutes will keep you rattled long after you’ve left the theater.
  29. As an achievement in macabre visual wizardry, Tim Burton's Corpse Bride has to be reckoned some sort of marvel.
  30. A fascinating and in many ways tragic documentary, takes us back to one of the high-water marks of the apes-are-people-too era.

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