Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. The movie is red meat for anyone who thrives on a certain brand of punchy, in-your-face emotional shock value. Yet the pull of what happens on screen came, for me, with a major qualification: I went with it, but I didn't totally buy it. The film is a contraption that spreads its darkness like whipped butter on a roll.
  2. Darkman is a thrillingly demented pop spectacular: a grade-B movie made by a grade-A lunatic.
  3. The pleasure of any Star Trek movie lies in experiencing the familiar mixed with the inventive.
  4. It’s not Toy Story or Inside Out or even Nemo. What it is is a perfectly enjoyable family film that’s comforting, familiar, and a bit slight, like one of those serviceable Lion King spin-offs that Disney used to ship straight to DVD back in the ‘90s.
  5. No one forks over 10 bucks to see one of these flicks for its logic. We go for the bananas demolition-derby mayhem. Furious 7 delivers that with the direct visceral rush of an EpiPen.
  6. It's a broad, helter-skelter farce whose best bits hinge almost entirely on the considerable charms of its star.
  7. I don't know if A Million Ways to Die in the West will turn any of the MacFarlane haters into fans. But for those of us who have remained on the fence until now, his raunchy, rat-a-tat parody is proof that beneath all of the bratty immaturity lays the head and heart of an outrageous quick-draw satirist.
  8. The 3-D animated film delivers a mildly diverting mix of winky meta-jokes and moral lessons, cannily aimed at both the next generation of tiny consumers and their more sophisticated parents.
  9. Her
    Jonze's satiric, brave-new-world premise is undeniably clever, but it's also a bit icy emotionally.
  10. It's always a thrill to see what an artist as singular as Jarmusch will do next. I just wish that his foray into the world of the undead had a little more to sink its beautiful fangs into.
  11. Young & Beautiful, with its barrage of fairly graphic sex scenes, is a throwback to the erotically charged, envelope-pushing Euro art-house films of the '60s and '70s such as Blow-Up and Last Tango in Paris.
  12. Once again Neeson is a straight-faced secret weapon. With his lion's roar and can-do fists, he grounds the film's more preposterous moments and makes them feel excitingly tense. At a certain point either you'll fasten your seat belt and go with Non-Stop's absurd, Looney Tunes logic or you won't.
  13. If Big Star: Nothing Can Hurt Me leads even one person to listen to Big Star for the first time, this movie will have done a great service.
  14. So let me just say that this latest rah-rah red-meat installment is the biggest and best surprise of the series. It has its flaws, but it's mostly a big, dumb, gruntingly monosyllabic hoot.
  15. It's been 20 years since Tom Hanks put a movie star's face on the AIDS crisis in "Philadelphia." Since then, Hollywood has largely ignored one of the most tragic chapters of the 20th century. Considering that track record, even a movie as imperfect as Dallas Buyers Club is something worth celebrating.
  16. The first two thirds of Chef crackle with hunger-inducing imagery and laughter-provoking gags.
  17. Alexander is pleasantly devoid of the vulgarity and too-current pop culture references that are the default mode for many contemporary live-action kids' pics, and its earnest celebration of family gives the movie a comforting throwback vibe.
  18. Touchy Feely is minor, but these people are good company.
  19. Buoyed by some nicely nuanced performances (especially by Pearce and Amy Ryan as his dream-dashing wife), Breathe In never quite rises above its predictable potboiler premise.
  20. What makes the film more than just a dusty Grisham retread is that the case (as compelling as it is) is merely the backdrop for a more emotionally engaging story about fathers and sons played, like a duet, by two virtuoso actors who give the film not only all they have but probably more than it requires.
  21. While the first hour is evocative and suspenseful, the second doesn’t quite muster the depths of paranoia and doom you’re led to expect.
  22. The movie doesn’t grab you emotionally, but director Atom Egoyan (Exotica) teases apart the case’s details with grim fascination.
  23. Joe
    Both Cage and Sheridan (who shined opposite Matthew McConaughey in Mud) give true and at times tender performances. It's a shame the film lacks the same subtlety and force.
  24. As a coming-of-age story, the film is a bit uneventful. But the girls’ rebellious, fist-in-the-air spirit and the warmth of their friendship are undeniable.
  25. Huppert is a wonder, inhabiting every iota of rage and froideur and helplessness; if only the movie's motives were as lucid as her performance.
  26. The fizzy cocktail combination of Blanchett’s cartoonish hauteur and Branagh’s visual razzle-dazzle and confectionary sets (courtesy of the legendary Dante Ferretti) manages to take a tale as wheezy as Cinderella and make it feel almost magical again.
  27. There’s never any doubt that this will end badly for the lovers. But just in case, Jessica Lange as the fire-breathing mother-in-law seals the deal.
  28. In the hands of director and co-writer Shana Feste (Country Strong), Endless Love has become a solidly engaging neo-'50s romantic melodrama.
  29. Speaking of young men, newcomer Taron Egerton, playing Harry’s protégé, delivers a star-making performance flush with the kind of charm and unexpected gravitas that no amount of flashy filmmaking can fake.
  30. When you get past Miller’s orgy of loco action sequences—and they’re so good, you may not need to—the story is pretty thin.

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