For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
The mix is Lifetime soap–meets–Woody Allen smart-set comedy, with less humor and a genteel Connecticut setting.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There's enough foreboding in America right now to make sitting through a movie such as The Road seem like one more heavy burden that, frankly, no one needs.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
What matters is that Tiana triumphs as both a girl and a frog, that dreams are fulfilled, wrongs are righted, love prevails, and music unites not only a princess and a frog but also kids and grown-ups.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Exhausted as the premise already is -- hapless boomer learns that real manhood is a function of committed fatherhood -- Old Dogs nevertheless finds ways to make the lesson even less tolerable.- Entertainment Weekly
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Reviewed by
Chris Nashawaty
Let's be honest, killing is this film's business...and business is good.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Has so little fire that Welles himself would have wondered out loud what he was doing stuck in the middle of it.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A feel-good movie that never stops feeling good. The film is based on a true story (it was adapted from a nonfiction best-seller by Michael Lewis), but you never feel that Hancock has honestly captured what's true about it.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Bad Lieutenant doesn't go where you expect, but it has a stubborn, trippy logic.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Many of the characters go by two different names. So best advice for optimum viewing is, see Broken Embraces...twice.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Adam Markovitz
Delivers a few pleasant surprises, including a smart story -- a reverse-E.T. riff that plops an American astronaut down in a world of just-like-us-only-green creatures -- and clever characters.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
This brave documentary takes on the topic of anti-Semitism in a relentlessly probing and original way.- Entertainment Weekly
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Lisa Schwarzbaum
Overly fussy and self-conscious in its noir details. But in The Missing Person, Buschel makes striking use of the Mike Hammer/Philip Marlowe tradition.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The spectacular battle scenes are the engorged heart of the delirious adventure. But Woo also gets maximum romantic value from Tony Leung as a war hero married to Chiling Lin as the tea-pouring beauty.- Entertainment Weekly
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Owen Gleiberman
With its virtuoso tomfoolery, Fantastic Mr. Fox is like a homegrown Wallace and Gromit caper. To Wes Anderson: More, please!- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
God forgive me, but I enjoyed the nerve-racking silliness of this newest, loudest exercise in destruction.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There's nothing drab about the tormented place these men take each other to. You'll want to go along.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Pirate Radio is, in the end, about as rock-revolutionary as a tea break. But the choppy production floats on a great soundtrack (the real pirates are the Rolling Stones) and is buoyed by an inviting cast.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Dare, a sweetly sexed-up high school triangle movie, is like a John Hughes comedy trying to pass itself off as ''transgressive.''- Entertainment Weekly
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Reviewed by
Owen Gleiberman
His pluck and chutzpah shine through.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The answers he strings together are babble in this superficial vanity documentary. Nice shots of awesome, God-approved scenery, though.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Joseph Gordon-Levitt and Lynn Collins are so interesting that it's easy to put up with the decision-making dithering that goes along with the title.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a potent and moving experience, because by the end you feel you've witnessed nothing less than the birth of a soul.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A magical-realist sitcom war farce that ends up being about nothing but its own slovenly smugness.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's no coincidence that The Box plays like the world's murkiest Twilight Zone episode. It's loosely based on ''Button, Button,'' a short story by Richard Matheson, who wrote some of the series' greatest scripts.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Too often, The Fourth Kind makes the paranormal look disappointingly normal.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
You may want to dispute Ruppert, but more than that you'll want to hear him, because what he says -- right or wrong, prophecy or paranoia -- takes up residence in your mind.- Entertainment Weekly
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Reviewed by
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Reviewed by
Chris Nashawaty
Splinterheads, which aims to be a quirkier "Adventureland," never rises above mildly amusing.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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