Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The warmth comes through, even if the storytelling is simplistic and clichéd.
  2. A bland, pious yet touching faith-based tearjerker.
  3. When You're Strange, a documentary history of the Doors directed by Tom DiCillo, is for people like me who can stumble onto the scrappiest Doors video on VH1 at 3 a.m. and sit there, mesmerized.
  4. Stronger on beautiful imagery than on narrative flow.
  5. The premise of the short-story-size comic thriller Don McKay is as thin and crumbly as a corn chip.
  6. A histrionic mess.
  7. The movie bubbles with intellectual curiosity and narrative ambition.
  8. But overall, this lazy, sweet trifle seems to express the banality of well-being.
  9. WDIGMT? serves up speeches about trust and fidelity and rolling with the punches and blah blah blah. But it does so with so little energy that the actors might as well be saying the words blah blah blah.
  10. Fitfully amusing, mostly annoying rom-com.
  11. As Zeus, Liam Neeson twinkles where Laurence Olivier kvetched, and Ralph Fiennes, as Zeus' dark brother Hades (who has egged on the revolt to challenge Zeus), has a slinky nastiness.
  12. And here's the revelation: Miley Cyrus is a really interesting movie star in the making, with an intriguing echo-of-foghorn speaking voice, and a scuffed-up tomboyish physicality (in the Kristen Stewart mode) that sets her apart from daintier girls in her celebrity class.
  13. With sharp riffs on the intersection of '80s pop culture (ALF, Kid 'N Play, Ronald Reagan!) and 21st-century culture (Twitter, Viagra, Second Life!), this Time Machine is a fun dip into a pool of memories that are best forgotten again once the booze wears off.
  14. The film is Moore's story, and she acts the hell out of one sexy scene, but most of Chloe is plodding and drab.
  15. What holds The Eclipse together is Hinds' sorrowful and moving performance as a man haunted in more ways than one.
  16. Rouses you in conventional ways, but it's also the rare animated film that uses 3-D for its breathtaking spatial and emotional possibilities.
  17. The joy of cartoons meets the agony of office politics in this fascinating, inside- Hollywood-baseball documentary.
  18. Catherine Breillat, the French director of "Fat Girl", blends victim feminism with the threat of slasher violence in this arid ''deconstruction'' of Bluebeard, the wife killer of legend.
  19. A grisly one-note chase thriller.
  20. In The Bounty Hunter, the couple that foils a bunch of tiresome grade-C thriller goons together stays together. Whether or not that's a recipe for love, it's certainly not a formula for romantic-comedy magic.
  21. Does a great job of being in two places at once: In the head and gangly bodies of kids, and in the hearts of those of us who have survived grades 6-8.
  22. The film makes excellent use of the cold Scandinavian landscape to emphasize the story's gloomy loneliness. And Rapace and ? Nyqvist have compelling chemistry.
  23. Baumbach's movies are addictive dispatches from a genteel jungle of white privilege, where highly educated people behave badly. I can't take my eyes off the exotic wildlife.
  24. Awesome documentary.
  25. The most entertaining thing about The Runaways, a highly watchable if mostly run-of-the-mill group biopic, is that its writer-director, Floria Sigismondi, has a sixth sense for how the Runaways were bad-angel icons first and a rock & roll band second.
  26. Andy Garcia reminds you of what a cunning, likable actor he can be.
  27. Mezzogiorno (Love in the Time of Cholera) plays Dalser with the kind of fervent intensity once seen in silent films.
  28. Gray has an artful, understated way of conveying what's going ?on inside, often simply by focusing his camera on Kazan.
  29. If you're hungry to see a romantic comedy about a genetically and culturally imbalanced geek-meets-babe relationship that makes the one in Knocked Up look like the quintessence of plausible human mating, then by all means subject yourself to the one-joke sub–Judd Apatow snark-athon that is She's Out of My League.
  30. With Green Zone, though, the malaise has finally hit me. So while Damon's Miller uncovers the (inconvenient) truth of why the U.S. invaded Iraq in 2003, all I want to know is: How does he suggest we get out?

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