Empire's Scores

  • Movies
  • TV
For 6,820 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Oppenheimer
Lowest review score: 20 Superman IV: The Quest for Peace
Score distribution:
6820 movie reviews
  1. Superbly adapted with blistering performances from Taylor and Hepburn.
    • 60 Metascore
    • 80 Critic Score
    Bertolucci fans of old may well sigh for the political passion that made his earlier work more powerful. But the grace, craft and real wit in this country house party make it his most seductive film in a very long while.
  2. The Duke's last hurrah is one of the very best of a cycle of 70s movies that served as obituaries for the Western itself.
  3. Through this decade so far, Pixar’s films have held great ideas that haven’t quite reached their full potential. This is probably its best film since Coco, and best sequel since Toy Story 3.
  4. Haunting, serenely composed and beautiful, this is an elegy for a life and a country that America used to be. 
  5. Crediting its audience with emotional intelligence, this rises well above your usual rom-com-dram. But if you’re planning on seeing it with your other half, be warned: it might invite some uncomfortable discussions afterwards.
  6. A film for every age, whether you’re an awkward kid, former awkward kid or awkward kid-adjacent. Funny, real and uplifting. A film that reaffirms your belief in the human spirit.
    • 78 Metascore
    • 80 Critic Score
    With cracking music, a rollicking pace and dialogue that stands up to scrutiny, Lady And The Tramp really is among Walt's very best.
    • 78 Metascore
    • 80 Critic Score
    A compelling mix of music and misery as Bird flushes himself down the can.
  7. Greta Gerwig delivers a new kind of ambitious and giddily entertaining blockbuster that boasts two definitive performances from actors already in their stride. Life after Barbie will simply never be the same again.
    • 68 Metascore
    • 80 Critic Score
    The pace never slows, the jokes never miss and the stunts never disappoint in this macho-dream of an actioner.
  8. Written with great insight by Kogo Noda and filmed with painterly delicacy by Asakazu Nakai, though Ozu's touch brings the magic to this domestic drama.
  9. Stirring stuff that works thrillingly as drama, and should make Sheen a star, even if it compromises on historical insight.
  10. It’s as wistful and sad as it is funny and charming, with the first of Nino Rota’s great scores to keep it burbling along.
  11. A perfectly painted portrait that also makes for sharp social commentary, this just goes to show what you can do with a tiny budget but a huge amount of talent.
  12. Adorable. Ad-or-able. It will melt even the coldest heart.
  13. Another meticulously stylish and deadpan Wes Anderson movie that walks the fine line between masterpiece and folly.
  14. Even with a starry cast, the stirring true story is this drama’s standout feature.
  15. The guy story is so strong that conventional romantic interludes with the woman torn between two men could easily have been dropped.
  16. Mud
    A bold, intelligent, 21st century take on Mark Twain — with added occult tendencies.
  17. This is Bond film that dutifully ticks all the boxes — but brilliantly, often doesn’t feel like a Bond film at all. For a 007 who strived to bring humanity to larger-than-life hero, it’s a fitting end to the Craig era.
  18. Tossing a malicious vampire kid among squabbling, not-exactly-un-dangerous humans is a recipe for a wickedly enjoyable thrill ride. One of the messiest vampire movies ever made, and winningly so.
  19. A tragic tale of teen rebellion and misplaced faith, this is a sober and sobering account of a young girl's untimely end, made enthralling by great performances and restrained direction.
  20. Serving up stone-cold multiplex mayhem, Sisu makes no bones about it — this is a film about one mad bastard killing a gazillion Nazis. It’s almost impossible not to love it.
  21. With In Bruges, the British gangster movie gets a Croydon facelift. It may not be new, but it’s a wonderfully fresh take on a familiar genre: fucked-up, far-out and very, very funny.
  22. A gruelling but ultimately rewarding experience, this is Leigh at his most confrontational, devastating and humane, aided by the unadulterated power of Jean-Baptiste’s career-redefining performance.
  23. Poetic, provocative and unstoppably powerful. But, depressingly, it probably won't change a thing.
  24. Unwieldy and flawed, but Stone remains a tornado in an era of airless formula and -- to paraphrase our Ptolemy -- its failings are greater than most films’ successes.
  25. A slow burner; intense, utterly engrossing and believable.
  26. It might not have the oomph of "Winter’s Bone," but this is a sympathetic, affecting, beautifully realised portrait of lives lived on the margins.

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