An entertaining, provocative biopic with good performances and many strong scenes — but it still doesn’t feel like the full Lovelace story.

It’s a fun premise, one that this treats seriously, but it never quite reaches the highest levels of the genre.

Dramatically it’s bitty, with, to paraphrase a great American newsman of the time, too much, too fast. But there is no denying how absorbing the tumultuous events of those four days remain.

Stanton has built a fantastic world, but the action is unmemorable. Still, just about every sci-fi/fantasy/superhero adventure you ever loved is in here somewhere.

If only he had probed a bit deeper, and widened his scope beyond the predominantly white, male subjects (including our own Rob Brydon, Steve Coogan and Stephen Merchant), this could have been a fascinating film as well as a funny one.

Sloppy crime epic.

It's no Anchorman, but it's several steps in the right direction.

A curveball from the man who made "2012" and "Independence Day" and probably only a brief respite for the world's major cities.It's more of an interesting curio to a blockbuster career but there's fun to be had here if you look hard enough.

Except for the success of Three Men and a Baby, (NOT Little Lady), Tom Selleck had great problems making the transition to the big screen. Here is another case in hand with such stereotypical characters as Hutton dominatrix and Hoskins Londoner.

Christopher McQuarrie and Tom Cruise deliver on their promise, with a witty, violent take on Reacher that makes up for its lack of height with an abundance of smarts and thrills.

Never content with one cliché when it can shovel on ten, Romeo Is Bleeding — to borrow a quote from the film's own press notes - "would be a comedy if it weren't a tragedy".

Mind you, Eastwood went on the star with an orang-utan, twice, so this is only his third maddest film. Although, it could be his dullest. Which was one thing no one would of expected of this madcap enterprise, born of a what-the-heck attitude from its macho stars — that it would struggle so hard to be fun.

It’s comedically uneven and overly distracted by side-characters, but when Clerks III gets to the heart of Dante and Randal’s decades-long friendship it’s enough to assure you that Kevin Smith is still open for business.

If you liked Enchanted, this is a dependably familiar serving. In an era where Disney is constantly raiding its archives for intellectual property to remake, this is a sequel that feels unusually original by comparison.

There's no lack of style or pace from Noyce, just the sense that it isn't quite gelling together.

Amiably silly and impressively gory, this lives up to both its low-budget inspirations and its rocker stars.

It doesn’t quite marry up underlying themes with its hairy horror surface, but Wolf Man delivers strong performances, skin-crawling bodily changes and excellently scary sequences.

Even worse than it sounds.

The former comedy co-stars (Knocked Up) are superbly cast in this fascinating, fact-based story.

The jokes are strong and delivered by a very talented cast, but the heart isn’t there. It’s easy to laugh, but hard to care.

This is one teen dystopia that sustained its quality across the trilogy. It may not set the world alight — ironically, given the solar flare that started its story’s disaster — but it 
will get the blood pumping.

While it won’t be remembered as one of the great Christmas films, Last Christmas delivers enough moments of heart and humour to keep the festive spirit alive.

The film has a wonderful super-production look and Baldwin's Shadow breezes through via nifty invisible effects, but the plot never really gels, and for an action fantasy is rather cold.

It’s an odd mix of "Saving Private Ryan" odyssey and romantic melodrama. It has sincerity, sensitivity and is often ravishing to look at but is let down by a chocolate box love story. Still, Crowe still might have a "Braveheart"/"Dances With Wolves" in him yet.

Now You Three Me, as it should be called, offers ample 2010s nostalgia, but not quite enough brainless fun lands successfully. Put this rabbit back in the hat.

It might not have the overwhelming impact of an Endgame or even a Guardians 3, but this is the MCU back on fast, funny form.

Not a bad premise, but material demanding a light touch is weighed down by a desperate desire to fit in, like a little kid swearing to impress the big boys.

Good idea to cast the brat pack in a Western but this was badly realised and altogether a bit flat.