The story is a bit slight, but it’s fun to watch Ana de Armas punch, shoot, stab and blast everything and everyone in her way. A Wick-edly entertaining addition to one of cinema’s best action franchises.

Sweet, funny, simple, entertaining -- everything a good rom-com should be. Definitely...

Bold, devastating and utterly beautiful, Todd Phillips and Joaquin Phoenix have not just reimagined one of the most iconic villains in cinema history, but reimagined the comic book movie itself.

The definitive wacky screwball comedy that spawned a genre.

Another ‘live-action’ remake that’s darker and less compelling than the animated original, but it’s saved by Bailey’s charming performance, McCarthy’s sass and the story’s own eternal magic.

The forceful imagery and acute sound design make Natural Light worth surrendering to, but a frail narrative may leave you feeling like you’re in no man’s land.

There are some poignant moments, but Steven's decision to shoot a claustrophobic movie in CinemaScope and the stage-bound feel of the whole enterprise never bring the action to life.

Connery has a ball with great stunts, snappy dialogue and a bevy of typically Bondish beauties.

Music And Lyrics never really finds its tone. Fans of Barrymore and Grant are likely to enjoy their pleasing ramblings, and the modern-day, down-to-earth courtship is handled well. But this is unlikely to go down as either actor’s finest hour.

Clever cybernatural thriller.

Bearing a passing resemblance to both Man Bites Dog and Chopper, it’s hardly original, but still a laudable example of proficient guerilla moviemaking.

Strictly-for-fans-only. Bono is a charismatic chronicler of his own life, but the self-conscious storytelling concept is a harder thing to stomach for non-enthusiasts.

With his fourth film as writer-director, Judd Apatow has arguably made his most personal film yet, without forgetting to make us laugh.

It's telling that the film is still only truly memorable for the closing five minute bulletfest, which turns Clint's bus into the only thing with more holes in it than the screenplay.

Action filmmaking at its best; a career high for director Harlin and arguably Stallone as well.

What could have been a mere IP cash-in instead becomes an unexpectedly cinematic crime-and-couture romp, delivered with the sort of style, snarl and eccentricity that Cruella herself would likely applaud. She makes being bad look very good.

The tennis itself is ridiculously far-fetched, and yet this may still be the best tennis movie ever made.

As kiddie entertainment it works well, with simple humour and lots of action. But there's not a lot to appeal to any accompanying adults.

Okay, so it’s Cujo with a chimp and a pool instead of a dog and a car – but Primate delivers good, gruesome business and has a sense of fun. Solid horror hokum.

As awkward as McGregor's geeky hero and almost as confused as the titular plan, Salmon Fishing is still very likable if you're prepared to take the bait. And it might even be Scott Thomas' funniest turn since "Four Weddings And A Funeral."

It’s not the toothless remake we feared, and is often very funny, but there’s a slight imbalance between the Roses that blunts some of its effect.

The plywood acting’s pretty funny, as is the coy sex; what amazes is the beautifully lurid, near-fetishistic set design.

Round two’s double-or-nothing approach means there are fewer surprises this time around. Yet as Weaving’s endlessly watchable bride gets even bloodier, it’s hard not to crack a smile at the relentless fun.

A largely painless viewing experience — but it could have been far more pleasurable.

Full-force performance form Ryan Reynolds but not as funny as it hopes it is.

If an uneasy mix of humour and sadness never quite gels, its message is clear and its cast uniformly strong.

As Marmite-y as Stuart Murdoch's music, you'll find it either winningly charming or irritatingly fey. Either way, its warmth shines through.

In seamlessly interweaving top-notch CGI and incredible stuntwork, Cohen has delivered some of the finest auto-action ever put on screen.