Iron Harvest doesn’t feel like an RTS for seasoned players of the genre. Much like its mechs, some parts of it feel clunky. But past its rusted exterior, inside Iron Harvest is a fun and entertaining time sink. It’s one of the few titles I’ve played this year where I can totally get lost in a match. Just start it up and poof, suddenly an hour is gone. You get so wrapped up in your strategies, enemies attacking your resources, your units, that even with a real-time clock in the top right I found myself up in the early morning playing at points. While it won’t provide the blistering fast gameplay of other time-honored RTS titles, Iron Harvest is still worth your time if you’re looking for a more-than-solid experience.

Control: AWE brings back Alan Wake and Bright Falls while smartly integrating the fiction of Control with Remedy's connected universe.

On the tin, Windbound offers a fulfilling and exciting survival/adventure endeavor but when delved into, I was left with an empty and exhausting experience.

Madden 21 is a mess. Last year, the team masked bad gameplay with shiny new X-Factor abilities. However, with 21 not fixing any of the big issues, that luster is completely gone. What you’re left with is a game that’s fully concentrated on squeezing every last cent out of its customer base. That’s nothing new for EA, but Madden NFL 21 just seems even more blatant than usual.

Tell Me Why isn’t a major deviation from what we expect from episodic narrative experiences, but it’s one of the few that feels like it has really gotten the storytelling format right for video games. At three episodes in length, the series feels concise and well-paced, and with its new chapters releasing weekly, players won’t experience a protracted wait between new episodes that happened with Life is Strange. More importantly, Tell Me Why manages to craft an engaging story that’s worth seeing through to the very end, especially in regard to its well-developed characters and core relationship between Tyler and Alyson. Tell Me Why features several stories from unique, diverse backgrounds that we should surely hear more of, while also offering themes and ideas that can (and should) speak to everyone.

Improving on its predecessor in almost every way, Wasteland 3 is one of the best and most reactive RPGs I've played in a long time.

Even with its technological hangups, the PC port of Horizon Zero Dawn brings an experience wholly unlike anything else I've ever played.

Samurai Jack: Battle Through Time feels like it's stuck in the past. As a game in 2020, it feels like a relic of a bygone era; Jack lost the battle through time ten years ago.

Remnant's story conclusion ends with more of a whimper than a bang. The core gameplay remains solid, but the new additions fail to impress.

PGA Tour 2K21 misses a few putts, but lays down a promising foundation for the future.

The Battletoads make their comeback after a 26-year hiatus and, for the most part, offer a solid re-entry into the cult classic franchise.

Post Void is heavy rock-and-roll, flying pixels, and laser-sharp shmup arcade mechanics distilled into a combination that equally terrifies and unsettles.

Spiritfarer is a beautifully crafted, memorable experience that focuses on the dead trying to find peace upon heading into the afterlife.

Fast & Furious Crossroads is like if Hobbs & Shaw was called Orange Julius & Slap Jack.

Microsoft Flight Simulator 2020 not only offered me a breathtakingly immersive experience, but it also helped with my fear of flying.

With fresh combat mechanics, plenty of features, and a ton of replayability, Panzer Paladin is the latest great retro-action platformer that is worth your time.

UFC 4 brings some great new ideas to created fighters, online play, and clinch gameplay, but can't live up to its full potential with the end product.

Double Kick Heroes is a great little game for fans of bashing their buttons and keys along with fast-paced heavy metal, and the zombie aesthetic feels well handled. I like how you’re able to adjust the game a bit to make for a more enjoyable experience that you can handle, and I’d hope to see more guest bands joining to fold in Hellgate. It’s a game that does sometimes feel unforgiving and you should probably get your hand muscles worked up in preparation.

If you ask me, Grounded could be much more successful than it is if Obsidian would have launched it a few months later. It’s really important to hook your audience in the first few hours of gameplay, and Grounded could’ve done it much better if it had more to do at the start. That said, the game still has its strong advantages that keep you engaged with its world. [Early Access review score = 65]

Sword Art Online Alicization Lycoris attempts to revamp the franchise and breathe new life into it, with very polarizing results.

Fall Guys: Ultimate Knockout is a joy to play, fun for all levels of video game players, and will only get better from here...In a year full of big releases like The Last of Us Part 2 and games that are uniquely up my alley like Desperados 3, it’s hard to see anything beating out Fall Guys as my favorite game of 2020.

I think some of the intricacies of Ghost of Tsushima’s presentation will be written off as novelties, but I really do think it boasts some of the smartest design I have seen in a video game.

A mediocre JRPG, Fairy Tail does only the bare minimum with what it offers. It's a game for dedicated fans, but fans deserve a better game.

To see a small studio like Easy Day Studios create something that is not only reminiscent of the games that clearly influenced them, but overall improves on what its predecessors did, is heartening. Sure, it has its fair share of flaws, but none of them take away from how much fun I’ve had. Skater XL has successfully brought back the skateboarding genre, and I am eager to see how Easy Day Studios supports the game moving forward.

The presentation and atmosphere on offer are fantastic, but Othercide's gameplay sadly cannot match. So much potential that's regrettably not well utilised.

Destroy All Humans is an endlessly entertaining alien-superpower playground, but tends to crush under the weight of its own structure.

As a longtime fan of the series, Paper Mario: The Origami King has its trademark humor and charm, but misses its appealing RPG gameplay.

Carrion is a bloody, intricate experience with a consistency problem that breaks the momentum that's central to a game like Carrion.