Heroes of Might and Magic: Olden Era is a superb entry into the series and brings the game back to what works. While the complex gameplay might not be for everyone, it offers a lot of freedom in how you go about making your playstyle for each scenario. The games are long, but there are also plenty of other modes to hone your skills, which is greatly appreciated. It's still in development, so there are a few kinks to work out, but whatever the future holds for Heroes of Might and Magic: Olden Era will undoubtedly be incredible.

There are good ideas in 1348 Ex Voto, but they're undercut by the shoddy implementation of its systems. The voice cast carries the game, with several amazing performances woven throughout. Unfortunately, the whole experience is letdown by a variety of glitches, fundamental design flaws with the combat, confusing levels, and several jarring story transitions that make it seem as if 1348 Ex Voto was shoved out the door before it was ready.

The early access release of Task Force Admiral makes a loud entrance, with an all-encompassing depiction of naval warfare and carrier operations. This obsession with realism is followed to a fault, and the game suffers from the clunky interface endemic to most deep-dive strategy titles. None of that was on my mind as the sirens blared and torpedoes homed in on my carrier. War may be hell, but this is strategy heaven. [Early Access Provisional Score = 90]

Cloudheim is, by all accounts, a good game, but it is marred by uncertainty about its direction. A sort of jack of all trades but master of none issue. It is very important to remember this game is still in its early days and there's absolutely nothing wrong with that. In fact, in a few months, I think many of the issues I have with this game will either be solved or be on the way to being solved. Right now, though, Cloudheim struggles with its identity a little too much. If you can craft such a fun world to move about in, why punish me by giving me manual labor to do when I finally go home? The combat, when it works, is ludicrously fun. Using mobs like bowling balls and pins has never been better. The progression systems are a bit overwhelming, and there are probably a few too many in the game as a whole. Becoming a Nordic legend to save the world sounds amazing until you have to stop everything and deal with your overabundance of items in your inventory. [Early Access Provisional Score = 70]

If you've played the original Biped, you've played Biped 2, and I truly mean that. This is sadly one of the lowest effort sequels I've ever encountered, down to even the game's Tutorial being a direct copy/paste from the OG. There are numerous examples of blatant and unabashed rip-offs consistently throughout the experience, to the point that it feels like self-plagiarism. If you want to try out the new 4-player co-op, that's about the only different thing worth checking this game out for, especially because there's an actual game-breaking bug near the end as well. As cute as the game can be, you've quite literally done all of this before.

Blood of Mehran is a game that might look the part from the outside looking in, but if you spend any extended time with it at all, you'll see that it's far from a polished Prince of Persia clone. The visuals have that Unreal Engine sheen to them, but the animations, voice acting and overall design let the side down. However, nowhere near as egregiously as the wafer-thin plot, the derivative, the wonky gameplay, or the aggressively linear format. It's one of the most predictable, uninspired, and underwhelming action RPGs you'll likely ever come across. There is a certain level of cozy comfort that comes with that, but all in all, this is not worth your time or money.

I tried hard to be in on the joke of Baby Steps for the first hour, but it lost me insanely quickly. The thing is, I don't think it even cares. The QWOP-iness of the movement actually is well-done, and there are some moments of absurdity that worked for me. It then just shifts too far from a stupid but fair rage game, to a stupid but cheap-feeling rage game with no redeeming qualities. You'll painfully wander aimlessly for hours. You'll cringe hard at the "humor" that gets way too gratuitous, gross, and vulgar completely unjustifiably. This becomes a mostly mean-spirited game that even wants to drive you insane with the soundtrack. Laugh and watch someone else experience it if you want to, but do not play it yourself.

Overall, so far Grounded 2 is not only a worthy successor but one that will eventually become far superior to the original. From the number of upgrades to the number of new enemies, Grounded 2 sets itself up for success early on. While it's still early in the development cycle, Grounded 2 has at a minimum found a good starting place to improve upon. There's a lot of good here, more than I had imagined there would be. It isn't perfect by any means, with the bugs and issues it has right now, but all of those are fixable. If you enjoyed Grounded, you'll enjoy Grounded 2 because it's just Grounded, too. No one can say where the next few years of the game will take it, but I have the greatest faith that the team behind Grounded 2 will be able to make this another incredible title with an uncountable number of playable hours. [Early Access Provisional Score = 85]

Hyper Light Breaker, despite being in Early Access, has demonstrated its outstanding qualities in full force, with a tightly designed gameplay loop and extremely satisfying combat. It manages to pull off a roguelite that's genuinely fun in multiplayer, a randomized open world that feels full of life, and balanced upgrades that never feel too overpowered, all while keeping up beautiful aesthetics and non-visual storytelling. It's only held back by its hefty performance requirements, unfair boss design, and over-tuned difficulty, which may be polished out before full release. If all my qualms were addressed, this game would be near perfect in my eyes, but as it stands, it's well worth your time. [Early Access Review]

Dragon's Dogma 2 offers an incredible Fantasy adventure with some of the most engaging open-world exploration I've experienced.

Ultimately, this is an easy game to recommend if you like RPGs that put their narrative forward and build their characters in meaningful ways. It may not find a home in everyone’s collections, but it will be a shining star for fans of the setting who appreciate a narrative focus.

With a confusing setup, a really poor user interface, at times abysmal presentation, and a Career Mode that offers no meaningful progression, Fernbus Simulator should stay back in the garage and let the more capable sims hit the road.

Blood Bowl 3 is the type of game that makes people say things like, “I’ll wait until it’s on sale” or, “maybe this will be good in a year or two.” Now, I don’t work in publishing, but it seems to me like that’s the opposite of what you want when you’re releasing a game that’s so blatantly predatory in its monetization. What I don’t understand is why the game was delayed for two years only to launch in this abysmal state. Maybe in another two years, this game will actually be playable. For now, stick to Blood Bowl 2 instead.

As far as simulators go, it's not the worst. To the game's credit, it does offer the dull, mundane day-to-day routine that a lot of actual police officers call a career. If you want to spend hours writing tickets and slowly progressing in a meaningless career in law enforcement, you can do it here without the risk of being vilified on social media. But it could have been so much more had the systems in play been deeper and more robust, not to mention, fun. Instead, Police Simulator: Patrol Officers is a bit of a buggy mess that feels half-baked and not ready for patrol just yet. Back to the academy with this one.

Although it does have some redeeming qualities, it’s hard to justify paying full price for a DLC that barely gives you access to its biggest new addition and introduces even more arbitrary difficulty spikes.

A bland sad protagonist with all the charisma of a rock with a frowny face, a mystery box-style narrative that only ends with more mystery boxes, a combat system that wants to be multiple entirely different games. The Callisto Protocol might function, and it’ll certainly have its launch issues patched out in due time, but in no way can I recommend it to anyone but the most morbidly curious. Everything was stacked in this game’s favor, and it still wasn’t enough. We didn’t need Dead Space 2.0 - we just needed a cohesive, focused game. Instead, it's an oddly soulless concoction of unfocused ambitions, poor planning, and inconceivably amateurish design. Whether you're winning or losing, Callisto Protocol never feels right.

Stay away from Serious Fun Football. Seriously, it’s not fun, and it’s certainly not football.

If like me, you're a Call of Duty fan, this is very much more of the same — but that also means you can't really go wrong. Some new features feel unnecessary, whilst others feel like a tutorial for Warzone 2.0. Modern Warfare 2 is certainly let down by repetitive gameplay and missions that overstay their welcome. But, that said, Infinity Ward has given fans what amounts to a gripping story and stunning cinematic experience that's peppered with a few flawed concepts and disappointing elements. [Campaign Review Score = 70]

Redout 2 has no time for the casual player and, sadly, that means it's often an infuriating and frustratingly un-fun experience.

Shin Megami Tensei V is easily one of the best entries, if not the best entry in the series. After over 30 hours with the game, I’ve been constantly amazed and Atlus definitely managed to bring back the franchise to new heights. Now here’s hoping Shin Megami Tensei manages to reach the same popularity Persona did. [Review in Progress]

Redout: Space Assault dabbles in numerous space shooter concepts but doesn't strike a chord with any of them.

Disjunction has so much potential — it has a great soundtrack, interesting ideas for combat, and a serviceable story. These are all bogged down by frustrating and imbalanced combat mechanics, unimaginative stealth, and plain visuals. Disjunction impressed me when I originally played it some time ago, but it may have benefitted from being bite-size. Taking in the entire game, I couldn’t help but want the experience to be over and done with.

Temtem aims to set itself aside from Pokemon as a solid monster collecting game in its own right. For the most part, it succeeds. [Early Access Score = 70]

The endearing love story and vibrant art style of Haven can't save it from being a derivative and forgettable RPG adventure.

Bright Memory is a profoundly bland experience riddled with hints that the game was never meant to be played anywhere but PC.

Cloudpunk is miles away from being an enjoyable ride in a pixelated cyberpunk world.

Madden 21 is a mess. Last year, the team masked bad gameplay with shiny new X-Factor abilities. However, with 21 not fixing any of the big issues, that luster is completely gone. What you’re left with is a game that’s fully concentrated on squeezing every last cent out of its customer base. That’s nothing new for EA, but Madden NFL 21 just seems even more blatant than usual.

Fast & Furious Crossroads is like if Hobbs & Shaw was called Orange Julius & Slap Jack.

If you ask me, Grounded could be much more successful than it is if Obsidian would have launched it a few months later. It’s really important to hook your audience in the first few hours of gameplay, and Grounded could’ve done it much better if it had more to do at the start. That said, the game still has its strong advantages that keep you engaged with its world. [Early Access review score = 65]

This is the definitive version of Death Stranding. If you were interested in Death Stranding when it released on PS4 and have been waiting to see how the PC version turns out, then go ahead and pull the trigger. However, Death Stranding isn’t for everyone. If you’ve seen nothing of the game before, make sure you check out some gameplay before purchasing it; I’ve had a blast experiencing the story and struggling through tense moments, but I know some of my friends would absolutely hate it. The new Half-Life and Portal content is great, but I wouldn’t say it warrants a replay. Death Stranding is so large that I doubt many PS4 players will be looking to replay it on PC, but for those who are, you’ll be happy to hear that the new content unlocks very early in the game.

For players who don’t have a lot of time to invest in a long game and who also enjoy experiencing the journey of a tormented mind, The Last Sky has much to offer. The fact that it wasn’t as thorough as I would have liked minimizes its true potential. Since this title is currently in early access on Steam, my hope is that the developers will include more branching story paths that become more personal; not only to Jake but to the player’s experience as a whole. With further work, it could also provide a deeper and boarder understanding of the complex mental health condition of PTSD. [Early Access Score = 70]

This wet fart of a release that Activision-Blizzard gave us feels like they’re stepping on my childhood and then spitting in its eye even as the teacher is pulling it off me.

Disney Tsum Tsum Festival is a complete and utter failure of a party game, with only a match-three puzzle mini-game providing even a small amount of fun.

If Forza and Heat were in a boxing match, Forza would be Mike Tyson in his prime and Heat would be a toddler.

I am still excited to see what WWE 2K21 will look like, especially since Visual Concepts will have the time to actually learn how this engine works and use it properly, but it really is a drag that the entry with some of the best features just plays like hot garbage.

Contra: Rogue Corps joins Bomberman: Act Zero and Hideo Kojima's firing as one of Konami's biggest disappointments.

There are elements here that could make an interesting spiritual sequel to ActRaiser, but they never realize the potential.

Power Rangers: Battle for the Gird had a lot of potential as a fighting game, but it ends up squandering most of it with a lack of content.

Generation Zero was not in the slightest bit enjoyable for me and it really is such a shame. Avalanche Studios had a really solid base to work off of here and it could have been an incredible experience for players. Instead, to my utter confusion, Generation Zero felt like it was still in early access, at best. It truly was a soulless and painful experience to undertake without cinematics, story, nor any hint of a single-player arc.

I’d stay as far away from Left Alive as possible. For all of you hardcore Front Mission fans hoping for a proper sequel in the series, you can bury those hopes and dreams. With a team consisting of so much talent behind it, I truly wonder what went wrong with Left Alive. I love Square Enix games to death typically but this is frankly unacceptable…and it’s $60.

The only saving grace is that The Grand Tour Game has a strong fun element that keeps it in line with the show’s humor and that on its own should be enough to keep me playing, but unfortunately, it doesn’t. I feel like the game lets itself down after a few episodes and ends up not having any replayability. For Amazon Game Studios’ first console title, it’s not half bad, but it’s certainly not enough to entice me to pick up Amazon Prime to watch the show outside of the game.

Gathering the necessary resources to fulfill a Genesis mission can take a lot of time, especially if you end up getting pushed back by hostile invasions. There is a base sense of joy to be had from making the numbers go up, but I never completed a Genesis mission and I doubt whatever feeling or reward it gives was worth the effort to reach it. I think it is more than enough to say I have no interest in playing more of it just to confirm what I already know: it’s not great.

This has been one of the most depressing reviews I’ve had to write in a while as I really wanted to like Vane. It’s one of the best-looking indie games on PS4, the atmosphere is rich, and exploring as a bird can be quite exhilarating. In the end, though, a focus on the wrong aspects of gameplay, a confusing and unfulfilling story, and a litany of technical problems at launch make Vane a better game to look at than it is to play.

Double Cross ultimately plays things too safe to its own determent with mechanics that can be found, and are done better, elsewhere.

With a stronger central theme that went deeper than base critiques of the US and its cultures, Desert Child could have been much better. While its got style, it’s disappointing how little it does with it. Races are fine, the world it presents quickly becomes finding the quickest route to reach the end, and once reached it all ends so abruptly you can’t help but begin it again with the curiosity of there having to be something more. In the end, there isn’t that much more to it, and even an easy Platinum trophy on PlayStation 4 doesn’t make this a game I would recommend to anyone.

I dreaded every hour I had to keep playing Fallout 76 for review. As soon as the game was beginning to teeter on fun or interesting, a bug or a frustrating gameplay design element would quickly remind me that the game was otherwise.

I wish I were joking in saying that the game’s horrid music and sound quality has been haunting me every night while trying to sleep—I cannot get that damned music menu out of my head.

Seeing the lack of variety in the design of these is one way [Morphies Law] falls short of the games that inspired it.

Perhaps with a little Joy, We Happy Few could be more palatable to modern audiences.

A massive disappointment and not a very good game in the slightest.

Super Bomberman R is living among a wave of re-imagines of classic titles and often feels too traditional for its own good.

Tennis World Tour is a disappointment, plain and simple. It’s one thing to not have key features at launch, but the absence of solid gameplay puts the final nail in the coffin. It’s not only dull with its weak and monotonous presentation but frustrating as you watch your generic created character not swing at a ball they could easily hit across the court.

The game is pretty simple to understand, and can even be a tiny bit exhilarating at first in dogfights, and relaxing in the exploration segments. Once that incredibly short space-shooter honeymoon phase wears off though, Manticore – Galaxy on Fire turns into a repetitive, unattractive slog to get through.

Perhaps my biggest issue with Past Cure above everything else I have mentioned is that it feels so uninspired. I’m hard-pressed to believe that Phantom 8 Studio found anything in Past Cure to be what I would consider “fun” because there’s just none to be had.

The Deer God may be a great visual experience to unwind with, and it has a spiritual message to match. But when it comes down to the actual gameplay, the game just feels too stiff and uninteresting. Despite an almost enchanting presence, the actual mechanics of The Deer God will do as much as possible to push you away.

The perfect example of one step forward, two steps back. While the world is more beautiful than any of its predecessors, it feels empty in much the same way that the game does. All of the systems seem to be their own worst enemy.

I never felt like I had control of navigating the various menus; switching between traditional and cursor menu navigation was slightly unpredictable.

League of War: VR Arena isn’t a bad game, so much as it is underbaked.

School Girl/Zombie Hunter is not a good game; it’s barely even an okay game. What I found that I enjoyed most was the localization effort, a few of the boss battles, and some of the environments. Outside of that, this game will most likely fall into obscurity and be forgotten, which is something that I’m not proud to say because of how much I’ve personally enjoyed other Tamsoft releases.

Tokyo Tattoo Girls is an extremely niche strategy RPG that doesn't build off of what is most interesting about the game's systems and instead chooses to rely on cute anime girls for appeal, which might work for some.

I really wanted Bubsy: The Woolies Strike Back to be good, or at least entertainingly bad, but I was just left with a tepid, overpriced, and somewhat generic 2D platformer that wasn’t funny or fulfilling enough to justify a $30 purchase.

The process felt incredibly slow and you’ll probably be burned out after a couple of hours — if you were ever actually planning on playing this game, that is.

Drive Girls is for those Vita fans out there that are dying to play an action game from Tamsoft and can’t wait for some of their other games to come West. The game fails to deliver a proper fighting system or campaign to make it worth the short gameplay experience, but if you’re looking for decent graphics and cute anime girl illustrations then maybe this niche Vita game is just what you need.

When I sat down to play this game I had one mission for Bungie: prove to me that Destiny 2 isn’t just another expansion. Thankfully, it turns out that Destiny 2 has listened to the fans and has taken a look in the mirror: the product is one that I –so far– thoroughly enjoy.

Even though Bloody Days tries to walk the walk and talk the talk, ultimately it feels less like a creative homage to a cult film classic and more like a shallow imitation with a hint of Tarantino flair.

Cooking Mama: Sweet Shop is by no means a broken game. It just wholly lacks any soul or incentive to be better than any previous game in the series. With shoddy systems, repetitive gameplay, annoying sound design and better iterations of the game elsewhere, dessert diversity wasn’t enough to keep me interested.

In the end, Sniper Ghost Warrior 3 feels like an amalgamation of gameplay elements that were thrown together simply to check some boxes.

Sadly, I would only recommend Double Dragon IV to you if you are a Double Dragon fanatic or very die hard beat ’em up fan, and if that’s the case, you probably already own it. It is fairly cheap, but even then, I have played much more enjoyable games for the same price.

Divide has the potential to be a decent game, but it’s over ambitiousness in the face of its low-budget ultimately nets a forgettable, half-baked sci-fi game. If Exploding Tuba Studios dumped the twin stick gameplay, and instead fully-embraced the adventure genre, I would be interested in seeing it take another stab with a new game. But more Divide? No thanks.

Spheroids feels like the video game equivalent fast food. And while there are plenty of great games with shallow experiences, Spheroids is pure junk. Like the Arby’s of video games, the game is a mix of ingredients that deserve to taste way better than they do, and should ultimately cost much less than Eclipse Games is charging.