DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 69 Metascore
    • 60 Critic Score
    Unfortunately, that sense of immediacy isn’t always present. Sometimes it shows that From Deewee was rehearsed many times and things get a little bit too mechanical in the middle. It’s still easy to find yourself getting wrapped up in it though and, when it hits, it’s easy to hear why Soulwax are hailed as such innovators.
    • 69 Metascore
    • 70 Critic Score
    There will be those who will listen to Indians and not get swept along with their world-weary tidings but for those who feel the same or just want to escape, this LP is perfection.
    • 69 Metascore
    • 60 Critic Score
    An exhaustingly incoherent listen.
    • 69 Metascore
    • 60 Critic Score
    Though a dulcet voice the lass may have, some of the songs prove all too 'big' for her.
    • 69 Metascore
    • 40 Critic Score
    Without close inspection, without consistent rotation it does every bit as good a job at sounding fast and heavy as anyone could be expected to. It’s just hard to know what makes it Creative Adult and what, despite shouting so very loud, it wants to actually say.
    • 69 Metascore
    • 50 Critic Score
    ‘It Won’t Always Be Like This’ is inexplicably reanimating the era’s penchant for plodding, drive-time indie-rock.
    • 69 Metascore
    • 70 Critic Score
    In sound, it sits somewhere between the sparse nature of ‘folklore’ and the overt pop of ‘Midnights’, across its two hours settling into a steady pace that forgoes massive fan favourites in favour of a continuous pull on the heartstrings. The issue with a two-hour album is that you’re not going to hit the mark on every track (no song should have three exclamation marks in the title), and it’s tricky to keep momentum when the name of the game is introspective storytelling.
    • 69 Metascore
    • 60 Critic Score
    This balance between a sweet, butter wouldn’t melt surface and a resolutely ballsy undercurrent means that, over the course of eleven tracks, the album is never predictable.
    • 69 Metascore
    • 60 Critic Score
    While their new guise has them in a more experimental mood - injecting doses of nostalgia all over the shop - it also doesn’t quite possess the same level of clout as before.
    • 69 Metascore
    • 80 Critic Score
    While the album is laced with enough venom to keep existing fans happy, we defy anyone not to stamp their feet and fist pump come track nine 'I Don't Wanna'.
    • 69 Metascore
    • 80 Critic Score
    Dumb Blood’ is an ambitious record too--and best of all, on every single count, VANT have nailed it.
    • 69 Metascore
    • 60 Critic Score
    It’s lighthearted and radio-ready and fun while being marginally original about it, and that’s okay.
    • 69 Metascore
    • 80 Critic Score
    At once fragile and boisterous, screaming and wailing, kicking at walls then curled up against them, Annabel Dream Reader is far more accomplished than a debut should be.
    • 69 Metascore
    • 70 Critic Score
    Had they filtered the cacophony of ideas a little more, ‘Notes…’ could have matched ‘A Brief Inquiry…’ as a modern-day classic; as it stands, its legacy looks set to be slightly more conditional.
    • 69 Metascore
    • 80 Critic Score
    Side projects come and go, but it’s obvious that Les Sins is going to be around for some time.
    • 69 Metascore
    • 40 Critic Score
    Extension relies not just on quality component parts (of which there are many here), but too on tender placement and a development which holds some compassion for the listener. On this rich but straggling album, of Montreal fail on both accounts.
    • 69 Metascore
    • 80 Critic Score
    Granted, they may not be reinventing the wheel, but the duo feel reinvigorated.
    • 69 Metascore
    • 50 Critic Score
    TV Priest's debut is good but not necessarily enough to poke through the maelstrom quiet yet.
    • 69 Metascore
    • 60 Critic Score
    Mixed, fidgety, but rewarding.
    • 69 Metascore
    • 70 Critic Score
    They're bold, they're tight in their production and they're not afraid to strip things back to their bare essentials or allow outside influences to shine through.
    • 69 Metascore
    • 90 Critic Score
    A definitive debut.
    • 69 Metascore
    • 80 Critic Score
    With every sound shoved forward in the mix, oodles of white space floats inbetween the sound-splats. Every moment is for the taking. Painting With marks an immediate, and physical new direction, and anything seems possible.
    • 69 Metascore
    • 60 Critic Score
    The main issue with this album is that it is not terrible and it is not brilliant. It is simply there.
    • 69 Metascore
    • 80 Critic Score
    The music itself is bolder, yes, but still operating on the same cloudy register, stamping above experimentation into the domain of an artist who is more determined than ever.
    • 69 Metascore
    • 60 Critic Score
    The record surprises far more frequently than his previous material, despite never straying too far from his initial sound.
    • 69 Metascore
    • 80 Critic Score
    Not the finished article, but as close as the (still) youthful band are likely to come at this stage.
    • 69 Metascore
    • 60 Critic Score
    ‘When You See Yourself’ sounds like a jolt back into something potentially promising: there could still be life in the old Kings yet.
    • 69 Metascore
    • 60 Critic Score
    The result is an album that’s pleasant but kind of passes you by, and for a singer that was always so charismatic, being just ordinary feels like a bit of a bummer.
    • 69 Metascore
    • 60 Critic Score
    ‘graves’ may not be a huge musical departure, but it’s a sign Purity Ring still have ideas left in them yet.
    • 69 Metascore
    • 70 Critic Score
    An album that covers this much ground could quickly feel disjointed, yet through painting with broad brush strokes, Mall Grab has cohesively summarised what it is that makes him tick.