DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 87 Metascore
    • 80 Critic Score
    Contradictory, complex, and worthy of endless re-listens, Angel Olsen has crafted her most compelling record to date.
    • 75 Metascore
    • 80 Critic Score
    Experimental, psychedelic, mad, and oddly, very listenable pop music.
    • 71 Metascore
    • 80 Critic Score
    While the inspirations are obvious, ‘Ricochet’ isn’t simply a cobbled together pastiche; those inspirations are greater than the sum of their parts, and often complemented by big string arrangements for a lush and expansive soundscape.
    • 78 Metascore
    • 80 Critic Score
    Instead of sewing the seed for a brighter future, TV on the Radio leap ahead with a renewed sense of being.
    • 79 Metascore
    • 80 Critic Score
    For every radio-ready chorus, there’s a fascinating tangent, and plenty of pointers towards Marmozets being the most important rock band we have.
    • 75 Metascore
    • 80 Critic Score
    A genius--and yes, perhaps a little bit crazy--with an attention to detail like no other, no matter what might slip from his grasp ($53 million for one, if recent statements are to be believed), Kanye West is in full control of every atom of The Life Of Pablo.
    • 69 Metascore
    • 80 Critic Score
    Wavves have created their most varied collection so far.
    • 79 Metascore
    • 80 Critic Score
    Falling somewhere between Poliça with an Americana tinge and a less naff Fiona Apple, the likes of ‘Inner Lover’ and ‘This Time’ are cerebral cornerstones that hold up a record characterised by evident catharsis. One for when you’re feeling reflective.
    • 80 Metascore
    • 80 Critic Score
    Having been better recognised as a key member of Wild Flag and Ex Hex in recent years, Mary Timony’s singular ability as a guitarist and songwriter had been forgotten somewhat; ‘Untame The Tiger’ serves as a stirring reminder of it.
    • 78 Metascore
    • 80 Critic Score
    Across the record, Thrice conjure an atmospheric beauty but maintain a connection to the dirt beneath their feet.
    • 61 Metascore
    • 80 Critic Score
    Unflinchingly honest, Wet don’t specialise in happy endings, but they’re always telling a good story.
    • 82 Metascore
    • 80 Critic Score
    Endearing and relatable without ever lapsing into total fondue, Faye Webster knows exactly how to roll with life’s punches, how to find the humour in a vulnerable moment. She knows she’s funny, but we think she’s pretty smart.
    • 71 Metascore
    • 80 Critic Score
    For all its adventures into the weird and wonderful, You’re Welcome retains the hallmarks of Wavves at their most recognisable and best.
    • 86 Metascore
    • 80 Critic Score
    The Underside Of Power is heavy going, but completely, necessarily so.
    • 81 Metascore
    • 80 Critic Score
    Why Make Sense? is a stripped back affair, an album of emotionally intelligent, lithe, pared back R&B.
    • 74 Metascore
    • 80 Critic Score
    Dave’s voice holds up well throughout, showing vulnerability. It makes for an exciting, experimental, laid back 11 tracks, and we can only hope this isn’t the last solo work from him.
    • 70 Metascore
    • 80 Critic Score
    There's enough variances in the sound, with the tracklisting set up in such as way that you notice the changes in style, to make sure you pay attention to every minute.
    • 84 Metascore
    • 80 Critic Score
    Rife with feelings of ephemeral isolation and deep personal anxieties, they have realised a new wave of modern storytelling, forging ‘The Line Is A Curve’ as an answer to an open call for honesty.
    • 80 Metascore
    • 80 Critic Score
    ‘For Those That Wish to Exist’ is both furious in spirit and epic in scope. A sprawling fifteen-track opus that runs just shy of an hour, it tackles the weighty issues of the day head on.
    • 83 Metascore
    • 80 Critic Score
    For Nils Frahm, this record is nothing new: on his terms it is not extraordinary. But for mere mortals, All Melody is a bracing cacophony of the possibilities of minute sonic experimentation.
    • 72 Metascore
    • 80 Critic Score
    What’s most impressive is in how Cole’s story peaks towards the end. Instead of dragging you down or being overbearing, Is The Is Are’s tale finds stark truths when it closes.
    • 74 Metascore
    • 80 Critic Score
    25 25 sounds as great in a bedroom as it would do in any sweaty nightclub, and for that reason, it’s a triumph.
    • 68 Metascore
    • 80 Critic Score
    Like a pop phoenix rising from 2011’s ashes, ‘Let Her Burn’ is Rebecca Black showing us just what she’s capable of.
    • 87 Metascore
    • 80 Critic Score
    This is an album that bulldozes through irony in service of sincere, meaningful eccentricity.

    • 61 Metascore
    • 80 Critic Score
    For all their goth rock exterior, My Mind Makes Noises is ultimately a pop record with substance at its core.
    • 78 Metascore
    • 80 Critic Score
    ‘Perfect Picture’ is the pinnacle of today’s hyperpop yet steers away from its once abrasive nature towards a well-rounded, rebooted version: one where all that Hannah is and can be is indeed made picture perfect.
    • 76 Metascore
    • 80 Critic Score
    One of the consistently brilliant musicians working today hasn't let us down yet.
    • 74 Metascore
    • 80 Critic Score
    Coupling a dexterity honed over countless live shows with a wry sense of humour, with Down In Heaven the band find their own slice of paradise, primed and ready for anyone else who wants it too.
    • 83 Metascore
    • 80 Critic Score
    Written throughout their teenage years, they deliver an unfiltered journey of self-discovery.
    • 75 Metascore
    • 80 Critic Score
    It’s clear from the album that Tate McRae’s arsenal of jagged pop weapons is extensive, and can be expertly wielded when she wants.