DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 78 Metascore
    • 80 Critic Score
    They’ve crafted a terrific out-and-out rock record.
    • 75 Metascore
    • 80 Critic Score
    Here, she explores the hardships that queer relationships face and the intricate balance between friendships and romance in her own way, exploring love through a tentative, poignantly relatable lens.
    • 88 Metascore
    • 80 Critic Score
    Sonically sprawling (‘80s guitar sounds are referenced on the title track; a glitchy beat flickers through ‘Another Day’; ‘Power To Undo’ brims with pop-funk chaos) yet also unafraid to find joy in simple pleasures (the most immediate moment comes courtesy of ‘Prove It To You’, a club-ready stomp), ‘WHAT NOW’ is a gem.
    • 75 Metascore
    • 80 Critic Score
    Though it may come across as an innocuous affair to some, Lucid Dreaming simultaneously triumphs as both a cohesive, introspective body of work and a bona fide pop record.
    • 79 Metascore
    • 80 Critic Score
    A beautiful and moving chart of a year in his life, Dan’s latest ‘Grand Plan’ has clearly paid off.
    • 79 Metascore
    • 80 Critic Score
    It’s in the less expected that ‘Lagos Paris London’ offers most; the sheer softness of ‘Under The Strikes’ displays a vocal turn that in other contexts may prove completely unrecognisable; and in particular the introspective, sparse yet groove-laden ‘Night Green, Heavy Love’, on which a staccato bassline contrasts with Yannis’ high-pitched vocal to create a wholly disorienting mood.
    • 75 Metascore
    • 80 Critic Score
    Across its 11 tracks, ‘Raving Ghost’ finds impressive variety and fun: less a haunted relic of the past, and more a Halloweeny romp through it.
    • 83 Metascore
    • 80 Critic Score
    It moves away from what many a critic will lazily refer to as Burial-esque, but still retains the throbbing heart that's always sat at the centre of his music.
    • 72 Metascore
    • 80 Critic Score
    For such an introspective record, it sure sounds like community - a portrait of an artist ready to lean into her fears.
    • 92 Metascore
    • 80 Critic Score
    Multi-faceted in both personality and musical style, ‘Access Denied’ has proven itself every bit worth the wait.
    • 60 Metascore
    • 80 Critic Score
    A vital, woozy summer repose, nine tracks in the perfect sequence for drifting off on a lazy, languorous May afternoon.
    • 89 Metascore
    • 80 Critic Score
    It’s lusciously written, produced, and arranged.
    • 79 Metascore
    • 80 Critic Score
    An album that works to intertwine large scale issues with some deeply personal admissions from frontwoman Sadie Dupuis - all via her intoxicating and bewildering brand of lyricism - the record, instead, grapples with the anger at its core and transforms. it into something more worthwhile.
    • 81 Metascore
    • 80 Critic Score
    A record that feels dynamic and vital - while still respecting the band’s legacy so far - ‘The Million Masks of God’ is astonishing.
    • 72 Metascore
    • 80 Critic Score
    More power, more fury, more energy--it’s certainly a promising tone to set.
    • 77 Metascore
    • 80 Critic Score
    While ‘Take it to the Max’ sounds like Battles and Gold Panda had, well... a battle. These elements only enhance rather than inhibit, proving Deacon’s ability to find the best ingredients for his eclectic recipe.
    • 95 Metascore
    • 80 Critic Score
    Eternal Forward Motion pushes onward with a clear mission and unrivalled force, and much like their two previous albums, it places Employed To Serve firmly at the forefront of innovation in British hardcore.
    • 88 Metascore
    • 80 Critic Score
    An LP which brightly but undramatically shines with a fresh confidence - a proficient collection of songs, elevated by myriad guest musicians and a seemingly freed spirit.
    • 77 Metascore
    • 80 Critic Score
    ‘OUI, LSF’ is a storming return that suggests that, far from having run out of steam, the possibilities for Les Savy Fav are again endless.
    • 78 Metascore
    • 80 Critic Score
    Unexpected, indulgent, and an absolute joy, ‘Metronomy Forever’ is a prophecy to get behind.
    • 91 Metascore
    • 80 Critic Score
    Backed up by lyrical content that has never been more potent and relevant, this album is proof that A Tribe Called Quest never really left.
    • 81 Metascore
    • 80 Critic Score
    The music is genuinely rich, and creates a strong nostalgia for a musical era gone by.
    • 78 Metascore
    • 80 Critic Score
    With its clean, bright production, Frankie Cosmos have found a fitting sound on ‘Different Talking’, via their new era of lush, happier pop-rock.
    • 74 Metascore
    • 80 Critic Score
    A record that’s a hundred times more cohesive than Born to Die.
    • 74 Metascore
    • 80 Critic Score
    II
    II is their finest work yet and cements the fact that Moderat have developed into a dance act whose existence should never have even been questioned in the first place.
    • 73 Metascore
    • 80 Critic Score
    Its clarity, confidence, and cohesion set it apart from their debut which had room for improvement on those fronts.
    • 62 Metascore
    • 80 Critic Score
    Where Wildness Grows is an ode to patience, determination and second chances. Given theirs, Gengahr have smashed it.
    • 75 Metascore
    • 80 Critic Score
    This debut album is very much the culmination of Faker's disparate influences, showcasing his broken, downtempo soul at its finest.
    • 67 Metascore
    • 80 Critic Score
    A brilliant and unexpected ride from start to finish.
    • 62 Metascore
    • 80 Critic Score
    she’s written a brilliantly fun pop record in the process.