The puzzles and photography definitely overshadow the platforming, but generally they are so well integrated that the whole package is very solid. Unlike my wall. Which still has a hole in it.

Rock of Ages is good for a few deep laughs, has tremendous art design, and is worth experiencing by most everyone given the price and ridiculous premise.

Hyrule Warriors can fall into the same trappings as any hack and slash, but the amount of effort that went into making it enjoyable for Zelda fans is staggering. This is one of the best couch co-op games I've ever played, warts and all.

It's an emotional roller coaster that will likely leave you more defeated after "winning" than when you first started, and that is incredible.

Eugen Systems' serious, well-researched approach to real-time strategy makes Wargame: AirLand Battle a rewarding, refreshing title. Not since European Escalation have I had to work so hard for my victories, and with the addition of aircraft and the absurdly huge 20 player matches, a whole new layer of strategy and tactics has been added to an already exceedingly deep series.

It doesn't quite reach the highs of its predecessor, but Arkham City rarely sinks low. When it's all said and done, you'll be begging for more, but not because there wasn't enough. It is just too damn fun to be The Bat.

River City: Rival Showdown ushers in some big changes while still does a good job bringing the original River City Ransom into modern times while still honoring its Kunio-kun roots pretty well.

Black is a little different from the Killer Queen I was used to. But it's still Killer Queen, and that makes it one of the best multiplayer games around.

Overall, Mega Man 10 doesn't have as many high-water moments as Mega Man 9, but it is still consistently fun, while providing more overall content than the Mega Man games that preceded it.

It's still huge and uncompromising, but there's no better way to experience Victoria II. The improved combat and naval mechanics were oft-requested, and Paradox followed through, while the new features make the studio's vision of Victorian war, politics, and economics all the more believable and grand.

There's so much there that I didn't expect in terms of little mechanical tweaks, and it reminded me of when Nintendo would occasionally give other designers (sometimes up-and-coming talent) a go just to see what they could do.

Triangle Strategy stumbles just enough in those areas to note it, but excels when it comes to tactical combat. It feels right at home on the Switch, as a perfect blend of strategy and RPG to keep coming back to, with just enough reasons to keep exploring post-credits and alternate routes. It may not be a deft landing, but Triangle Strategy is ultimately the tactical RPG I was hoping it would be, holding its own in an increasingly competitive field.

It’s very convenient and nice. It’s convenient and nice to not have to install a handful of mods on the original version in order to get it to look not terrible. It’s convenient and nice to have small quality-of-life things added that new players won’t even notice while Baldur's Gate veterans will likely welcome them with open arms.

Spark the Electric Jester takes mechanics from two of my favorite series growing up and combines them into one fantastic project that deserves the recognition I'm giving it. It might be uglier than Freedom Planet, but otherwise, it is an all around better game.

Don't get me wrong, Arrival sits comfortably between Overlord and Lair of the Shadow Broker in terms of quality and I still want to play Mass Effect 3 badly, but I don't want play it that much more badly after having played Arrival.

It's quite long, too, easily taking you six hours or more to complete nearly everything there is to do on the new island. Moreover, it offers an excellent opportunity to try out a new build if you've been stocking up powerful equipment in your stash, but never bothered to commit to a full respec of your abilities before.

Jurassic World Evolution 2 is a much better game than its predecessor was at launch. That said, I can’t shake the feeling that much like the original, it’s only going to get better and more content-rich in the next coming year or so. It’s a beautiful trend from Frontier Developments that I think will make an already great game all the more excellent.

Don't get me wrong, Arrival sits comfortably between Overlord and Lair of the Shadow Broker in terms of quality and I still want to play Mass Effect 3 badly, but I don't want play it that much more badly after having played Arrival.

Age of Wonders: Planetfall is a large, ambitious strategy game that succeeds in many ways but falters ever so slightly in its grand scale. If you can grapple with the scope it's well worth the purchase and time, offering a great sandbox that could be played for hours on end. Newcomers to the genre might want to try one of the earlier Age of Wonders games before seeing if they should truly take the dive into this massive commitment. Those who do won't be disappointed.

Paper Mario: Color Splash is a charming journey that will delight your senses, your funny bone, and the part of your brain that houses your nostalgic feelings towards Nintendo.

Metroid Dread doesn't take a lot of big swings, but it rarely bats a foul ball.

Overwatch as a franchise has always felt like a child taking toys out of a box to hurriedly show you what’s next, breathless through excitement before switching to another. In that sense, Overwatch 2 is a bigger toy box, with a few more action figures and incredible new dioramas to pose them in. It’s definitely a variation on a theme rather than something wholly new, at least until the PvE component arrives in 2023, but what’s here has reignited my love for a world, its characters, and their stories in a way I didn’t know I’d missed. Whether it’ll be enough for the competitive crowd, though, remains to be seen.

As a single-player game, though, DeathSpank really shines. The addictive nature of leveling up and looting treasure chests and fallen enemies is here in spades, not to be missed by fans of the genre. It's also one of the better-looking and most polished titles in the digital space.

Gods and Kings is a strong expansion overall, but it fails to live up to the series' own pedigree. Religion adds so much subtlety to advanced strategies that, by comparison, espionage comes off as a half-assed attempt to add back an old mechanic.

With the market now full of unbelievably fantastic fighting games, and it being a revision of a five-year-old title, Virtua Fighter 5: Final Showdown still manages to stand head and shoulders above most of its competition. It may not have the install base of other fighters, but it's still one of the deepest fighting game experiences to date.

One cannot play through the game without noticing its various flaws, but by the time you’ve simultaneously decapitated four bad guys in one glorious, motion-controlled sword slash, those flaws will be all but forgotten in the flood of gruesome, wacky fun which No More Heroes has to offer.

It succeeds in pulling off the gargantuan task of getting people to care about Mega Man again.

The controls may irritate you and the game's attempt at a Zen aesthetic may come off as a little dull, but it nonetheless remains a constantly surprising, wonderfully unclassifiable, and, ultimately, damned satisfying piece of gaming.