Delusions of Adequacy's Scores

  • Music
For 1,396 reviews, this publication has graded:
  • 68% higher than the average critic
  • 3% same as the average critic
  • 29% lower than the average critic
On average, this publication grades 3.7 points higher than other critics. (0-100 point scale)
Average Music review score: 77
Highest review score: 100 The Stand Ins
Lowest review score: 10 The Raven
Score distribution:
1396 music reviews
    • 67 Metascore
    • 80 Critic Score
    Major General finds us with an accomplished and very steady collection of songs.
    • 62 Metascore
    • 80 Critic Score
    [The album’s final track is] a satisfying conclusion to the band’s best album since 2000’s Black Market Music.
    • 70 Metascore
    • 80 Critic Score
    It's often a bit silly, always fun, and surprisingly inspired.
    • 82 Metascore
    • 80 Critic Score
    Beam’s songwriting has always been the defining element of Iron & Wine, and it’s evident on these tracks, especially the lovely “My Lady’s House” with its gentle and loving theme.
    • 81 Metascore
    • 80 Critic Score
    The album is a tight yet tensile affair, that shows the old dog still knows how to learn a few tricks with scholarly shrewdness.
    • 85 Metascore
    • 80 Critic Score
    BLACKsummers'night is however, an impressive return to form. This is undeniably enthralling music: masterful, captivating and marvelous.
    • 83 Metascore
    • 80 Critic Score
    The Mouse is back, just as polished and schizo as it ever was.
    • 71 Metascore
    • 80 Critic Score
    Starfucker definitely have a gem with Reptilians, and have managed to make a remarkable album from a genre that can become quite stagnant and derivative of itself.
    • 76 Metascore
    • 80 Critic Score
    It'd be a daunting feat for anyone to furnish a respectable sophomore LP after the hype of a debut like Psychic Chasms, but Alan Palomo succeeds here, blessed with an innate ability to temper previous charms with present provocations.
    • 68 Metascore
    • 80 Critic Score
    The Only She Chapters is yet another confident addition to Scott-Herren's collection as Prefuse 73.
    • 83 Metascore
    • 80 Critic Score
    As entertaining as it is, there remains a nagging notion that Grinderman 2 is ultimately another water-testing exercise to decide upon which seas Nick Cave will sail the full Bad Seeds line-up when it next reconvenes – now sadly minus Mick Harvey – in the studio.
    • 83 Metascore
    • 80 Critic Score
    It’s great to have another album so musically rich that extols misbehavior as accurately as it soundtracks it. Let’s dance.
    • 78 Metascore
    • 80 Critic Score
    All in all this is a rock-solid debut from a group of veteran musicians who aren't necessarily out to reinvent the wheel but whose fiery passion rings through on every note.
    • 77 Metascore
    • 80 Critic Score
    Arguably the best thing Phillips has done since Grant Lee Buffalo’s fantastic 1993 debut, Fuzzy.
    • 84 Metascore
    • 80 Critic Score
    This record is vast, playful, and most importantly, an absolute joy to listen to.
    • 82 Metascore
    • 80 Critic Score
    This is one consistent record that will being a smile to your face; there is nothing breathtaking, but there doesn't have to be.
    • 81 Metascore
    • 80 Critic Score
    A gentle yet insistent collection of songs, Wilderness is marked by its subtle beauty and meticulous attention to sonic detail.
    • 76 Metascore
    • 80 Critic Score
    The way Satin Panthers comes at you is definitely much more abbreviated and more focused; whether or not this is due only to the shortness of the EP is quickly dispelled with how well the five songs do ebb and flow.
    • 68 Metascore
    • 80 Critic Score
    Fortino has created an album that is easily one of the year’s most moving reflections. It’s that life is all but lost and Fortino’s take on things are spectacularly delivered.
    • 79 Metascore
    • 80 Critic Score
    Astro Coast succeeds admirably because it pulses with a fun, youthful, and invigorating feel, and obvious lack of arty pretenses, studio mediation, or self-importance. Not every band can be Radiohead, thankfully.
    • 76 Metascore
    • 80 Critic Score
    Sarah retains her unshakable poise and British vocal inflection, but her delivery is warmer and more engaging than on her debut, yet still tinged with an edge of melancholy.
    • 76 Metascore
    • 80 Critic Score
    Yes it's slower, darker and more pensive, but like the sun that breaks through the clouds to reveal a brisk sunny morning, it shimmers and shines with splendid, polished arrangements and even grander guitar-scapes.
    • 78 Metascore
    • 80 Critic Score
    One of her most assured and intimate records to date.
    • 82 Metascore
    • 80 Critic Score
    There are a lot of moments that gently wash away, against the pushing drive of the other songs on the album. Segall mostly attempts to create different spaces of time and is able to make many of them work to his direct advantage.
    • 75 Metascore
    • 80 Critic Score
    Fourteen songs deep, each and every one is a terrific slice of electronic pop that definitely delivers astounding results.
    • 75 Metascore
    • 80 Critic Score
    One of the most interesting and rewarding things about hearing the tracks as they appear on this release, is knowing that they are presented here in their earliest incarnations, Earth's chrysalis stage, if you will.
    • 88 Metascore
    • 80 Critic Score
    If you were into Lightning Bolt before, there is no reason you won't absolutely love this album. If you were sort of sitting on the fence with them before, this may be the album that converts you into a fan.
    • 80 Metascore
    • 80 Critic Score
    At 21, he has the raconteur’s wit of a younger Nick Cave still buoyed by the weightlessness of possibility.
    • 75 Metascore
    • 80 Critic Score
    While Amore del Tropico blazes some new paths for Black Heart Procession, it also hits all the right notes from the group's past.
    • 80 Metascore
    • 80 Critic Score
    Three Fact Fader is an impressive sophomore effort. Engineers have created a winning combination of English pop/rock.