Even though it may not touch the heights of the original Jury Duty, Jury Duty Presents: Company Retreat is a pretty funny workplace sitcom wrapped around the conceit that one of the people there have no idea he’s in a sitcom, and he’s buying into all of it.

There’s an inherent charm to bowling. Born to Bowl capably channels that charm, and it’s a fun watch.

This City is Ours features a few wrinkles in its setting and approach that set it apart from the many, many similarly sprawling family crime dramas. We’ll stick with it and see what an impressively deep cast can bring to the story, which features a lot of other elements that strike us as pretty familiar.

If you’re a pre-existing fan of this series, then you’re likely to enjoy this latest installment that continues to faithfully adapt the overall hilarity, tone, and excitement of Hirohiko Araki’s beloved manga series. But even first-time viewers are likely to get swept away by the colorful characters, fast-moving plot, and absurd humor.

The Lady makes a compelling true crime story into a compelling drama through the performances by both McKenna-Bruce and Dormer, who try hard to make their famous characters nuanced and real.

Invincible continues to give viewers one of the more nuanced superhero stories we’ve ever seen, and while the show finds itself in a dark place in Season 4, it’s still a compelling show to watch.

While we’re skeptical that the twists and turns of Imperfect Women are really going to surprise us, we are curious enough about those twists and turns to keep watching.

The seventh season of Virgin River isn’t doing much more than keeping the story moving at the pace it set back in its first season in 2019. But that’s what fans want, which is why the show will go as long as Netflix and the producers want it to go.

We were happy to take in the contemplative pace of The Madison as well as watching Pfeiffer’s performance. But we’re also concerned that Sheridan’s penchant for leaden dialogue and sketchy portrayals of female characters are going to ultimately drag this show down.

Like the original series, Mystery Road: Origin layers lots of stories into a slow-burn story involving Jay Swan’s very complicated life.

While not hilarious, Sunny Nights works because of Carden’s performance, the premise’s clash of sensibilities, and its ability to give viewers a glimpse at Sydney’s seedier side.

Age Of Attraction seems to have a positive message about love knowing no age, but we’re wondering how the show is going to separate itself from other dating shows once it leaves the retreat.

We would be happier if Scarpetta was a period piece with its main characters’ younger versions instead of its current time-jumping format, but we’re hoping that the present-day storyline comes around as Kay and company revisit the serial killer case from the ’90s.

One Piece’s storytelling compass remains pointed in the right direction.

Ted is definitely more watchable in Season 2, more interested in character and story than it was in Season 1. But we just wish that, while Ted himself is pretty irredeemable, we got more growth out of John rather than just a series of gross shennanigans.

As good as Weisz and the cast of Vladimir is, they’re trapped in a story that’s smothered in gimmickry instead of character development.

Though the series strikes the creator’s signature balance of humor and emotional depth, Rooster has yet to rival Shrinking, Ted Lasso, or The Office. That’s not to say the six of ten episodes made available for review weren’t a genuinely fun ride; rather, it’s a testament to the incredible heights we’ve seen both men reach.

It’s gratifying to see Chris Fleming stay true to the vision he had starting out in stand-up two decades ago and be richly rewarded for it. Strap in and enjoy the ride!

While Young Sherlock is certainly stylish, it doesn’t forsake substance for that style, setting up Sherlock Holmes’ first big case in a way that digs into the characters of Sherlock, Moriarty and others that are familiar to Holmes fans.

We’re not completely sure that The Hunt will get any deeper than what we saw in the first episode. But there are signs that, at the very least, it will be a tense thriller, even if it’s not a very character-driven one.

Once the awkwardness of setting up R.J. Decker‘s puzzle pieces ends, we see the potential for it to be a fun, quirky case-of-the-week detective series that will concentrate on its characters’ stories as much if not more than the weekly case.

Luke Grimes is up to the challenge of leading a Yellowstone spin-off as Kayce Dutton, as Marshals inserts his character and all that family lore into an action-procedural, very familiar CBS-type series.

American Classic isn’t going to make you laugh out loud, but its excellent cast and warm small-town-and-family feeling will be more than enough to keep you watching.

DTF St. Louis is definitely a little weird at the start, but viewers’ patience will be rewarded with a quirky but interesting mystery starting in Episode 2.

The Gray House is surprisingly engaging for such a sprawling historical drama, aided mostly by a good mix of characters and a strong lead performance by Daisy Head.

The return of Scrubs works because it acknowledges that its characters have changed with age, and while it struggles to integrate its new generation of characters, there’s still more than enough laughs to satisfy the original’s most ardent fans.

Despite the length and dodgy pacing of the first episode, Portobello is an entertainingly detailed retelling of one of the strangest stories in recent Italian history.

Obviously this isn’t necessarily something to jump into completely cold. But fans of the MonsterVerse should enjoy this deeper dive into the lore of those films, with more room (and necessity) for emotional nuance than those big-budget adventures.