Margo’s Got Money Troubles has serious moments, but it’s a show that doesn’t try to take itself too seriously, and that sense of fun is going to make Margo’s journey to provide for her son very watchable.

If you want to watch Kitchen Nightmares, go to Hulu and watch the old episodes. Gordon Ramsay’s Secret Service feels like a remodel of Nightmares that makes what was a pretty silly show even sillier.

While we’re still not sure The Audacity is going to be an ultimately satisfying show to watch, we are interested enough in the plot between Duncan and JoAnne to keep watching.

Malcolm In The Middle: Life’s Still Unfair brings the original series’ chaotic energy to the 2020s, taking into account that the chaos just needs to be a little bit different nowadays.

We’re definitely on board with watching how The Miniature Wife is going to pull things off, both technically and storywise, but mainly because we’re confident that Banks can handle the challenge of playing someone shrunk down to six inches, and Macfadyen is always so good at playing weasels.

Bad Mistakes works mostly because we like watching Levy and Ortega’s chemistry as siblings, and we’ll always be there to see Laurie Metcalf do her thing. We’re just wondering how silly things are going to get during this show’s first season.

While we have some issues with how The Testaments is structured, given how depressing the world of Gilead continues to be, we are looking forward to seeing Agnes and Daisy starting to agitate for change as the show goes forward.

While we’re a bit disappointed in the dark turn The Boys has made as it goes into its final season, we’re looking forward to seeing how Eric Kripke and company bring the story to an end.

After watching the first three episodes of Euphoria Season 3, it’s unclear whether there’s hope for Rue and her friends, but there’s definitely a chance this polarizing HBO show might end its run on an incandescent high note.

Whipsmart, funny, and audacious from start to finish, Hacks Season 5 will keep you laughing and guessing until the last moment. .... Much like Smart, the show ends by cementing its legacy as one of the greatest comedies of the 21st century.

Star Wars: Maul – Shadow Lord is certainly one of the darker entries in the franchise, especially among the animated series. But there is a lot of potential to dig into the personality of one of the franchise’s most notorious villains, which is always something we look forward to seeing.

XO, Kitty is in its “well-oiled machine” phase, with characters we want to follow, a lead that continues to put in a magnetic performance, and a feeling that the show’s writers have settled on the storylines they want to follow the most.

The show still tends to bog itself down with too many characters and stories, as well as the gimmickry of Coop’s narration intruding on what’s going on. .... The addition of Marsden is promising, though. .... We hope his presence focuses the story in a way that we didn’t see previously.

Hamm’s performance in Your Friends & Neighbors is what will keep us watching, as he transforms from a guy who has gotten too big for his britches to a guy who now knows that was the case and is doing something about it.

While the idea of hearing the story of Pablo Escobar’s son is intriguing, Dear Killer Nannies just doesn’t go deep enough into Juan Pablo Escobar’s life to make things interesting.

We’re giving Atomic a mild recommendation because there might be enough chasing through various Northern African locations to make the show a visual treat, and we’re curious about the dynamic between Max and JJ. But it also feels like show that might repeat itself too much as the two men run around with those satchels of plutonium.

Torres remains a unique and special voice not just in comedy, but in the performing arts, and we could use more voices like his.

Even though House Of David will likely appeal to faith-based audiences, it still hasn’t been able to make its Biblical characters into people 21st century audiences can connect with.

The Feud On Shelbury Drive does a fine job of spinning what seems to be a small dispute into a thriller that anyone who has an issue with their neighbors can relate to.

For All Mankind remains ever ambitious with its fifth season, where the series makes the reflection off its alternate history mirror even stronger as the lives of everyday people get squeezed between the politicians of Mars fighting with the politicians of Earth.

Jo Nesbø’s Detective Hole isn’t reinventing the “troubled detective” or Nordic noir genres, but good performances by Santelmann and Kinnaman make the show very watchable.

Camila Morrone’s compelling performance in Something Very Bad Is Going To Happen isn’t enough for us to get past the cartoonish supporting characters, the foreboding with little payoff, and a plot that just seems to consist of little more than tense moments.

Bait is a mostly-funny show about a guy that finds out what it’s like when he makes himself go viral in order to advance his career, with a funny performance by Riz Ahmed.

While Daredevil: Born Again continues to be a watchable Marvel series with good performances, your enjoyment of the show may depend on how close you feel Fisk’s New York is to what is going on in real life.

Mystery Road: Origin continues to give viewers compelling mysteries combined with Jay Swan’s determination to make his work speak for itself despite the racism that he faces on a daily basis.

The second season of Deadloch continues to be a darkly funny series with a fun pair of mismatched detectives who strangely work very well together.

With a tried-and-true formula, SNL UK‘s cast most likely will find their voices and establish themselves as a separate entity, albeit with the same plusses and minuses that the American show has. Some sketches and performances will become legendary; but most, forgettable. Unless SNL UK can break out of this formula and determine what makes them special, the show may never match the heights of Monty Python, or even the Canadian alternatives from SCTV through Kids in the Hall.

The final season of The Comeback is as funny and self-aware as the first two seasons, mainly because Kudrow continues to make Valerie Cherish one of the least self-aware characters on television.