As comprehensive as World War II With Tom Hanks seems it will be, even people who consider themselves experts in World War II might learn some new information about the massive conflagaration during the show’s 20 episode.

Spider-Noir is a good looking show, that should be fun to watch in either black-and-white or color, but it’s boosted by Cage’s performance and a knack for nailing the classic detective noir genre.

Mating Season has a couple of chuckleworthy moments in the first episode, but it’s trying too hard to be “adult” to give the characters a chance to develop.

Berlin And The Lady With An Ermine has lost none of the Berlin series’ charm or joie de vivre. It’s still a show that’s more fun than thought-provoking, which is exactly what it’s intended to be.

The stellar cast of The Boroughs is the biggest reason to watch this series, even if the story might be a bit predictable.

If you go into Maximum Pleasure Guaranteed with the right mindset, and not look for it to be a true dark comedy, then Maslany’s performance and the complex psychological thriller plot is satisfying. If you want it to be funnier, you might not get what you wish for.

It’s Not Like That is a multigenerational family drama that shines due to fine writing and acting and fantastic chemistry between Scott Foley and Erinn Hayes.

As overstuffed as Rivals is, the back and forth between Tony and Rupert is so delicious to watch that the frustration over the underserved storylines is secondary to the viewing experience.

Dutton Ranch nicely foregrounds their relationship – a boon for fans coming over from Yellowstone – and immediately plunges Beth, Rip, Carter, and their very livelihood into tons of new trouble.

There is a lot about Nemesis that’s clunky and cliche. But we liked the performances of both Law and Noel, and we hope that the complexity of both of their characters’ lives will be explored with more depth as the series goes along.

The finale of Good Omens is certainly watchable, and will provide at least some closure to fans of the show. But it’s just too bad that Gaiman’s legal troubles deprived fans of a more complete-feeling ending.

This frothy “opposites attract” series will fill the YA romance series hole in your life.

Is the action good enough to give the humorless One Last Kill a pass? Yeah, just barely. So STREAM IT I guess, but you’ll be wise to temper your enthusiasm.

The second season of Tucci In Italy made us realize what Tucci is actually connecting with is the food and culture, and that helps us like him better.

If you’re a fan of the video game franchise, then you’ll likely want to skip this series just on principle, but if you’re new to the world of Devil May Cry or a returning Season 1 viewer who loves exciting action and doesn’t mind a slightly underwhelming plot, then give Season 2 a shot.

Amadeus works as a series, not just because it looks fantastic, but that the main characters are treated as the nuanced people they were, and there seems to be less filler than one might expect.

Unconditional tries to be more than it is, which is a pretty conventional thriller. But the “message-y” parts of the show don’t get in the way all that much, and the story builds tension very well.

M.I.A. offers a compelling central character to follow as it descends into the criminal world undergirding the glitz and glamour of Miami.

We’re hyped for Stevens to be the audience mirror as Pepper tries to manage inside an institution where the walls themselves seem crazy. Devil in Silver is also having a ball bucking standard convention. .... We felt as disoriented as Pepper does, all hopped up on Haloperidol, as we tried to determine what were mind games and what horrible truths are really lurking in New Hyde.

The Chestnut Man: Hide And Seek is as creepy as the original season of The Chestnut Man, with the case at hand enhanced by the now-established personal and professional relationship between Naia and Mark.

While the first episode of Legends could have fleshed out some of the main characters a little better, it does just enough — with enough restraint — to keep us watching.

The Chestnut Man has an intriguing mystery and strong lead characters. It’s a prime example of why Scandi noir is such a popular genre.

Gary does a good job of reminding fans of The Bear why the show was so compelling when it first blasted onto our screens, and we hope it’s a harbinger of a good final season.

The Other Bennet Sister is hands down the best Austen-inspired series to hit television in years, if not decades, surpassing the likes of Masterpiece on PBS’s Sanditon. Its fresh approach to classic material only enhances Austen’s enduring genius.

Sanditon Season 3 is the show at its soapiest, smartest best and it’s well worth the wait for long-time fans.

Jack Thorne has managed to make the series adaptation of Lord Of The Flies fresh by giving viewers as close to a visceral experience of being in the middle of the chaos as possible, with good performances by the actors playing the main characters.

Twenty Twenty Six is a funny take on a workplace focused on putting together one of the world’s biggest sporting events, helmed by a person who is experienced with all the craziness and somehow manages to get things done in spite of it.

Man On Fire feels like it’s going to be seven episodes of filler and tortured monologuing between action scenes, which doesn’t exactly make for entertaining television.