Am I Being Unreasonable? continues to be one of the darkest of dark comedies out there, though there may not be as many twists and turns as the first season had.

While Oh My God…Yes! A Series of Extremely Relatable Circumstances isn’t quite as funny as it should be, we like Williams’ vision of a near-future South Central and the really crazy friendship that the main trio has forged.

While we’re not in love with the separate storylines for the show’s main characters, season 3 of Dark Winds continues to combine Native mysticism with whodunits rooted in the real world, all anchored by the reassuring presence of McClarnon.

There’s nothing inherently wrong with When Life Gives You Tangerines, but your enjoyment of the series will fully depend on your tolerance of shows that are more dependent on slice-of-life stories than plot and conflict.

Ultimately, though, the show will come down to the chemistry between Mariela Garriga as Castillo and Maribel Verdú as Gutiérrez. The first episode doesn’t show the two of them interacting much, so the jury is still out there.

In Season 4, while Raq’s relationship with Kanan contains both promise and peril, Kanan’s exploration of where he personally fits into his larger family history broadens the scope of what we’re learning about the character.

While Douglas Is Cancelled has a lot of story flaws, the dialogue is funny for the most part and is expertly delivered by Wilkinson, Gillan, Kingston and the rest of the cast, which might be enough to endure this non-controversy for four 40-minute episodes.

For half a decade, The Righteous Gemstones has quietly been one of the best comedies on television, providing laughs and joy to anyone with a sick sense of humor and possibly a touch of religious trauma. The fourth and final season, which premieres on March 9 on HBO, is no exception and proves to be a hallelujah of a sendoff to one of television’s most underrated hits.

Because of the funny moments, and the idea that these two coddled young men are now going to have to get into hardcore criminal activity, we are feeling pretty good about the prospects that the first season of Deli Boys will be entertaining.

The Leopard is boring, with a large ensemble that blends into the background, except for the three main characters. It’s definitely a show about a part of history most people outside Europe know little about, and the show’s dullness will make it hard for people to connect to that story.

Rather than offering any real insight into Richards’ life, the show feels more like a platform for her to stay in the spotlight.

By the end of the first episode, we were rooting hard for Andy, Gabriel and Jake to become a strong family unit, which is certainly a product of the show’s strong performances and inventive storytelling.

Fans of the original Daredevil series should enjoy Daredevil: Born Again, because it continues the original series’ story and its dark tone, with a story that’s feels like it’s going to build to an exciting climax.

A disappointment for those of us hoping for something more authentic.

As a resolute Celtics hater, it brings me absolutely no pleasure to report this, but Celtics City is quite good, and has appeal for fans of any NBA team–even the 29 that the Celtics like to look down their noses at.

Kate Hudson is the best part of Running Point, but Kaling, Ko, Barinholtz and Stassen have built a winning ensemble around her, with a story that’s not only a workplace comedy, but one about family, as well.

Already adding more layers of emotion into the show’s usual rapid-fire dialogue. Keeso is great at the loudmouthery in Shoresy, and the heady hockey-centric stuff. But between the lines of season 4, it really feels like the sensitivity that’s steadily grown within Keeso’s performance will become the biggest factor.

While the ER in Berlin ER looks grungier and bleaker than ones we’ve seen on American TV, the beats of the show will be familiar to people who are fans of medical dramas. In this case, the show is watchable because of its cast, especially Jones and Popadic.

Baker’s point of view may come across as more than a bit blunt, but that just makes her punchlines hit that much harder.

Eyes On The Prize III: We Who Believe In Freedom Cannot Rest 1977-2015 is a compelling companion series to the 1987 original, putting the civil rights movement into a modern context through the stories of the people at its forefront.

Best Interests is certainly one of those shows that would be considered a “heavy watch.” But Sharon Horgan and Michael Sheen both do a fantastic job of playing parents put in a difficult situation as they have to make literal life-and-death decisions about their disabled child.

Tom Green Country is a fun docuseries that shows what the early ’00s pop culture phenomenon is doing now, and how funny Green is, even when he’s not doing his old absurdist shtick.

Suits LA benefits from strong performances by Amell and Davis, but Korsh’s strong sense of banter and character, which made the original Suits such a sucess, is what really makes this spinoff worth watching.

Perhaps the main characters in Grosse Pointe Garden Society will become more than just cartoon characters and things like the annoying narration will calm down. But we’ve seen shows like this, done much better, for a couple of decades now.

[Tom Hanks] manages to take what are pretty standard nature documentary scenes, like baby animals being unsure about leaving the nest or predators stalking their prey, and gives them a simi[l]ar air of importance that the best known narrator in this genre, Sir David Attenborough, gives the docs he works on. If there is anything innovative about The Americas is that it makes things that were previously unseen into interesting drama.

While Beyond The Gates isn’t reinventing the daytime soap formula, just the idea that we’re being introduced to a new set of characters, and we’re getting a soap that features and affluent and powerful Black family, is more than enough to get us to keep watching.

While we wish there was a bit more of Ruth Ellis’ backstory at the beginning of A Cruel Love: The Ruth Ellis Story, it’s still an intriguing story about the last woman executed in Great Britain, with a fine lead performance by Lucy Boynton.

The cast of Zero Day is the main reason why we’re going to keep watching, but the final moments of the first episode gave the story more intrigue than what we’ve seen from terrorism thrillers in the recent past.