Death Valley is a funny mystery series with a good pairing at its center. Let’s hope the mysteries improve as the season goes along.

We’re happy to see Phineas And Ferb back with new adventures, and after ten years away, it’s as fun and creative as ever.

We still can’t buy into the raunch-for-raunch’s-sake tone of Tires, even if the characters are at least starting to get personalities and motivations that go beyond just saying offensive things.

Thanks to the expertly crafted plots that jump from breezy high school scenes to courtroom drama to uncomfortable and even threatening flashbacks, Ginny & Georgia makes murder fun. Well, I mean, not fun, but…no, actually, I do mean fun.

Mr. Loverman is a tour de force for Lennie James, but it’s also an affecting story of a man who struggles to be his true self and knows what the consequences are if he comes out at his advanced age.

Stick is as funny as it is wholesome, and as wholesome as it is endearing. This silly golf comedy is winner in every sense and a show you might just restart the moment the final credits roll.

Duck Dynasty: The Revival might just be the silly, goofy fun you need after a hard week of working and watching the news, especially if you identify with the Robertsons’ credo of “Faith, family and ducks.”

The Mortician effectively shows just how ghoulish the things David Sconce did to people’s loved ones really was, and does so mostly through Sconce’s own words.

Dept. Q spends a lot of its first episode in misdirection mode, but by the end it has set up an intriguing case that’s being followed by an interesting-to-watch group of cops.

I just can’t stop loving And Just Like That… and I also could not stop binging the first six episodes that were sent to critics recently. It might not be good TV, but I firmly believe it is top tier entertainment.

For them [fans], it’s a definite STREAM IT. But for the less invested, the show’s obsessions with sex and swearing might feel one-dimensional.

Tt ultimately reads as a stale and redundant crime thriller that doesn’t thrill at all. In fact, at times I struggled to stay interested in one part of the show. .... You’re better off queueing up Defending Jacob, Bad Sisters, Presumed Innocent, or The Sinner instead.

Adults definitely starts out a bit frantic, and the characters a bit cartoonish, but there is more than enough that’s funny about this group of friends that makes us want to spend more time with them.

The central mystery of Boglands is definitely intriguing enough to keep viewers interested, but we liked the fact that the characters’ personalities are solidly established before the investigation gets started.

The dad stuff may hit home for many viewers. But what’ll definitely stand out to comedy fans is Birbiglia’s description of his invitation to join Jim Gaffigan, Chris Rock, Conan O’Brien and other comedians on a trip to the Vatican last summer to meet Pope Francis. There’s fun to be had just in learning more about this. But the comedian also takes this moment to hammer home how his views of the church differed from those of his parents, and how he’ll still zing the Catholics for their multi-generation molestation scandal

This hour feels like a reset. .... Getting to peer behind the proverbial curtain of fame and fortune (it’s quite something to hear a comedian reveal themselves to be a multimillionaire!) feels more special when the famous person isn’t dropping a lot of names, just truth bombs.

Fun series so far if you need your Asterix fix.

As her late father might’ve written: “Tell ’em Schleppy sent you.”

Despite some interesting elements and the steadying presence of Vaughn, the sillier elements of Tyler Perry’s She The People overwhelm what could have been a funny story about messy families and racial politics.

Sirens works because it leans into the absurdity of the story and the awfulness of most of the characters, making the show a dark comedy that’s truly comedic.

We’re still largely “meh” about Nine Perfect Strangers, but the show’s second season is marginally better than its first.

Does Motorheads sound like a very mid show? Sure. But it’s a well-done mid show, which is all we’re asking for as far as teen shows are concerned.

Stanley Tucci isn’t exactly the most relatable or warm presence as a travel host, but he is thorough, and Tucci In Italy is a good continuation of the journey through the country that he started on CNN in 2021.

Murderbot is certainly a quirky show, but it has a good combination of fun and human moments, punctuated by a surprisingly funny performance by Alexander Skarsgård.

Welcome To Wrexham continues to show how the rise of Wrexham AFC has affected the fans and the city of Wrexham, while still having a good sense of humor around the fact that Reynolds and McIlhenney are the team’s owners.

Rotten Legacy is a sometimes-funny, mostly dramatic story about a mogul who acknowledges he might have been a rotten dad, but that his kids are a whole lot more rotten than he is, and he’s going to extremes to let them know about that.

Secrets We Keep is a thriller that doesn’t try to distract viewers by sending them down too many dead ends, and tells a story about class, race and wealth in the process.

Volume 4 of Love, Death & Robots again makes tremendous use of its anthology form, allowing space for left-field thematic choices and story adaptations, a rich palette of animation styles, and a streak of mischievousness that keeps the whole thing consistently interesting.