We’re Here is more than a drag show and more than a makeover show. It’s an important watch that is just as sickening as it is heartwarming, and you’re gonna want to have a box of tissues handy.

English Teacher’s impressive jokes-per-minute count delivers a steady stream of laugh-out-loud moments (a simple back-and-forth about Shrek is a contender for joke of the year). And as deliciously dense episodes whiz by, the show challenges viewers to keep up in the best way possible. Chief among English Teacher‘s hit comedy ingredients is A+ casting. .... It’s a winning comedy at the top of its class, and school will hopefully be in session for many seasons to come.

A home run. ... Marvel’s Moon Girl And Devil Dinosaur is a dynamic, smart, visually arresting series that has a unique girl at its center, a puppy-like dinosaur, and stories that will entertain both kids and their parents.

Severance Season 2 is exemplary.

There’s good TV, there’s great TV, and then there’s the new Barry, a magnificent season of television that will unquestionably find its way onto your own personal best of the year list.

Gorgeously unsettling tour de force. ... Dead Ringers is an incredible work of art, full of knotty conversations about the give and take of society at all levels. It takes an unapologetically feminine look at the politics, science, and emotion of maternity in the modern medical era. But more than anything else, it’s a brilliant showcase for one Rachel Weisz, who is operating at the top of her game.

Our Planet II is chock full of spectacular scenes of animals on the move, but it also shows us things we might not have known about the whys and hows of how certain species migrate.

As the show progresses, it only gifts viewers more brilliant character moments, shocking reveals, and haunting performances. Clear your Sundays this spring for Mare of Easttown because it’s that damn addicting. ... Mare of Easttown‘s magic is that it evokes these classic crime dramas [Twin Peaks, Broadchurch and The Silence of the Lambs] while bringing something new: a raw authenticity that makes you realize that at the center of every murder mystery are human beings getting hurt.

Yet another spectacularly bold, absolutely brilliant, and shamelessly brash season of television, but it’s also darker, grander, and more culturally relevant than any season of the show before.

It shouldn’t be profoundly emotionally moving. Nevertheless, The Rehearsal Season 2 is all of these things and more, thanks wholly to the mad genius its creator, director, and star, Nathan Fielder.

Primal Season 2 is an absolutely magnificent addition to an already fantastic set of episodes. It’s one of Tartakovsky’s best by far, and he’s proven that this is a franchise that’s only going to get better with time. From top to bottom, it’s one of the best animated series going right now.

Severance isn’t just one of the most tonally honest versions of office life; it’s an entirely new genre of corporate horror that’s a force unto itself.

It is an absolute joy to watch two excellent actors bounce off each other. Zendaya rightly won an Emmy for her performance as Rue in Season 1, and it’s quite possible she could nab another nomination off this episode alone. ... As an episode that digs towards some truths, illuminates the best parts of Euphoria, shows off two seasoned actors at the height of their abilities, and provides a little bit of light in an otherwise very dark year, “Trouble Don’t Always Last” is a triumph.

Hacks is the rare comedy that not only nails its punchlines, but brutally deconstructs the pain, effort, and genius it takes to make jokes land. ... A spectacular showcase for its leading ladies, and above all, a love letter to life in the comedy trenches.

The story of Outrageous is deathly serious, but the vibe is still somehow effervescently fun. This balance makes it intoxicating. .... Outrageous is the platonic ideal of what the period drama can be.

With performances like those delivering scripts this tight, surrounded by period-accurate sets, lighting, effects, credits, costumes, etc., WandaVision is itself a masterclass in sitcom history and a sincere depiction of what the format means to people. This show is more than a Marvel show, and that’s evident from the first three episodes.

Believe me when I say that Love Story: John F. Kennedy Jr & Carolyn Bessette is the first truly captivating new show of 2026 and an instant addition to the list of shows you’ll want to watch and rewatch… just have a box of tissues at the ready.

To put it simply, Poker Face is a triumph — for Johnson and Lyonne, for modern-day TV, for the mystery genre in general, and — crucially — for Peacock.

Legendary feels completely immersive. Everywhere you look, it’s a ball. And when Legendary gets into the competition gig, it slays. The performances in the first episode are, well, legendary. ... The show’s called Legendary for a reason.

[Noah Hawley] excels at taking existing IP and contorting it in new ways to reveal what really sets those universes apart. He does that once more in Alien: Earth. .... I very much dug the incredible performances of Alien: Earth‘s ensemble cast. .... The cinematography is lush, the production design sumptuous, and the kills are horrifying.

Station Eleven is brilliant television. It’s one of the most profound meditations on love, loss, grief, and community I’ve ever seen.

The Pitt Season 2 is a perfectly executed season of television. Rather than buckling under pressure, the HBO Max show’s cast and crew returns with wholly-deserved swagger. .... An early, strong contender for the best show of the year.

Season 3 of Dickinson is an emotionally powerful and fulfilling journey through the final seconds of the final episode that found this reviewer’s eyes wet multiple times. ... What Smith has done is use Dickinson’s work as inspiration to create a new, artistic feat of her own (along with the hundreds of other people who work on the series), one that redefines what television can be.

Loki is a surrealist, kafkaesque mashup of True Detective and The Office—and it is a sight to behold. ... The show should not work, but it does. Loki (the series) was burdened with glorious purpose from the start and, unlike Loki (the character), you can consider that purpose fulfilled.

I loved it. ... The Guardians of the Galaxy Holiday Special delivers in every single way.

Kogonada and Justin Chon’s direction, Soo Hugh’s writing, and the work of Pachinko’s outstanding ensemble cast weave together a story that is both huge in scope and humble in its beauty. Pachinko is perfectly exquisite (though not quite perfect) and will stick with you long after the credits roll.

Every aspect of Big Mood, from the chemistry between Coughlan and West, the sharp, comedic commentary on pop culture and social media, and the nuanced handling of mental illness is responsible for this show being a must-watch.

Netflix’s new version of The Baby-Sitters Club is a total triumph. It’s sweet, funny, hopeful, but most of all, encouraging. The message to girls, young and old, is that we are stronger together. The Baby-Sitters Club might be a pitch perfect show for kids and tweens, but it’s sure to become a feel-good obsession for grown women and men alike. It’s that good.