STREAM IT, if you’re a fan of sci fi, an Asimov fan or someone who caught the first two seasons of Foundation and want to see how the story proceeds. But, like we said in Season 1, casual sci fi watchers are not this show’s target demo. We suggest they SKIP IT.

Despite the fact that the first two episodes of Dying For Sex try too hard to lean on the funny side of Molly’s story, the elements are there for a moving story of life, death. love and desire.

Even if you didn’t catch Renée Ballard working with Harry Bosch in the Legacy finale, Ballard’s arrival feels fully formed. Maggie Q brings her serious-minded, action-oriented capacity to the lead role.

This is a fun, romantic look at life on the spectrum that will hopefully shatter some stereotypes.

For all its manufactured conflict — the schism between Snow and Jones, the unprecedented summer tour — it’s still a largely unvarnished glimpse into a place both wonderful and strange.

The makers of The Yogurt Shop Murders are not just curious about the case but how deeply the case affected Austin and the people who were intimately involved with it over the past three decades, an approach that we wish we saw more often in true crime docs.

X-Men ’97 works because it feels like the exact same TV show, but with its inhibitor collar turned off. This is X-Men finally cutting loose.

It’s not everyone’s cup of tea, but The Midnight Gospel is fascinatingly strange, and if you listen to what is actually talked about, you may come away with some insight into the human condition.

The second season looks like it’ll be more complex than the first, but we’re confident that the second season will be as cohesive as the first.

Normal People will punch you in the gut just as much as it embraces you in a hug.

Warrior, whose fans once mobilized a petition for its third season return, rewards them with tightly-choreographed action sequences that don’t skimp on the bloodshed and visceral death blows. But it also offers political and interpersonal dramas set in an interesting historical time period, and writing that crackles with the energy of a contemporary action movie.

Because Laurie wanted to stay relatively faithful to the story, viewers are going to have to sit through some predictability to get to the witty dialogue and the inevitable reveal of the killer.

The White Lotus should be an interesting six-hour look at how privileged people mess things up with that privilege. It’s a fine marriage of smart writing and a fantastic cast.

The final season of Curb Your Enthusiasm is pretty much more of what we’ve seen over the past 24 years. But it’s still funny, howlingly so at times. And that’s pretty much all we’re looking for from Curb as Larry and company kvetch into the sunset.

Lupin’s twists and turns, and a fine performance from Omar Sy (who is also the show’s artistic director, helping to establish the series’ lavish look) makes the show eminently watchable.

Dave is nothing if not a show for a very specific taste. It’s too smart to be labeled sophomoric, and while it’s packed with really great acting and a lot of heart, it’s also entirely common and accurate to use the word “weird” to describe it. But, like Dave himself, that’s part of its charm.

In You Season 4 Part 2, the series remains grotesque, absurd, slick, vapid, skewering, and often quite predictable. All of which makes it totally binge-able.

The show can’t go on forever, but it’s a great thing that the gang can still get together and make us laugh.

It’s certainly not for everyone, but if it is up your alley, it elicits tears-streaming-down-your-face laughter, the kind of horrified guffaws only McBride and his team can deliver. ... All the hi-jinx and hysteria and humor are what make The Righteous Gemstones a thorough joy, but the deeper questions are what make it memorable, a true gem in a sea of shallow content.

While the writing in Time is strong, the performances by Bean and Graham are what will connect with viewers.

While the pacing is still inconsistent, the second season of Killing It continues to mine the chemistry between Robinson and O’Doherty as well as how tough it is these days to come from nothing and achieve success.

Search Party cements itself as a modern comedy classic. ... Once again delivering perfect performances and writing sharp enough to cut.

The final season of Atlanta has a sense of the surreal that makes the delivery of its message a whole lot easier to take than the show’s third season, which felt like more of a take-your-medicine exercise at times.

Industry is chock full of people being deliciously awful toward one another and making blatantly personal plays for financial gain, making all of their machinations eminently watchable.

Clips along at an entertaining pace and turns an upsetting story into comic tragedy. You likely haven’t seen this saga told with such crisp clarity before.

All you really need to know about the second season is that it was absolutely worth the wait.

Brooker and his writing staff seem to be able to expertly balance the idea that, in the broad sense, what Cunk is saying as a presenter is correct, but her notions and opinions on those facts are completely bonkers. It’s that tension that makes Cunk On Earth work. ... Cunk On Earth is funny without straining for laughs.

A series that may just be the first dating show of its kind that could be called prestige TV. ... Whether any of these people fall in love — it’s irrelevant. I’ve fallen in love with this gourmet Gordita and junk food has never been this filling nor tasted this exquisite. ... Perfect Match is your perfect match.