There’s some behind-the-scenes stories that will be entertaining to hardcore fans. Largely, though, there’s a stiffness to the proceedings, a conscious attempt either not to be Winning Time or to directly rebut it. ... Legacy seems so determined to avoid controversial subjects that it comes off dry as a result; even the show’s willingness to discuss the Buss family’s internal struggles over control of the team feels somewhat contrived.

This is a winning portrait of two guys in South Central L.A. with opposing life philosophies who find they each have something to learn from the other.

As with most anthologies, your mileage may vary with Tales Of The Walking Dead, depending on which episode you watch. But the performances are entertaining enough to make up for some fractured storytelling and weird, overly positive vibe.

The show continues to be a realistic and empathetic portrayal of what being a teenager looks like.

This new version of A League Of Their Own explores territory that the original movie didn’t even attempt to explore. Whether that makes the series a coherent whole is yet to be seen. But it certainly is off to a good start.

It treats Oly’s surprise pregnancy as a fact of this girl’s life, and it will be interesting to find out how she manages being a mother and an overachieving student.

Any worry that Baby Groot would wear out his welcome was unwarranted. Each short zips along at a perfect pace, deploying sight gags that hit their mark every time.

Despite the slow pace, easy clues and overreliance on guffaws, we still found ourselves playing along as if we were watching the older versions on BUZZR. And the modernized version of the ’60s theme song is pretty fun. If the show gets a second season, we hope Fallon and Quinn tighten things up to make the show move a bit faster.

I Just Killed My Dad is the rare true crime docuseries that tells a story that hasn’t been picked apart and retold over decades, and tells the story in a brief, relatively compact manner.

Season 3 is not just the most thrilling and emotionally charged installment yet… Locke & Key Season 3 is a fitting ending to Locke & Key, and easily one of the best seasons of a fantasy series released this year.

If you’re a casual fan of English soccer, it’s a great way to immerse yourself in an up-and-coming teams success. If you’re a hardcore fan, it offers you the behind-the-scenes looks you can’t get enough of.

While not our cup of tea, we definitely see how appealing The Sandman would be to fans of Gaiman and his work. We’re just not sure it’s particularly accessible to those of us who are new to the story.

Reservation Dogs improves on its excellent first season by deepening the community on the rez, making it less about the Dogs and more about traditions, people who think they know the traditions but don’t, and just how funny and rich life there can be, even if people have to be creative to get by.

Mike Judge’s Beavis And Butt-Head is more or less the same show that was such a hit in the ’90s. And because it’s about idiots doing dumb things, the funny stuff will always be funny, no matter what decade it is.

It’s interesting to revisit 1999, to look at the crackly VHS footage and say “What did it all mean?”, especially in the context of the decade that came next. Trainwreck: Woodstock ‘99 doesn’t dig all the way into those larger questions. But it does offer a primer, and its share of insights.

The Hillside Strangler: Devil In Disguise is a straightforward retelling of the famous serial killer case. But it definitely gives information and perspectives that people who paid attention to the case four decades ago might not have either gotten or remembered.

Industry is chock full of people being deliciously awful toward one another and making blatantly personal plays for financial gain, making all of their machinations eminently watchable.

Amber Brown is a delightful family sitcom, highlighted by Bonnie Hunt’s witty, easygoing writing style and Carsyn Rose’s revelatory lead performance.

While there’s a lot about Uncoupled that’s frustratingly shallow, Harris’ performance and the show’s frequent funny moments are more than enough to keep us watching.

Before the final scene of Paper Girls, we were going to give this show a big old thumbs down. But that final scene set the stage for a show that has the potential to be a fun ride, or at the very least something that’s a little different than what we’ve seen before.

As much as we couldn’t take our eyes off Gugu Mbatha-Raw during the first episode of Surface, her performance can’t save a show that doesn’t seem to have enough story to justify an 8-episode series.

Barrera sells the idea that she can absolutely survive, making her resourcefulness in the situation almost plausible. Now we just need to see where the plot goes, which will play out in those flashbacks. ... One of the things we like about the six-episode limited series is that the episodes are all around 30 minutes, so you’re not seeing Liv wandering around the wilderness for hours on end.

We’re certainly intrigued by the mystery that’s at the center of The Resort. But we also hope that Milioti and Harper get more of their own story to dig into, as opposed to being just a typically bored married couple who come together under extreme circumstances.

When you watch the first episode of The Most Hated Man On The Internet, all you want is to see Hunter Moore get his comeuppance. Thanks to this relatively brief docuseries and its speedy pace, you’ll get that wish pretty quickly.

In the grand television tapestry of manipulative teen girls, Pretty Little Liars: Original Sin isn’t revolutionary. But it is fun. Original Sin reworks the central themes and mysteries of the first series just enough to turn this tried-and-true premise into an all-out horror romp. No lie.

Primal Season 2 is an absolutely magnificent addition to an already fantastic set of episodes. It’s one of Tartakovsky’s best by far, and he’s proven that this is a franchise that’s only going to get better with time. From top to bottom, it’s one of the best animated series going right now.

Despite the self-indulgent aspects of The Last Movie Stars, Ethan Hawke has created a fascinating docuseries about one of the biggest Hollywood power couples ever, as well as the issues that defined their marriage.

Rap Sh!t suffers a bit from some broad gags and the phone-centric gimmickry we cited earlier, but at its heart is a story of two friends taking on the patriarchal world of hip hop, and that story is one we’re eager to watch.