The more we see of the community around the team, one that has become bigger via the series but at its core is still what binds the residents of the town together, the more we want to watch.

For all its manufactured conflict — the schism between Snow and Jones, the unprecedented summer tour — it’s still a largely unvarnished glimpse into a place both wonderful and strange.

Some episodes pick up days after their previous installment. Some take place months, or even years down the line. At times it can be a bit jarring. Suddenly, the House of Evangelista jumps from being ballroom mainstays to largely absent legends. Characters who barely dabble with drugs have full-blown addictions. But this season has so much heart, these little logical leaps can be forgiven. If anything, they add to the ethereal feeling of the series’ conclusion.

Shining Girls takes its time to reveal the entire picture of what its story is about. But with a fine lead performance by Moss and expert direction, it’s still got enough tension to make us OK with getting only little bits of info.

The Choe Show is full of artsy weirdness, but the interviews are genuine, as are the responses David Choe gets from the friends he talks to.

Kid Cudi and Barris do a fine job of making Entergalactic feel like much more than a vehicle for Cudi’s latest music; it’s a hip hop take on a familiar story, but is a satisfying watch despite knowing how it’s going to turn out.

I was entertained by The Creep Tapes. It all pretty much depends on Duplass to make us laugh and creep us out, and he delivers.

Q: Into The Storm may make you shake your head for six hours, but it’ll also give you a better understanding of the QAnon phenomenon and just how so many people could buy into theories that seem to not make a lot of sense.

The charm of Anna Lambe and the Arctic small-town setting make North Of North a breezy, fun watch.

Chimp Crazy is a docuseries that piles on the storytelling drama, but it also evokes strong emotions from us, which is what a good docuseries should do.

A Very British Scandal benefits from fine performances and a scandalous story that touches both on early feminism and salacious scandal.

The Reagans is obviously a partisan production, but that doesn’t mean it’s not worth watching. By re-contextualizing Ronald Reagan’s presidency, the series makes a clear case for how we got to this point as a country. It didn’t just start with Donald Trump.

Lupin’s twists and turns, and a fine performance from Omar Sy (who is also the show’s artistic director, helping to establish the series’ lavish look) makes the show eminently watchable.

This is a winning portrait of two guys in South Central L.A. with opposing life philosophies who find they each have something to learn from the other.

Terminator Zero takes a fresh crack at the most familiar stuff from the Terminator franchise – twisty time-travel hijinks, machine-born sentience, human-cyborg conflict – and lends the story new direction and life, as well as a distinctive, animé-inspired new look.

Devil May Care is a funny commentary on social media, religion and people’s views of Hell.

Eyes On The Prize III: We Who Believe In Freedom Cannot Rest 1977-2015 is a compelling companion series to the 1987 original, putting the civil rights movement into a modern context through the stories of the people at its forefront.

Is there an overriding plot aside from escaping the rubble? Is there any kind of character development? Not really. But a show this crazy doesn’t really need that, as long as it continues to be daring through its entire run.

The anthology series is putting us in a new twilight zone with its season 7 tales of technology run amok and raw emotion as the timeless driver of the human condition.

Adults definitely starts out a bit frantic, and the characters a bit cartoonish, but there is more than enough that’s funny about this group of friends that makes us want to spend more time with them.

The chemistry between its cast is what makes Hal & Harper both a comedic and dramatic success, equally tugging at our heartstrings and making us chuckle.

Allen v. Farrow is a fascinating deep dive into a case that has been all over the news media for almost 30 years now, even if it’s admittedly a one-sided account.

If you’re into American Horror Story for the horror, you’re going to have a blast. If not, then Double Feature has some killer performances from your favorites that you won’t want to miss.

he Reluctant Traveler With Eugene Levy finds the comedy legend less reluctant, than he was during the show’s first season. But the series is still entertaining, mainly because Levy is so self-deprecatingly funny and because we love seeing him discovering all of these new things in his later years.

Although I expected the docuseries to dig a bit deeper into the specific history of the showcase and how it spawned Black-themed comedy nights at clubs across America, I still appreciated all of the extra detours into the various aspects of the cultural history of the 1990s.

Ken Bruns doesn’t reveal a lot of new details in Benjamin Franklin, but he paints a complete picture of a statesman that most people only know his many life highlights.

If you’re a fan of watching documentaries about the “anatomy of a scam”, then Generation Hustle has ten different well-told stories to choose from.

Archival footage is the hero here, everything from tear gas canisters arcing into the students at Kent State and those lying bleeding after the National Guard shootings, to a raw live performance of “Ohio” by Crosby, Stills & Nash that leaps off the screen with nervy energy. Audio interviews accompany the montages, and are lent particular power in their juxtaposition.