Instead of making Diane Dunbrowski a walking Chicago joke machine, the creators of Chicago Party Aunt have actually given her a heart and a rudimentary moral code. And that will be how the show will be able to sustain itself for multiple seasons.

Despite the scope of this final season, though, the show is still accessible to fans and non-fans.

Dollface gives viewers one of the coolest experiences of all: watching someone find their passion. This season is littered with little moments like these, honest parts of everyday life that only feel profound because we never see them portrayed.

The House Of The Spirits is a well-acted, beautifully-shot adaptation of Allende’s classic novel that takes its time to luxuriate in the lives of Clara and Esteban but keeps things moving as the story progresses through over 50 years.

Coastal Elites offers enough talent, laughs, pathos and outright venting to warrant watching it.

Calamy’s performance as the delusional Chris makes The Confidante a very intriguing series. We just hope that the Bataclan attack is more of a factor in the show than just being the launching point for Chris’ lies.

Jentry Chau Vs. The Underworld boasts a good story, a fun visual style and fine voice performances from Wong, Yang and Chinn.

The drama (all eight episodes were provided for review) never seems to settle on whether this corrupt and eccentric woman is the hero or the villain of her own story, the aggressor or the victim. Watching Sarah Paulson navigate those extremes is chilling. ... These inconsistencies work together to make Nurse Ratched more terrifying in her unpredictability. ... But where Ratched really shines is through its stylized love of gore.

The second season looks like it’ll be more complex than the first, but we’re confident that the second season will be as cohesive as the first.

Into The Unknown: Making Frozen 2 doesn’t suffer from the usual Disney self-promotional schtick that infiltrates most of the Disney+ BTS docuseries we’ve seen, it’s still a very informative series that shows that even the best animated features run into issues and problems that need to be overcome.

While Art Detectives isn’t really doing anything revolutionary format-wise, Moyer’s charm and the art-centric themes to the crimes Palmer and Malik investigate does make this show stand out from the sea of British mystery series that are streaming these days.

Hallowed Ground reframes Eyes on the Prize for the 21st century while also encouraging us to dig into the award-winning series. It stirs up some emotion and surely offers some inspiration to the next generation of activists — just like Hampton did.

As the first spinoff from Citadel, Citadel: Diana carries over and adds to that show’s world-building, establishes its own international flavor, and maintains an urgency driven by Diana’s double agent intentions.

While the world of Patience is humming along pretty well in Season 4 of Resident Alien, we’re still here to watch Alan Tudyk do his thing.

Hawkeye works because of the chemistry between Renner and Steinfeld, but also because it prioritizes character slightly more than action.

The direction of Gemstones, together with its whip-smart editing and consistently top tier music cues, helps push the series toward darkness as much as the unscrupulous behavior by its characters. It also has its garish heart revealed in riotous costuming, bizarre framing – get a load of the gleaming white spires and towers of the gilded Zion’s Landing – and craven decision making, which only makes the world it’s built for itself come even more weirdly to life.

Regardless of whether you’re a Critical Role fan, Dungeons & Dragons player, or a returning viewer of The Legend of Vox Machina, if you love strong animation, well-written characters, an intriguing plot, and a big adventure, then do yourself a favor and STREAM IT.

Smith eschews his normally wordy dialogue style, but keeps the characters smart and real, which helps us want to follow all of them as they go on their journey. He also hews closely to the convoluted world that is Eternia, where there’s layer upon layer of intrigue and mysticism that needs to be restored or captured. The animation is an upgraded version of the ’80s Filmation style the original show had, but with just enough retro touches to keep the show connected to its predecessor.

The first episode of Adventure Time: Distant Lands is able to add to this series without once trivializing its legacy. “BMO” proves that there are more stories to tell from the Land of Ooo, and we can trust Pendleton Ward to deliver even more heartwarming tales of adventure and friendship.

Youssef might not change your mind specifically about whom you’re voting for or what side you’re on politically, but hopefully he’ll get you thinking about how you engage with your friends, your families, and even with strangers, whether you’re on Instagram or at Olive Garden.

There’s little about A Teacher that should feel comfortable. FX on Hulu’s latest miniseries focuses on the relationship between a teacher and her underage high school student, and creator Hannah Fidell does everything possible to sell this romance. Yet it’s that grueling feeling of discomfort that makes this miniseries work.

Jury Duty is working on a lot of levels. ... Jury Duty generates ever more laughs from the everyday absurdities of human interactions as its actors disappear into their constructed identities. But there’s built-in tension, too.

Myth & Mogul: John DeLorean succeeds because it’s nicely-paced, with moving graphics filling in information where a narrator might in similar docuseries. It also succeeds because of the access director/producer Mike Connolly got to important people in DeLorean’s story during the era when he designed his now infamous car. ... Where the docuseries really shines is in the footage that Pennebaker’s family provided. It fills in the other blanks that most docuseries have to use reenactments to fill.

It’s that very back and forth that makes Industry so much fun. This workplace and its employees are so callous, so singleminded you want to see them trip over their own inflated egos not once but a dozen times. You want to see them rise from the ashes of their own mistakes and try to make it, even if doing so will make you hate them just a little bit more.

With its global backdrop, imaginative designs, and two of the friendliest faces you’ve ever seen reunited on TV, Making the Cut is exactly the show we need right now.

Duster knows exactly what it mainly is, which is a terrific vehicle for Josh Holloway. Rachel Hilson’s chemistry with Holloway is also a win, and sets up a wily criminals-and-cops yarn that delights in period references and music cues and exalts in the kind of car-as-character hero shots that defined a previous TV age.

The first couple of seasons of [Last Comic Standing] packed its contestants into a house to live together, and everything that happened in the house was far funnier than the contrived comedy competitions with live studio audiences. LOL: Australia does just that, and it’ll make you LOL IRL.

With new babies on the horizon, new business ventures bubbling up and closer looks into the lives of America’s royal family, The Kardashians Season 5 certainly does not disappoint thus far.