While Art Detectives isn’t really doing anything revolutionary format-wise, Moyer’s charm and the art-centric themes to the crimes Palmer and Malik investigate does make this show stand out from the sea of British mystery series that are streaming these days.

Hallowed Ground reframes Eyes on the Prize for the 21st century while also encouraging us to dig into the award-winning series. It stirs up some emotion and surely offers some inspiration to the next generation of activists — just like Hampton did.

As the first spinoff from Citadel, Citadel: Diana carries over and adds to that show’s world-building, establishes its own international flavor, and maintains an urgency driven by Diana’s double agent intentions.

While the world of Patience is humming along pretty well in Season 4 of Resident Alien, we’re still here to watch Alan Tudyk do his thing.

Hawkeye works because of the chemistry between Renner and Steinfeld, but also because it prioritizes character slightly more than action.

The direction of Gemstones, together with its whip-smart editing and consistently top tier music cues, helps push the series toward darkness as much as the unscrupulous behavior by its characters. It also has its garish heart revealed in riotous costuming, bizarre framing – get a load of the gleaming white spires and towers of the gilded Zion’s Landing – and craven decision making, which only makes the world it’s built for itself come even more weirdly to life.

Smith eschews his normally wordy dialogue style, but keeps the characters smart and real, which helps us want to follow all of them as they go on their journey. He also hews closely to the convoluted world that is Eternia, where there’s layer upon layer of intrigue and mysticism that needs to be restored or captured. The animation is an upgraded version of the ’80s Filmation style the original show had, but with just enough retro touches to keep the show connected to its predecessor.

The first episode of Adventure Time: Distant Lands is able to add to this series without once trivializing its legacy. “BMO” proves that there are more stories to tell from the Land of Ooo, and we can trust Pendleton Ward to deliver even more heartwarming tales of adventure and friendship.

Youssef might not change your mind specifically about whom you’re voting for or what side you’re on politically, but hopefully he’ll get you thinking about how you engage with your friends, your families, and even with strangers, whether you’re on Instagram or at Olive Garden.

There’s little about A Teacher that should feel comfortable. FX on Hulu’s latest miniseries focuses on the relationship between a teacher and her underage high school student, and creator Hannah Fidell does everything possible to sell this romance. Yet it’s that grueling feeling of discomfort that makes this miniseries work.

Jury Duty is working on a lot of levels. ... Jury Duty generates ever more laughs from the everyday absurdities of human interactions as its actors disappear into their constructed identities. But there’s built-in tension, too.

Myth & Mogul: John DeLorean succeeds because it’s nicely-paced, with moving graphics filling in information where a narrator might in similar docuseries. It also succeeds because of the access director/producer Mike Connolly got to important people in DeLorean’s story during the era when he designed his now infamous car. ... Where the docuseries really shines is in the footage that Pennebaker’s family provided. It fills in the other blanks that most docuseries have to use reenactments to fill.

It’s that very back and forth that makes Industry so much fun. This workplace and its employees are so callous, so singleminded you want to see them trip over their own inflated egos not once but a dozen times. You want to see them rise from the ashes of their own mistakes and try to make it, even if doing so will make you hate them just a little bit more.

With its global backdrop, imaginative designs, and two of the friendliest faces you’ve ever seen reunited on TV, Making the Cut is exactly the show we need right now.

Duster knows exactly what it mainly is, which is a terrific vehicle for Josh Holloway. Rachel Hilson’s chemistry with Holloway is also a win, and sets up a wily criminals-and-cops yarn that delights in period references and music cues and exalts in the kind of car-as-character hero shots that defined a previous TV age.

The first couple of seasons of [Last Comic Standing] packed its contestants into a house to live together, and everything that happened in the house was far funnier than the contrived comedy competitions with live studio audiences. LOL: Australia does just that, and it’ll make you LOL IRL.

With new babies on the horizon, new business ventures bubbling up and closer looks into the lives of America’s royal family, The Kardashians Season 5 certainly does not disappoint thus far.

Colman Domingo brings a veracity and intensity to his character in The Madness that elevates what is potentially a run-of-the-mill thriller. But so far, the show isn’t giving us any reason to think it’s getting ridiculous, which is a good thing.

After you watch it, you’ll be more aware of just what can go wrong, even when people’s lives are on the line.

The episodes of Through Our Eyes are short but informative, not because they’re crammed with statistics, but because they feature kids who are going through real-life issues and managing to live full childhoods despite their circumstances.

This show is equally as fun as its bright young cast, and it depicts enough of a twist on the classic coming out story that you’ll want to watch more.

While Intelligence’s first episode could have been a skosh funnier, Mohammed, Schwimmer and the rest of the cast do such a strong job of embodying their characters that we’re eager to see where things go.

Avenue 5 packs its half-hour episodes with laughs and a kind of manic absurdity that’s well-positioned to carry this comedy in whatever direction its hapless luxury space liner is pushed in next.

Abbott Elementary is not only funny, but its pilot sets up a workplace family that can endure for multiple seasons.

In its riot of visuals and breathless narrative, the 29-minute premiere of Guardians of Justice packs quite a punch.

Outer Banks season four is charging ahead with a solid new adventure while leaning into the cast of characters these actors have honed and developed over the past four years. The chemistry between all of these personalities feels real, and there’s a creaky, spooky vibe surrounding their new mission that adds to the fun.

If you don’t go in looking for bombshells from Harry or other superstars, The Me You Can’t See is a revealing look at mental illness and how our awareness of how pervasive it is in its many forms is just starting to develop.

Moonshine is a fun show with a dreamy, summer vibe, solid performances from Finnigan and the rest of the cast, and just enough darkness and drama to make things interesting.